Sat - July 17, 2010

A Brief History in Yuendumu 


The new service from the National Library of Australia, Trove, is a marvel whose gifts I'm just beginning to explore. It offers a single search that will retrieves matches from over 93 million books, magazines, newspaper articles (dating back to 1803!), diaries and archives, photographs, maps, sound recordings, and archived websites. Want to peer inside the men's painting shed at Papunya in 1972 or study the photographs of Central Desert artists by Greg Weight that were recently on view in Sydney? Or listen to Tom Calma's address "Still Riding for Freedom"? You can do it all through Trove. (And there's a permanent link to the site in the right-hand sidebar of this blog.)

One of the amazing, serendipitous features of Trove is that links to results from searches continue to pop up in my Google Alerts, which is how I discovered a rather obscure little monograph entitled Yuendumu: Betrayal of Black Rights, by Chris Raynal (Blue Water Publishing, 1990).

Raynal went to Yuendumu in May 1988 as the Administrator of the Community Council on a two-year contract. He left a little over fourteen months later. His book is his record of his times, of what he saw as his accomplishments, and of the bitter fighting and politicking he endured during his tenure. It is a fascinating story, first of all of politics in an Aboriginal community: the infighting among families and factions within the Warlpiri world as well as the tense relations between black and white and among the Europeans themselves. More than that, it describes the fraught connections between the community and the larger world of Territory politics, the conflict between Darwin and the bush, the conservative government and the still-nascent sphere of self-determination.

Raynal's story is not always easy to follow. He was a young man when he wrote it and the writing of the book was at least in part a therapeutic exercise that emerged from his bitterness, stress, and disillusionment on leaving the community and after battling with the Office of Local Government. He apparently went to Yuendumu shortly after leaving university and the voice we hear in these pages is one of youth, naivete, and self-righteousness. If never exactly arrogant, Raynal is utterly convinced of his purity of intention and his moral superiority to the other Europeans who lived in Yuendumu at the time. This isn't always an endearing voice, and occasionally he slips and reveals his unexamined sense of superiority to the Warlpiri to whom he otherwise professes to be the humble servant.

For a number of sensible reasons, Raynal names no names in this book. Everyone is referred to by a title. There is the President of the Council, the Essential Services Officer, the Powerhouse Operator, the Outstations Coordinator. This has the dual effect of making the story into even more of a morality play than its narrative might otherwise create, as everyone becomes a role if not an archetype. It also leads to a fair amount of confusion for a reader like myself not well acquainted with these roles and the people likely to fill them. At one very simple level, it's hard to tell the blackfellas from the whitefellas on occasion, which makes sorting the black hats from the white hats even harder.

By and large, though, the Europeans are the villains in the piece, far more concerned with protecting their own way of life in Yuendumu that supporting the principles of self-determination or even enabling the Warlpiri to manage the most insignificant of their own affairs. Raynal sees himself as the champion of Indigenous desires, and if balancing the Council's budget means reducing hours at the bank and the post office, and setting those reduced hours to accommodate Indigenous rather than European schedules and convenience, he never thinks twice. It is somewhat sad to watch him, early in his career at Yuendumu, win battle after battle without ever quite realizing that he is losing the war.

By his own account, he early on alienated the white community, and he takes this as a badge of honor. When later on, he is caught in the web of Indigenous politics, when the drinkers begin to gain a foothold in the Council, when family politics wearies his allies and they retreat from the fray, he finds himself alone and adrift. When the Office of Local Government steps in to investigate the parlous state of the Council's budget, Raynal's fate is sealed.

But Chris Raynal is nothing if not a fighter. When the OLG attempts to withhold a final payment to him, he settles in from Alice Springs for another battle and in the end is victorious, if pyrrhically. ("Another victory like that and we're done for", jokes Stephen Dedalus in Joyce's Ulysses.)

Apart from its intimate if perhaps slightly unreliable portrait of infighting and politics in an Aboriginal community in the wake of Whitlam's reforms, Raynal's book stands as a welcome historical record of the cyclical struggles to find a way forward in the mire of Aboriginal affairs more generally. In the wake of Howard's intervention and the rhetoric of "thirty years of failed policy" it is more than useful to see what that policy looked like on the ground when it was attempting to break free of the nightmare of history, if I may quote Joyce once more. Leaving Yuendumu, Raynal writes "If we expect history to judge us kindly on our humanity to Aborigines, then we had better use the time still available to us to accomplish something. It is evident that we have wasted two hundred years" (p. 166). 

Posted at 11:56 AM    

Sun - May 30, 2010

Sentimental Education 


John danalis black cockatoo Danalis's memoir, Riding the Black Cockatoo: a true story (Allen & Unwin, 2009) is a narrative of repatriation and reconciliation. The publisher is marketing it as a work of "young adult non-fiction," and while it will certainly make a good assignment in secondary schools, I think A&U sells Danalis a bit short in doing so. I suspect there are a good many adults, worldwide, who could take more than a few lessons away from this multi-leveled set of family histories.

John Danalis is a white urban Queenslander who returned to university as an adult, a father of two children who found that he "had tried lots of things in life, but nothing had stuck." He decided to become a teacher, and enrolled to study arts and education. He opted to take a course entitled "Indigenous Writing," and it was there, almost accidentally, that he made a disclosure that altered the course of his life dramatically over the following six months.

For one day, unguardedly, Danalis shared with the class the fact that he had grown up in a home cluttered with his father's magpie collections that included rusted farm implements, antique bottles, convict-manufactured bricks, and specimens of petrified wood. There was also, on the family mantelpiece, the skull of an Aboriginal man, unearthed by an uncle who lived in rural Victoria. The family, otherwise ignorant of all details about the memento mori, nicknamed it "Mary."

Danalis's blurted admission was met with horror on the part of his classmates and produced a sudden and irresistible compulsion in him to set the situation right. The story of how he came to do so, contacting academics and activists, stumbling his way through cultural protocols he never even dreamed existed, penetrating the edges of the Indigenous community, sometimes welcomed, sometimes rebuffed, forms the substance of Riding the Black Cockatoo.

The book contains more than its share of cringe-making moments. Danalis's naivete never seems to lessen, his missteps never quite go away and unconscious cultural arrogance persists despite his best efforts to open himself to the unknown and unfamiliar. In some ways, all his simplistic and well-intentioned efforts contribute to the charm of this book, for Danalis never lets himself off lightly. He wants to act well, he believes in the purity of his motives, and yet time and time again he exposes himself as an unconscious transgressor of sensibilities and sensitivities that lie on the far side of the cultural divide. Indeed, he often seems to forget that the cultural divide exists. And so rather than coming off as pious or indignant or morally superior, he persistently portrays himself as well-meaning but clueless. And there is a degree of charming humility to his willingness to look the fool.

His guileless behavior probably accounts for much of his success in contacting the people who can help him return the skull to its native Wamba Wamba country in Victoria. Buoyed by his belief in the righteousness of his mission, he refuses to give in to any obstacle, accepts chastisement when he overreaches, and persists in trying to understand why the theft of the skull is so deeply offensive to all the Aboriginal people he encounters on his journey. He is seduced by a new romanticism, not that of the primitive, but that of the mystical.

Riding his bicycle along the banks of the Brisbane River one day, he marvels at finding himself in the midst of a startled flock of black cockatoos. Having told us, in a typically unembarrassed moment at the start of the chapter, "[t]he bicycle is my totem," he perceives the hand of fate in this vision when later in the day he encounters a magnificent cockatoo feather headdress at a Brisbane Writers Festival event. The headdress eventually becomes a key element in the handover of the skull and the cockatoo another kind of totem or spirit guide that watches over him even as he travels down to Wamba Wamba country. There the colonial denuding of the Victorian countryside and the loss of the cockatoo's habitat becomes for him a metaphor for Aboriginal history, a history that he is trying to compensate for in a way that he understands can be not much better than symbolic, but no less important for that.

And that is a lesson to remember, always, but perhaps best heard again now in this moment between Sorry Day--this year celebrating the tenth anniversary of the Sydney Harbour Bridge Walk--and NAIDOC Week. The Australian, predictably, commemorated the event by reminding us "that there is a long way to travel until the nation can take pride that the gap between black and white Australian is being bridged effectively" ("Walking the walk a decade on," May 28, 2010). The opinion piece praises not only of Rudd's Apology but also his pursuit of the Howard government's Intervention in the Northern Territory and the agenda of Noel Pearson's Cape York Partnership.

But "bridging the gap" is less than half the story. As Aron Paul wrote this week at newmatilda.com ("Sorry? How did a decade pass like that?," May 27, 2010),

The so-called "Close the Gap" strategy has been driven not by the principles of reconciliation, but by knee-jerk reactions to statistics. In particular, the Northern Territory Intervention has been a "one size fits all" response in an area where Aboriginal groups and researchers alike have pointed to the need for programs tailored community by community.

In spite of its claims to adhere to evidence-based policy, the Rudd Government has overlooked too much of the available evidence in the race to be seen to be doing something big — much like its predecessor.

There is little evidence, for example, of the efficacy of income management, yet this controversial aspect of the NT Intervention is shortly to be extended to all welfare recipients in the NT. The driver behind this expansion is not evidence that it works. Instead, it is driven by the government’s desire to evade international criticism of the intervention which currently breaches UN anti-discrimination covenants and has been exempted by the previous government from the Racial Discrimination Act. In other words, the amendments to the NT Intervention are simply a public relations exercise, with the costs to be borne by an ever broadening tranche of the population.

Bridging the gap is important, and the work must continue to provide Indigenous Australians with meaningful and fulfilling lives unburdened by poverty and its attendants, violence, drugs, and despair. What John Howard refused to recognize and what Kevin Rudd seems to have forgotten is that symbolic reconciliation is an essential part of bridging the gap and offering hope to Indigenous people--and to white Australians as well.

Writing this week for Unleashed, Shelley Reys responds to the question she says she is often asked: "whether big emotional events like the walks for reconciliation and the apology to the Stolen Generations really made a difference to Aboriginal and Torres Strait Islander people or if they soon fade from the memory and contribute little to our wellbeing" ("Reconciliation: all of us must set the pace" (May 28, 2010).

Reys speaks of the wonder she felt at seeing thousands of people out in the freezing weather on the bridge, at the powerful message of the "ethos of a 'fair go'" those marchers sent and how it influenced her to join the board of Reconciliation Australia. It gave her a new understanding of what the Referendum of 1967 meant. Similarly, the Apology reached back to inform her feelings about her grandmother's life story and reached forward to focus her thoughts on what the passing of tradition to her own children and grandchildren means for a woman who was severed from her ancestors' language by her grandmother's removal.

For Reys, these symbolic moments can be literally inspirational in the sense of taking a deep breath before marching on, before continuing the fight armed with the knowledge that one is not alone.

National Reconciliation Week is a fine time to recall just how far we've come in the last 10 years and perhaps think about the way ahead armed with the knowledge that the best outcomes are achieved by working together. It's that human interaction between black and white Australians that is fundamental to true reconciliation.

John Danalis has told us a true story of that very real and honest human interaction in Riding the Black Cockatoo. You can hear him talk about his experience in an interview conducted for ABC Brisbane on March 24, 2010. But buy the book and read the story as well for, practically speaking, Danalis is donating half his royalties to the Wamba Wamba people in support of their ongoing cultural preservation activities. My thanks to Matt and Deborah for alerting me to this stimulating and motivational story. 

Posted at 11:30 AM    

Sun - May 2, 2010

Clinical Notes from the Outback 


Howard Goldenberg Raft
Howard Goldenberg's memoir, Raft (Hybrid Publishers, 2009), is not quite one more story in the line of Mary Ellen Jordan's Balanda (Allen & Unwin, 2005) or Maureen Helen's Stranger Among the Martu (ABC Books, 2008). Like those earlier books, Goldenberg details his experiences in remote Aboriginal and Torres Strait communities. Like Helen's, his story is one of medicine, illness and health, and encounters with the unfathomable. Unlike either of them, it is not a narrative of a year spent in a strange and forbiddingly alien place. Rather, Raft is a series of vignettes that ostensibly tell us less about the author's struggle to understand and more to document the lives of the patients he treats, even if those lives are presented in snippets.

Raised in rural Leeton, NSW, Goldenberg primarily practices medicine in Melbourne. He also frequently works as a relief doctor, seconded over many years to dozens of Aboriginal communities from One Arm Point and Bidyadanga to Wilson's Promontory and Thursday Island. His job is to fill in for the local medico who is on a fortnight's leave home, or sometimes to fly in to provide doctor's services for a spell in a community that isn't fortunate to have a regular attending physician.

As such, Raft can seem a bit disjointed in the early going. The first section of the book offers briefly described incidents ranging from Broome to Halls Creek to Mutitjulu, and thence to Jabiru and Katherine. In each Goldenberg tries to sketch out the role that a doctor plays, and the cultural barriers he must overcome simply to hold a conversation, much less to diagnose a malady or offer a palliative. Succeeding chapters offer tiny case histories, glimpses into the families of afflicted people, tales of despair and, glancingly, the doctor's own struggle to make sense of this world of pain.

Midway through the book, during an extended meditation on life in the relatively calm lands of Galiwin'ku, Goldenberg begins to experience a glimmer of understanding, the chance of hope. Another, surreal, chapter recounts a ride in a troopie with members of a dance troupe from Wadeye making their first appearance at the Garma festival. There is suspicion, a bit of fear, some testing of courage, and ultimately, acceptance.

As Goldenberg tells more and more stories, it seems that a sense of coherence, of logic, begins to shine just over the horizon. His exposure to works of art in Balgo and on Elcho Island opens up a vein of warmth; he marvels at the beauty that painting reveals in the midst of squalor and degradation. But a real sunrise never comes.

The sense of the tragic never goes away, and a real possibility of shaping these shards of his life in the Outback is never realized. I was puzzled by the staunchly episodic feel of the book, the continental meandering that brought Goldenberg no closer to a resolution--a moral, if you will--that he could construct out of these many experiences. As I relaxed my expectations a bit, I began to appreciate the matter-of-factness of his retelling of these lives he has encountered in the course of his work. If this is not exactly a vehicle for Aboriginal people to tell their own stories, Raft at least provides something very like an objective portrait of the people he encounters. I began to respect the author for the simplicity of his reporting and to be grateful to him for his refusal to embellish.

In the acknowledgments that close the book, Goldenberg offers the briefest of explanations for this tone, noting that among his advisors in style was Helen Garner, who urged him "strenuously to publish the pieces she liked and to incinerate those sections -- 'posturing and rhetorical' -- that she did not. It is precisely that lack of an attempt at fiery moralizing that distinguishes Raft from many otherwise similar memoirs of encounters with remote Australia.

A few pages earlier, in a chapter that attempts to summarize his perspective, Goldernberg offers a brief paragraph that adumbrates Garner's advice and offers the closest thing to a lesson learned from these many glimpses into a world "not at peace":

I have found myself uncomfortable in many ways. I have felt helpless, and confused by my helplessness; irrelevant and occasionally absurd. I have experienced shock and moral disorientation. Numb hopelessness followed, then a phase of toxic resignation. Later came a calmer state of acceptance, which left me open to encouragement; and now I maintain a poised refusal of acceptance (p. 214).

Raft is a series of meditations. To read it is the work of a few hours, but it offers substance for a lifetime of thought. Goldenberg has come to no conclusions, and does not ask his readers to judge either. He simply presents what he has seen, and asks us not to accept it. 

Posted at 11:30 AM    

Sun - April 11, 2010

The Arrernte, Twice Removed 


The history of Ntaria, formerly the Lutheran mission of Hermmansburg, southwest of Alice Springs, contains within itself so many threads of the narrative of invasion and colonization of Central Australia and the displacement of its indigenous peoples that it might well be the textbook exemplar of contact history. The incursions of pastoralists, Lutherans, the Overland Telegraph explorers, the frontier police, all helped to shape a revolution over the last century and more. Migrations and displacement that resulted from the arrival of white people in the region brought Southern Arrernte, Western Arrernte, Luritja-Pintupi, and Kukatja people into unprecedented proximity and fed competition for resources and the conflict that came with it.

Hermannsburg's most famous son, Albert Namatjira, stood at the head of a line of artists who were among the first Indigenous Australians to gain recognition and success in the Western art world. One of the first Aborigines to gain citizenship, Namatjira was brought down by conflicts between Arrernte law and whitefella law, conflicts that revolved around issues like access to alcohol and access to housing that resonate in newspaper headlines half a century after his death. Problems with alcohol worsened after the departure of the missionaries, and fostered the burgeoning outstation movement in the early years of self-determination policies. Regional migration between the bush and the town of Alice Springs increased tensions among the Arrernte and between them and whites. In 2007, the Intervention came to town, and it has not yet left.
arrernte present
Diane Austin-Broos, Professor Emeritus of Anthropology at the University of Sydney, has worked among the Arrernte in the areas around Ntaria for over two decades. She has brought together the results of that work in a new monograph entitled Arrernte Present, Arrernte Past: invasion, violence and imagination in Central Australia (University of Chicago Press, 2009) that is one of the most engaging studies I have read in years. (The endorsements on the back cover from Fred Myers, Tim Rowse, and Elizabeth Povinelli are merely the first indicator of the breadth of Austin-Broos's scholarship and appeal.) She channels history, anthropology, politics, religion, and economics into a flowing narrative that is both scholarly and accessible, that provides new insights into the genesis of the dilemmas that confront contemporary Arrernte. She comments incisively and passionately on the injustices still being perpetrated on a people who have suffered two major disruptions to their way of responding to their lifeworld in the last century. While she lays out for us the stratagems by which the Arrernte have coped with these dislocations, she does not hide her concern that their continued ability to adapt to such violent revolutions is deeply threatened.

The first revolution in Arrernte country occurred with the invasion of the pastoralists and, just as significantly, with the advent of the Lutheran missions. In the early chapters of Arrernte Present, Arrernte Past, Austin-Broos maps the manner in which the Arrernte attempted to adjust to the new ontologies that Christianity brought to them. She examines the clash between the old order of the Dreaming and the new order of pepe (paper: God's law in the form of the Bible and its associated rituals) that came to displace the ancestors. She shows how the Arrernte adapted by grafting their customary modes of thought onto the explanations and modalities that arrived with the missionaries. Pepe became not just God's law, but a form of local order. The very understanding of the landscape was changed as the tracks of the ancestors came to be understood as the (literal) footprints of Jesus, come to reveal a new understanding of law to the chosen Arrernte.

Along with religion came other transformations that were equally compelling and demanded equal adjustments to the Arrernte worldview. Austin-Broos is wonderful at explaining the profound impact that technology had on the simplest aspects of life at Ntaria, for instance in pointing out how the missionaries' building program not only redefined physical space, transforming an ancestral tree into the locus of a new sacred space, but also introducing vast expanses of shade beneath the roof of the church to a country where relief from the blazing heat of the summer's sun had been a precious resource. It may be easy for colonizing Europeans to appreciate what the diversion of water supplies meant to a desert people; but how many of us have stopped to consider the impact of such a mundane alteration of the landscape as shade, especially to people who have defined differences in social orders by reference to "sun-side" and "shadow-side" moieties?

There are iconic moments in the history of the christianizing of the Arrernte, oft-told tales of the works of evangelists like Titus Renkaraka and Moses Tjalkabota, and how the sacred caves that hid the tywerrenge (churinga) were emptied and abandoned as the centrality of the old regime's sacred boards gave way to the law of pepe. But Austin-Broos takes us far deeper into the changes that the missions wrought in the structure of society. She explores, for instance, how the importance of conception as validating rights to country declined in the wake of sedentarism. As people moved around less, more children were born in settlements and camps; less traveling along the customary "beats" of Central Australia weakened important mechanisms whereby people gained rights to country. European patrilineal models of inheritance, almost by default, came to displace traditional forms of association with country. Displacement of Southern Arrernte by pastoralism led them to first become guests on other people's country, and later to attempt new ways of asserting belonging. From these early shifts in social reckoning there is a fairly direct line to the factionalism and violence that plagues contemporary Aboriginal politics and social life.

The second revolution in the Arrernte imaginary came with the era of self-determination, the departure of the missions, and the growth of the outstation movement, all of which were intimately linked one to the other. Having successfully negotiated the ontological shift brought about by the arrival of Christianity, the Arrernte were forced into a second redefinition of themselves by the new insistence on developing a culture based on market economics. While contemporary critics often bemoan the scourge of "welfare dependence," Austin-Broos skillfully demonstrates how such dependence is the result, not of Arrernte indigence, but of economic marginalization by a government that no more understood the terms in which Arrernte organized their world than the missionaries had done a century earlier.

Just as a sedentary way of life created profound shifts in Arrernte social and political organization, so did the emphasis on individuals as actors in the economic marketplace. The valorization of the Aborigine as "Australian" may have reached a zenith (or nadir, depending on your point of view) under John Howard's neoliberal politics, but the impulse toward economic self-sustainability had been present in government policies from the earliest days of self-determination. The old order of relatedness and obligation to kin was replaced by the new order of economic individualism and allegiance to money (another variety of pepe) and the market.

In the early days of self-determination and the move to outstations, the Arrernte attempted to reproduce in these small and far-flung settlements the economies of gardening and craft production to which they had become accustomed during decades of dominance by the Lutherans. But the market economy that had been Hermannsburg could not itself be sustained without the subsidies of the mission; the even more marginal economies of the outstations failed almost immediately. Competition for resources developed between the factions allied with the old mission settlement at Ntaria and the new Tjuwanpa Outstation Resource Center (TORC). Government subsidy in the form of CDEP programs succumbed almost immediately to the stresses generated by the tension between relatedness (loyalty to family) and individualism (loyalty to the market, defining relationships through money rather than kinship).

Here again, Austin-Broos demonstrates how the Arrernte redefined their imaginary to suit the demands of the new order. The use of money, commodities, and other transportable material became a means of attesting to relatedness. To be able to demand ngkwaltye (spare change, scraps, a little bit) or to be able to grant such a request melded the traditional economy of sharing with relatives to the rules of the marketplace. In other contexts, this practice has become known as "humbugging" and it in itself escalates tensions and becomes the occasion of interpersonal and social violence. The accommodation to the new order is sought, just as the fusing of the Dreaming and pepe had been pursued early in the 20th century. But so far, the results appear to be more disruptive of the social order than sustaining or adaptive. Austin-Broos summarizes the dilemma:

In short, to be the individual that market society and even CDEP expects, Western Arrernte must be prized from kin relatedness and from their emotional links to place. The violence that is readily seen in Western Arrernte life today is informed by the conditions of forced transition, but on the margins of market society--"forced" because the meaning and value of market society disorganize other regimes of values without quite delivering on modernity (p. 246).

While the outstation movement was supposed to mark a return to a more traditional way of life, its key feature, Austin-Broos notes, is still that of settlement, a mode of living in one place. It was mission life without the mission. Worse, during their century of evangelization, the missions had effectively destroyed the knowledge of ritual that might have sustained the Arrernte had self-detemination been a meaningful alternative. After a brief revival of ceremony led by the oldest men, death robbed the new generation of its chance to effectively re-establish itself on country.

Indeed, consider that fifty years elapsed between the arrival of the missionaries and the general repudiation of the tywerrenge in the early 1930s. It is now barely forty years since the advent of "self-determination" and the degree and the pace of change that the Arrernte have been subjected to in that latter span have been far more intense. That the adaptations have been imperfect, maladaptive, or even failures, should not be surprising.

Austin-Broos was in the last stages of completing her manuscript for this book when Little Children Are Sacred was published and the Northern Territory Emergency Response launched. Shocked by the vitriolic pathologizing of Indigenous people that accompanied these political maneuverings, Austin-Broos adapted her final chapters to address the challenges that the Intervention brought anew to Arrernte life. In yet another example of the keen and fresh insights she brings to the discussion, Austin-Broos examines the debates and concludes that much of what was said in 2007 was political speech aimed at discrediting either proponents of the "failed" government policies of the previous thirty years or the stringencies of the Intervention's goal and tactics. When the Arrernte and their fellows entered the discussion at all, it was often merely as "portraits of degradation" (p. 258).

Nor did anthropologists do much to help. For much of the 20th century, she charges, anthropology has been preoccupied with studies of kinship and ritual, or engaged with documenting land claims and, as such, focused more on Canberra's laws and consultancy.

There has been very little stepping back to gain a perspective on the state and society--or on a phenomenology of changing indigenous subjects. Either a bounded ethnographic model or consultation for the state has intervened in a more critical view of remote indigenous life.

...

Whatever the outcome of this intervention, the national discourse would be more discerning and less strident were opinion makers prepared to engage directly with remote communities in their own domain. The pundits would be less detached and possibly more able to support those who have hard decisions to make (p. 258).

In these final arguments, Austin-Broos reiterates her vision of Arrernte agency. No matter what changes have been forced upon them, the Arrernte have creatively engaged with the necessity to accommodate their existing comprehension of the world to the facts on the ground. Her goal is to make explicit these traces of an Arrernte past that she discerns in the Arrernte present. "It does not serve indigenous people well to assimilate their history simply into the dimensions of a taken-for-granted politics" (p.270). We must, she insists, come to terms with the magnitude of Indigenous experience if we are to understand the problems the Arrernte face and find ways to aid in ameliorating them. 

Posted at 12:05 PM    

Sun - December 6, 2009

Mission and Bush 


munkara every secret thing
The David Unaipon Award, established in 1988, is an annual competition that recognizes the best unpublished manuscript by an Aboriginal or Torres Strait Islander author. The 2008 winner was Every Secret Thing (University of Queensland Press, 2009) by Marie Munkara. Like earlier winners Bitin' Back (2000) by Vivienne Cleven and Me, Antman and Fleabag (2006) by Gayle Kennedy, Every Secret Thing is by turns hilarious and somber and deserves to be at the top of your reading list.

The novel is set on a mission in the Tiwi Islands, and from the first line it is evident who has the upper hand in the struggle between the bush mob and the mission mob. "It had been a shit of a day for Sister Annunciata and Sister Clavier." Matthew, Mark, Luke, and John--young boys of the bush mob, not the Evangelists--have run off from morning prayers in advance of the Bishop's visit to the island, and the mob is having too much fun as they watch the good sister "drag Matthew from a nearby bark hut by one of his ankles and crack him across the arse with a digging stick." But by the second page, we can sense that there is trouble in this paradise. After dealing with the runaway boys, Sister Annunciata is harrassed by the mother of Mary Magdalene--the young Wuninga, as she's known in the bush--who demands to know how her daughter could have gotten pregnant if she was locked up every night in the mission dormitory. Several chapters later when Mary Magdalene's baby is born looking remarkably pale, we begin to understand the unspoken anguish alluded to in these opening pages.

But for the most part, the first half of the book is a hilarious account of the misadventures of the mission mob as they try to make the bush mob understand what the miracle of baptism has wrought in their poor heathen lives. Of course, the bush mob sees it quite differently, and their deadpan bemusement masks a mixture of incomprehension and disbelief at the self-delusion of the priests, brothers, sisters and assorted other whitefellas who think they are the masters of this tiny island paradise. If nuns are all the brides of Christ and there are more nuns out than than in a big mob of wallabies, reasons old Jerrekepai, why should Father Macredie be concerned about Jerrekepai's mere nine wives after all?

And consider how Pwominga discovers that themarie munkara best way to endure the visiting anthropologist is to teach him language. Pwominga instructs the anthro, whom the mob calls Wurruwataka (rat) that timurarra is the word for spear, and the dhooroo describes a big wind. Pwominga's not really fibbing, as the words mean "penis" and "fart" respectively, but the bush mob nearly piss themselves when they hear about it. Of course, the mission mob has never much tried to learn the lingo, so they're not offended when the anthro greets Father Macredie with Awana juruliwa ("Hello, pubic hair") or tells Sister Jerome that her lamb with gravy is the best kundiri (shit) he's ever eaten.

Mary Magdalen's baby turns darker as the days pass, and like the baby, so does the tone of Every Secret Thing. After eighty pages of hilarity, in which the bush mob bests the mission mob six ways to Sunday, the suspicions of abuse return when a new baby is born who looks uncomfortably like Brother John. Two Spanish laborers, Mingo and Gringo, on the island to help rebuild the mission after the bush mob's warning of an impending cyclone is ignored, have also fathered too many children on the young women of the bush mob. Something has to be done, and so the Garden of Eden--not the one we read about in Genesis--is founded to isolate and educate the abductees. Er, children. This Garden of Eden bears an uncomfortable resemblance of its own to the Garden Point Mission on Melville Island, where Munkara herself was sent at the age of eighteen months.

[T]he nuns at the Garden of Eden ...worked relentlessly to shape the unruly half-caste rabble into obedient and God-fearing servants of the muruntani. No rod was spared and no abductee spoilt in the process as the little coloured kids were repeatedly chastised and flayed until prayers and hymns and excerpts form the Bible were slowly absorbed by rote into every fibre of their being. And when they were eventually knocked into shape they were passed on to caring white families as domestics and the like because, let's face it, the mission mob knew these useless individuals would never amount ot anything else. In order to control them, many of the good Christian families duly followed in the incarcerators' lead by perpetuating the violence, sometimes throwing in a few more tortures for good measure like rape and mental abuse, because this was the only thing this half-caste lot understood. A few even had to be sent back to the mission because they just didn't seem to respond to the kindly ministration of their new families and kept trying to run away or told wild stories to people about their treatment.

It was sad really.

The knife-edge of irony in that final assessment, "It was sad really," is the perspective that elevates Every Secret Thing beyond farce. After this point in the story, there is still plenty to laugh at, as more missionaries visit, a pair of French castaways comes to stay, and Doctor Phil arrives with his wife, braless Betty. But each chapter now seethes with sexual misalignments, there is alcohol, but most disturbingly, the bush mob comes to understand that the logic of the missionaries' preaching is fatally flawed. Where they had once happily dismissed the fables and foibles of the Christian community, the bush mob slowly becomes bitter, disenchanted, and fatalistic. The final chapters are among the saddest comedies of errors I've ever read. Marigold, who had been sent to the Garden of Eden as a baby, returns to meet her family two decades later; and Pwominga decides to test the mission mob's doctrine of the Resurrection with a personal and disastrous experiment. The boisterous, rebellious, laughing mob that watched Sister Annunciate take after Matthew, Mark, Luke, and John on the first page of the novel is forever altered. Despair and hopelessness are joined to a deep and devastating uncertainty about all that they have learned from their Christian brethren. At the end,

there was one thing they were certain of. They didn't have to die to go to hell because the mission had happily brought that with them when they'd arrived unasked on the fateful shores of the place that was their heaven all those years before.

Quite unlike any other novel I've read, Every Secret Thing captures the process of the collapse of the old culture in the face of an alien philosophy buttressed by a powerful and equally incomprehensible technology. Its vision of spirit being waylaid by the spiritual brilliantly records the leaching of joy from the world and the residue of bitter earth that is left behind. And yet, like the hope at the bottom of Pandora's box, the novel's humor and the ability of Munkara to laugh in the face of tragedy offers solace. Every Secret Thing manifests the importance of grasping what little is left, in hearts and memories, of "the place that was their heaven."

My thanks to Bob Gosford for tipping me off to this tale. Bob published an interview with Marie Munkara on The Northern Myth in two parts on October 21 and 22, 2009. 

Posted at 11:40 AM    

Sun - November 15, 2009

The Promises and Perils of Mining 


Dispossession can take many forms, but for Aboriginal people in Australia few are as physically stark as the removal that occurs when extraction industries enter their country. The landscape which Indigenous people believe was formed by their ancestors is broken, disturbed, and literally hauled away. Even the best reclamation projects cannot restore the shape of the country to what it was before the miners arrived. And aside from the metaphysical concerns that such alteration of the landscape raises, the lingering effects of industrial pollution from chemicals used in processing rare metals or the radioactive legacy of uranium extraction can bring on somatic illnesses as deadly as the spiritual ones that derive from obliterating the terrestrial remnants of the Dreaming ancestors.

The history of Aborigines and mining in Australia is far from simply a tale of rapacity, although that is a theme that resonates in every corner of the country. Arguably the most significant change in the recognition of Aboriginal rights in Australia, that of Native Title, stems directly from the Gove Dispute of the 1960s over the establishment of the bauxite mine near the mission at Yirrkala. The protests lodged by the Yolngu people of Arnhem Land, beginning with the famous Yirrkala Bark Petition, the ensuing legal case of Milirrpum v. Nabalco, the Woodward Decision, and the resulting drafting of the Aboriginal Land Rights Act (Northern Territory) 1976, have forever altered the relationships of Aboriginal people and the Australian government.

The restoration of even small parcels of land to even partial Indigenous control did little to stave off the battles over mining rights, especially across large tracts of the north of Australia from Cape York through the Pilbara, and the stories of the conflict have been told many times in many ways, ranging from Werner Herzog's film Where the Green Ants Dream (1984) through Quentin Beresford's prize-winning biography, Rob Riley: an Aboriginal leader's quest for justice (Aboriginal Studies Press, 2006). Even Midnight Oil's famous song "Beds are Burning" alludes to a mining story: the destruction of the community of Mapoon on western Cape York to make way for the Weipa bauxite mine.

Now a new book from the Centre for Aboriginal Economic Policy and Research, Power, Culture, Economy: Indigenous Australians and Mining, edited by Jon Altman and David Martin (ANU Press, CAEPR Research Monograph no. 30, 2009), offers an extensive review of the recent history, current status, and future prospects of agreements and disputes among the three principal partners in the development of mining practice in Australia: governments, mining companies, and Aboriginal people and their organizations, councils, and communities. The essays included in this volume offer both broad overviews and focused case studies that look at the operations of three large enterprises: the Ranger Uranium Mine near Kakadu in the Northern Territory, the Yandicoogina Mine in Western Australia's Pilbara, and the Century Mine in the Carpentaria region of Queensland. As Altman states in his introductory chapter,

The key question the research sets out to address is whether major long-life extractive mines located on Aboriginal owned land and near Aboriginal communities have the capacity to fundamentally alter the marginal socioeconomic status of Indigenous Australian in a sustainable manner (p. 3).

Overall, the prognosis does not look good. One can start from the premise that mining enterprises alter Indigenous economies, and to alter economy is to alter culture. Or one can proceed from the point argued by Elizabeth Povinelli in The Cunning of Recognition (Duke University Press, 2002) and consider that the conditions for the acquisition of native title rights are determined by non-Indigenous assessment of the authenticity of cultural maintenance through time. Thus, as David Martin lays out in his contribution, "The governance of agreements between Aboriginal people and resource developers: Principles for sustainability,"

Native title is also a very legally fragile form of property right. Its existence depends upon continuing adherence by the native title holders to the laws and customs from which their native title derives. Post-determination socio-cultural changes--including indeed those which would logically result from the positive impacts of engagement with the mining industry--could result in a government seek to have the determination that native title exists revoked, on the basis that the particular groups' laws and customs are no longer traditional (p. 109).

But even putting the threat of such legal challenges aside (which it would have been unwise to do during the Howard years), Benedict Scambary, in the book's concluding essay, finds the odds to be unfavorably stacked. Speaking of the arrangements that have been engineered in each of the three operations that form the case studies for this book (Ranger, Yandicoogina, and Century) he comes to the following grim conclusion.

All three agreements are considered best practice by the mining industry, the state and select Indigenous leaders, for their perceived capacity to deliver substantial and sustainable benefits to Indigenous people. However a combination of the scale of Indigenous disadvantage and the mainstream development parameters of the agreements themselves limit the attainment of sustainable outcomes for Indigenous people associated with all three agreements. ...[A] fundamental limitation of these mining agreements is their incapacity to engage with and augment the diverse livelihood objectives of Indigenous people (p. 171).

Throughout, the authors of the eight essays that comprise Power, Culture, Economy blend insights from economics, anthropology, demography, and organizational theory to illuminate many facets of the changing landscape (no pun intended) of relationships between miners and Aboriginal people, whether mediated by the state or not.

Perhaps the most significant change has been in the attitudes of the mining corporations themselves. From a position in the 1970s and 80s where they battled land rights at every turn, companies like Rio Tinto have now come to believe in the importance of the "social license" to operate. They understand that the good will of the state is not sufficient to the success of their operations and that the cooperation of the people whose lives and lands are altered by mining can be far more crucial than government largesse and legal support.

Mining can offer substantial financial benefits to those communities who reach an accommodation, but often such agreements are only the beginning of an unfolding play of intercultural actions and sometimes unanticipated consequences. Chief among these is the government's willingness to withdraw support for communities that have gained economic benefits from the mining companies. In her contribution to this monograph, Sarah Holcombe develops a theme put forth in a 2004 article by Ciaran O'Faircheallaigh of Griffith University entitled "Denying citizens their rights? Indigenous people, mining payments and service provision" (Australian Journal of Public Administration, 63 (2): 45-50):

'If mining payments are used to pay for basic social services [that are citizenship rights] then opportunity' ... to utilise a significant economic asset cannot be utilised to overcome economic disadvantage. A case can be made that the development of these homelands has been an example of 'substitution funding', whereby the expenditure from mining payments has substituted for government funds that were spent elsewhere. The result is no net increase in spending on services in these communities (pp. 158-159, emphasis added).

Other tensions arise from differing underlying cultural assumptions. Corporations often approach communities with expectations that the funds they supply will be invested in entrepreneurial activities, only to find that individualism is out of place, at best, among the parties on the Indigenous side. Where such entrepreneurial initiatives arise, they are often family-oriented and lead to competition and dissatisfaction among different elements in the community, or different language groups in the affected areas. Indeed, it is sometimes nearly impossible to decide who the parties to such agreements ought to be, what the affected areas are, and who has rights of any kind in them.

Cultural assumptions also provide the occasion for several minor insights in the course of these essays that, while perhaps tangential to the main economic and governmental analyses, illustrate for me just how hard it is to establish meaningful common ground. Martin discusses the many ways in which funds from mining profits might be used by Aboriginal communities to establish new programs that provide employment and "insert their cultural forms and presence onto the mine site." Martin refers to the practice of inducting staff and guests into formal exchange relationships and "giving them a ritual safe passage across the mine site ... a form of specifically Aboriginal health and safety instruction" (p. 115). The metaphor will no doubt raise a smile on many a reader's lips (it did on mine). But such rituals exist for the purpose of impressing upon visitors that fact that the country is dangerous, much as a flight attendant's ritual instructions on fastening a seat belt are designed to warn air travelers to the perils of unanticipated turbulence.

Similarly, Martin points to profound changes in social custom that may arise if the goal of increasing Indigenous employment at mines near existing communities succeeds. Such employment could slow the exodus of young people from the communities. Together with the current rise in population and the tilt in most communities toward an increasingly younger demographic overall, this new employment could result in "enculturation into a distinctively Aboriginal social and cultural milieu taking place within generational age cohorts--such as peer groups--rather than through transmissions from senior to junior generations" (p. 111). The exact consequences of such a shift would be impossible to predict, but certainly pose risks to culture as well as to social order.

The essays collected in Power, Culture, Economy are almost all easily accessible in style and content to the general reader seeking an introduction to the complexities of present-day interactions between miners and Aborigines. They also form an excellent sourcebook for those in industry and government, and in Aboriginal organizations as well, on issues and outcomes social and economic. The bibliography of referenced sources alone runs to almost forty pages. Furthermore, it is encouraging to note that the research that led to this book was conducted under the auspices of the Australian Research Council in partnership with Rio Tinto and the Committee for Economic Development of Australia. Readers with interest in current issues in Aboriginal culture, socio-economics, anthropology, and law will all find the hours spent in the pages of this monograph both enlightening and rewarding. 

Posted at 12:05 PM    

Sun - September 27, 2009

The Irreconcilable Politics of Suffering 


Almost ten years have passed since Peter Sutton delivered the inaugural Berndt Foundation Biennial Address at the University of Western Australia. In that speech he lamented the breakdown of well-being in remote Aboriginal communities and decried the policies of self-determination and welfare delivery that he believed had led to an intolerable status quo. Sutton, who had by that time spent nearly three decades studying, living, and working with the Wik people of Western Cape York, seems to have been energized by the repeated loss of friends and adopted family members in and around Aurukun to murder and suicide. Equally, the then-recent publication of Noel Pearson's Our Right to Take Responsibility (Noel Pearson and Associates, 2000) with its call to rejection of victimhood and government handouts provided inspiration for some of his arguments with politics as they played out in Cape York.

I first encountered Sutton's provocative thesis in its revised, published form as "The Politics of Suffering: Indigenous Policy in Australia since the 1970s" in the journal Anthropological Forum (vol. 11, no. 2, 2001, pp. 125-173). I recall being doubly shocked by his article. It was the first extensive documentation I had seen of remote dysfunction; it was also the first blast at what I had thought until then as the unquestioned "liberal pieties" surrounding self-determination and the will to a renaissance of traditional Aboriginal culture and values.

It is primarily the latter theme, the failure of liberal ideals (signaled by the change in the subtitle from article to book) that Sutton focuses on in the monograph that has grown out of the 2001 article and a series of other speeches and writings he has delivered in the past decade. The Politics of Suffering: Indigenous Australia and the end of the liberal consensus (Melbourne University Press, 2009) can still shock, even after years of exposés in The Australian, the publication of Little Children are Sacred, and the Northern Territory Emergency Response. The new book is aptly described in the cover blurb by Marcia Langton as "incandescent, emotional, tragic and challenging."

I think Langton has caught the essence of Sutton's book in those four words. Most every review that I have read has brought out the intensely personal and emotional connection that fuels Sutton's despair and motivates him to seek a new answer, a "post-liberal" solution to the crisis in Aboriginal life. He marshals an impressive body of evidence for the failures both of successive governments and of Aboriginal communities. Many of his insights are keen, and if not original, still pertinent. He insists, for example, that during the last thirty years, governments implementing policies of self-determination have been far more interested in bureaucratic and fiscal accountability than they have in the quality of life on the ground (p. 49). He also unsparingly documents the history of and evidence for levels of violence in Aboriginal life that make those of us who hold liberal, Eurocentric values shudder (Chapter 4, "Violence, Ancient and Modern").

But time and again in the first half of the book, where he enlarges upon the evidence and themes he first presented in 2000-2001, Sutton's despair leads him into a sort of logical desperation. He speaks repeatedly of the "relatively benign" character of mission life at Aurukun prior to the liberalization of politics in the 1970s; I can only say that this seems quite at odds with evidence that has been put forth by others, including Nicolas Peterson in his summary of Donald Thompson's notes on life at the Aurukun Mission as presented in "A Biographical Sketch of Donald Thompson" in Donald Thompson in Arnhem Land (Miegunyah Press, revised edition, 2003):

For many years, indeed into the 1960s, Aurukun was controlled with a rod of iron by a superintendent of long standing. Under his regime and by his hand Aboriginal people were summarily punished by complete or partial head shaving, flogging, chaining, and imprisonment. The prison was a galvanized iron building, seven by twelve feet, divided into two compartments and containing as many a six adult prisoners at one time. For such a trivial offence as late delivery of the milk to the white staff's holiday camp on Archer Bay, miles from the mission, an Aboriginal man, Billy Blowhard, was threatened with goal. Worst of all, in Thomson's eyes, was the power of the superintendent to have people exiled for life to Palm Island simply on his own word, and without any trial (Peterson, p. 6).

Whatever the exact character of a place like Aurukun Mission, Sutton concedes that "the creation of holding and training institutions for Indigenous people under mission and government policies of the colonial era and afterwards ... was social engineering on a grand scale...." He goes on to agree "that it is unthinkable to argue for that kind of social engineering and intervention any more" (pp. 140-141).

And yet a mere two pages later he formulates in its baldest expression the solution to dysfunction that runs through much of The Politics of Suffering.

The evidence is heavily stacked against the rose-coloured expectation that Aboriginal people with a traditional orientation will simply adopt foreign causal theories, living conditions and health practices with alacrity, on the basis that they are good for their health. So it is not realistic to assume that the kind of cultural change I refer to here is going to occur quickly and simply as a result of education or persuasion of adults. The cycle of childhood socialisation needs to be re-geared if the specific behaviours to do with things like hygiene and sanitation, the legitimation of violence, the degree of priority placed on physical wellbeing itself, and openness to preventative health measures, are to change more quickly (Sutton, p. 143, emphasis added).

This is the logic of the missions: it is too late to affect the behavior of the adults and thus intervention in the lives of the children is the only hope. If Sutton is not arguing for "social engineering on a grand scale," he does not explain quite what exactly he is arguing for.

In the final chapters of The Politics of Suffering Sutton moves beyond the polemics of his early writings to take up a sort of anthropological and humanistic exploration of the two cultures and the disastrous results of their collision. He does not assign blame to colonial dispossession, government intervention, Aboriginal separatism, or passive dependence. Rather, Sutton argues persuasively that it is that collision of two very different views of the world, of the self, and of human relations that are the source and the fuel of the fire that is consuming Aboriginal Australia. In the chapters "Bodies Politic" and "Customs Not in Common" he examines the substantive differences between classical Aboriginal culture (admitting of significant variation between, for example, Yolngu and Pitjantjatjara) and the expectations of the modern European nation-state. I think it is fair to say that Sutton believes these differences to be fundamentally irreconcilable.

In his penultimate chapter, Sutton takes an unexpected turn to examine "Unusual Couples." Here he chronicles some of the extraordinary pairs of Aboriginal and European men and women whose names and writings (at least the Europeans' writings) are nearly synonomous with Australian anthropology in the twentieth century: Makarrwalla and Lloyd Warner in Arnhem Land, Bambegan and Ursula McConnel in the Wik country where Sutton later worked, Durmugam and Bill Stanner. Although it seems at first a strange digression into anthropological history, this chapter functions to further two critical points for Sutton.

The first of these points is that we will never know the exact nature of these extraordinary relationships, recorded as they were only from the anthropologist's point of view. Sutton even hesitates to use the word friendship to describe them. He goes on a series of interesting linguistic diversions to show that the concept of "friendship" may itself be entirely alien to the Aboriginal mind in which relationships are chiefly structured by concepts of kinship.

The second point is that the possibility for the remediation of culture clash is never better than it is in such intimate interconnections as these "unusual couples" achieved.

And thus, when Sutton returns in his final chapter, "On Feeling Reconciled," to the questions of politics that govern the suffering of his own Aboriginal relations, it is with a certain degree of pessimism about the possibility of political solutions. He concludes by offering a sort of personal salvation as an alternative to the political: it is only by establishing meaningful connections at the personal level between people who come from such disparate backgrounds that we can hope to work through the chaos and confusion that afflicts Aboriginal Australia.

For Sutton to emerge from two hundred pages of a critique of liberal idealism and "rose-coloured expectations" to such an idealistic, personal, and individual severing of his Gordian Knot was both surprising and inevitable. Surprising because I can't remember another voice in the many arguments about rights and responsibilities, strategies and solutions, to bring the discussion down to this intimate a level. Inevitable, perhaps because Sutton's arguments all stem from his very personal sense of loss, rage, or despair over the violence that has undone the lives of his friends and relations in Aurukun.

But politics is not about individual relationships, although they may be the foundations of life in the polis, the city. Politics works at the level of communities, and of cultures. And Sutton is right to recognize the perhaps irreconcilable differences between these two cultures. Like Tess Lea did in Bureaucrats and Bleeding Hearts, he zeroes in on the issue of repugnance: European repugnance at the place of violence in Aboriginal life, for example, and its converse, Aboriginal repugnance at the mutability of European laws on paper. Both attitudes are rooted in the respective culture's concept of what Europeans would call justice. If such a fundamental issue divides us, how can we achieve reconciliation, if reconciliation is ultimately about justice? Sadly, when Sutton recognizes the necessity of change, he presupposes the prerogatives of the modern nation state and sees no solution except that Aboriginal people change. In other words, he endorses the status quo. 

Posted at 12:05 PM    

Sat - September 5, 2009

Health Affairs 


Tess Lea has written a book of frightening import and importance.

Despite bureaucrats and bleeding heartsits subtitle, Bureaucrats and Bleeding Hearts: Indigenous health in northern Australia (UNSW Press, 2009) is not so much a direct examination of the state of Indigenous health affairs in the Northern Territory as it is an ethnography of those who are charged with "ending Aboriginal disadvantage in the frontier north of Australia." Lea herself is the Director of the School for Social and Policy Research at Charles Darwin University, previously co-author Learning Lessons: an independent inquiry into Aboriginal education in the Northern Territory (1999) and co-editor Moving Anthropology: critical Indigenous studies (2006).

Bureaucrats and Bleeding Hearts is not another recitation of the parlous state of Indigenous health: that is almost an assumed premise. Rather, it is an attempt to understand how the government tries to cope with the task of organizing itself to address the issue, and how the people who make up the Territory Health Service (THS) cope with both the challenges and the stresses of the work. It examines how the structures and demands of the bureaucracy affect the people who work for it, how such structures influence solutions, and how the entire need to take action in itself generates what Lea describes as the self-replicating process of the need for further action.

And yet the book is not simply a treatise of criticism Lea never loses sight of the earnest dedication and the idealism of the people who sacrifice so much of themselves to the Territory Health Service and its mission. With years of involvement in social policy and as a practicing anthropologist who has turned her gaze not on the exotic other but on the very institutions she herself works for, Lea undertakes the nearly impossible challenge of understanding how her own culture operates in its confluence with Aboriginal society.

[It] would not have been enough for me to describe the faults of governmental policies. This is a book about the existence of the state with the self and the self within the state. My subject has not been the artifice of bureaucratic constructions but their social life, and how they are brought to life by social beings. This is art and artisanry, artifice and facticity, coalescing into powerful systems of cultural reproduction that come together in the orchestral work of upholding the developmental state. A sense of wonderment is called for, even if the cultural mastery at play here remains uncelebrated within anthropology, which only sees a non-fantastic rationality in need of correction (pp. 235-36).

For over a decade, Lea has been closely involved with THS, shadowing health workers on assignment in remote communities and in Health House, the Darwin central office and administrative soul of the organization. She has taken part in bush orientations in communities and on mudflats, often grueling exercises that test physical and emotion endurance. She has also participated in countless workshops aimed at defining problems, inventing solutions, and building esprit de corps amongst the workers.

It is especially in these workshops that a picture of the bureaucracy emerges that evokes my assessment of "frightening." It is frightening because it is so familiar and rings so true. But Lea's portrait reveals how the necessary structures of any bureaucracy inevitably turn back upon themselves and threaten to strangle their intended outcomes.

The workshops allow their participants to raise issues, to vent their emotions, to figure out what to do next. Participants in one workshop described early on in the book respond to their leader's call to verbalize their experiences; the leader (Bob) then summarizes their stories into bullet points on the communal whiteboard. One participant has this to say:

I feel frustrated being seen as a service deliverer, as a doctor first, there only to see sick people. All I see are people with pus, with sores. As a visitor I cannot spend time with people working on more chronic issues.
Bob writes:

>> inability to work up programs

And the trauma for [our] families is unreal. I take it out on my kids ... abuse them for being so privileged. I really coped very badly. I couldn't talk to my husband for at least the first hour after I got back. I would have to take myself out of the house, go for a walk, go to the gym, something .... It was so hard.
Bob writes:

>> lack of debriefing opportunities (pp. 89-91).

The requirements of reducing the complexity and chaos of everyday life to manageable bullet points, to the essence that can be captured and addressed by a program generic enough to be widely applicable, drains the life, the very reality out of the experience of these dedicated workers. Is it at all surprising then that programs born of such brainstorming sessions ultimately fall short of effective solutions to real world challenges? A few pages later Lea laments the way in which these exercises lead to "institutional self-perpetuation."

It is here, I want to argue, here within the selection of hardships to relate (in the well-proportioned anecdote and the emotions attested, in the sympathetic reception and the confirming responses of other), that the complex regulation of the 'romance of raw experience' is accomplished. It is here that the genesis of institutional self-perpetuation and its obscuring from itself can be located. The trick is to recognise the heavy-handed stamp of the ordinary in the extraordinary public health professional. And further to see that these constraints arise out of the close inspection and recuperation of failure.... (pp. 94-95).

In other words, the work of enunciating the further work that still needs to be done is itself an endpoint.... It is through talking that specially chosen words are bestowed with their magical ability to 'make a difference on the ground'. It is through talk work that professionals create shared grammars of both complaint and diagnosis in parades of collective analysis which are immersions in techniques for recuperating past failure into the need to do more of the same (p. 107)

The gap, the difference between Aboriginal lives and bureaucratic imagination is a theme that Lea sounds repeatedly. Those who routinely enjoy good health,whose bodies are not sending out distress signals hourly and daily, can find it hard to incorporate (in its literal sense of "bringing into the body") the experience of chronic disease, no matter how good their intentions. On the other side, those who are forever sick are not impressed by statistics and health information. For health professionals, the overwhelming data about Indigenous ill-health sound an alarm that the sickly themselves may not be able to hear.

It is the avalanche of catastrophe and opportunity that animates health statistics, and which convinces health professionals that a key requirement of betterment is that Aboriginal people know how sick they are through an appropriately alarming rendition of the statistics. ... Our own cultural fascinations are held to fascinate others, and not for the first time (pp. 132-33).

Ironically, attempts at cultural sensitivity can further widen the gap. Lea notes how rare it is for health workers to ever enter the homes of the people they seek to treat. Aboriginal visits to Visiting Officers' Quarters are often treated as intrusions to be quickly resolved. Instead the health officers meet with selected Aboriginal individuals, often those already most at ease with English and Western concepts of health and nutrition, in carefully selected, neutral, and largely whitefella physical spaces like clinics or community centres.

And then there is the episode of the "cursed store" in Numbulwar. Nutritionists were eager to restart a program of healthy eating habits that had been waylaid when the community stored was closed after it was put under a curse by one of the elders. A new store was under construction; the old store stood closed and increasingly dilapidated. The nutritionists carefully avoided probing the sensitive backstory; instead of focusing on the "issues of all-consuming importance in the micro-politics of Aboriginal communities" (p. 166), they focused on menus, food groups, and binders full of laminated photographs of healthy tucker. The health professionals were respecting the privacy of their clients and refusing to invade what they clearly saw as private space. They probably could not do otherwise, but they also lacked any understanding of the reasons why the first store had been cursed and abandoned, the electricity shut off, the food still rotting in the disabled freezers.

In this very respect for what Lea calls "the mystery of Aboriginal difference" lie the seeds of failure for those who wish to do things with Aboriginal people rather than for them, or worse, to them. The crippling legacy of colonialism overburdens bureaucrats whose hearts, in the best sense, bleed for their clients. And at the same time, the demands of the bureaucracy squeeze the life out of their experiences when it comes time to make policy.

Much has been made recently of the failures of the last thirty years, the failure of policies of self-determination and passive welfare, of the liberal bleeding-heart consensus, of policing and regulation. Those who decry the social engineering of those failures suppose that now that they have recognized the futility of these regimes, the better way will shortly emerge or is indeed already apparent. Lea implicitly suggests that perhaps the next solution, grounded as it inevitably will be in the logic of intervention, is likely to fail just as miserably.

Lea herself proposes no such solutions. Her aim here is to illuminate the logic we cannot see in the system that we are part of. She does not take sides; she critiques, but she does not condemn.

Amidst the intense factionalism about approach and political commitment, there is a tremendous standardisation in the logic which explains the need for our interventions, for our very positioning as concerned helpers. It is, as we have seen, such a readily ... generalisable logic that it can be inserted into any situation, with out the need for specific knowledge, of these particular people, their place, their contemporary context, specific histories or intimate local concerns (p.210)

It is a metaphysic which cannot for a moment entertain an order of socio-economic co-existence with Aboriginal people that excludes institutional intervention; a metaphysic which would ask, as pre-emptory response to even this critique, but what else would you have us do? For doing nothing has now become unimaginable (p. 212).

The special genius that Tess Lea brings to Bureaucrats and Bleeding Hearts is that, throughout, her focus is on "specific knowledge, of these particular people, their place, their contemporary context"; she looks clear-eyed at black and white, left and right. If abstraction is the enemy, the challenge is to construct ways of thinking that can function successfully in the structural and perhaps unavoidable straightjacket of institutional logic. In a pair of playful sub-heads to her final chapter, Lea acknowledges "I've met the state ... and she's an anthropologist." She exempts no-one, least of all herself, from the need to examine the issues unblinkered and focused on the concrete, the intimate, and the immediate. 

Posted at 12:39 PM    

Sun - August 9, 2009

Social Archaeology and Aboriginal History 


In thesocial archaeology of australian indigneous societies nineteenth century the Darwinian theory of evolution and the Victorian belief in progress combined to place the Australian Aborigines firmly at the bottom of a metaphysical ladder of human development in the minds of people around the world. Early twentieth century fascination with the "primitive"--think Picasso--helped to reinforce a sense that the outlying reaches of European empires were temporally as well as geographically distant from the "modern" world. Even ground-breaking and often sympathetic studies of Aboriginal culture like those of Baldwin and Spencer were rooted in attempts to discover the earliest forms of social culture: much of their work stemmed initially from a desire to prove that group marriage, a somewhat indiscriminate form of many-to-many relationships, not only preceded monogamy, but was still practiced or discernible among groups like the Dieri of the South Australian Desert.

The notion that primitive cultures were static and unchanging was essential to the hope that the study of Aboriginal Australians would reveal truths about the origins of man and society. Added to that was the nearly universally accepted notion that hunting and gathering as a modus vivendi was but a precursor to the "rise" of agriculture, and that agriculture was the first step toward civilization as we know it.

And finally, a pervasive and no less important myth was the notion that primitive, pre-agricultural man was largely at the mercy of the environment. Primitive social organization, culture, even survival were dominated by natural forces, and that any observed change in the prehistoric record--population increase or decrease, the invention of tool-kits, even art itself--was driven by humans' need to adapt to changes in climate on in the availability of food on the hoof or in the ground, changes over which humans themselves had no control.

Put all of this together and you have a portrait of primitive man, of which the Aboriginal Australian has long been regarded as the exemplar, as passive and helpless, forced to expend all his energy on the simple yet dominating task of mere survival.

Myths die hard. In scientific circles, a revolution in thought can take decades to gain acceptance within the academy, and decades form to work its way into the popular consciousness. Darwinian evolution itself is a prime example of this. Even today the misunderstanding that "man is descended from monkeys," as if my great-great.....great grandmother were a chimp, is widespread. Ironically, the persistence of the notion that my maternal forebear once lived exactly like an Aborigine persists as well, along with the notion that it is somehow a failure on the part of primitive peoples to evolve that keeps them "backward."

The notion that early man's existence and culture was merely a set of responses to changes in the physical environment in which he lived has been the subject of intense debate among Australian archaeologists for over three decades now; indeed, the debate has sometimes been so intense that the notion's general overthrow has gotten lost in the shuffle. Because thanks to the work of Harry Lourandos, most archaeologists and anthropologists world-wide now accept the premise that, for instance, economic factors could lead to changes in, for instance, tool-making that were once believed to have been stimulated solely by changes in weather patterns or sea levels.

And thanks to the Aboriginal Studies Press, we can now trace the history of Lourandos's ideas and their impact on the fields of anthropology and archaeology through the essays published in The Social Archaeology of Australian Indigenous Societies (edited by Bruno David, Bryce Barker, and Ian J. McNiven, 2006).

In 1980 Lourandos published a seminal article in World Archaeology entitled "Change of Stability?: Hunter-Gatherers and Population in Temperate Australia" (vol. 11, no 3, February 1980, pp. 245-264) in which he suggested population increase in southwestern Victoria after 3000 years BP (before the present) resulted from the ability of semi-sedentary people's ability to more efficiently harness energy (in this case, food) by developing technologies (weirs) that allowed them to exploit the local eel population. He went further to suggest that the increased energy yields were comparable to those obtained by agriculturalists in New Guinea at around the same time. In doing so, he indicated that there were parallel paths of resource exploitation among "hunter-gatherers" and "farmers," where conventional wisdom has assumed that farming represents an "advance" over gathering. Over the next two decades Lourandos marshaled evidence from across Australia in support of this process, known as "intensification," culminating in the 1997 publication of his monograph Continent of Hunter Gatherers: new perspectives in Australian prehistory (Cambridge University Press).

The Social Archaeology of Australian Indigenous Societies is divided into four major sections. The first of these is "The emergence of social archaeology in Australia." It functions as an introduction to the life and work of Lourandos, and includes an interview with him by the three editors of the volume, all archaeologists who have been profoundly influenced by Lourandos as well as having collaborated with him over the years. These three chapters provide a clear and comprehensible picture of the concepts and debates surrounding Lourandos's theories and make for a good introduction even to those who, like myself, knew nothing of the subject before opening the book.

Part 2, "Tyranny of text" examines the ways in which conventional modes of thought and, especially, writing construct our understandings of evidence. The authors here want in part to pay homage to the revolutionary quality of Lourandos's thought and to defend him against those who are still unwilling to acknowledge his contributions to reshaping archaeological theory and practice in the late years of the twentieth century. They also aim to document the ways in which some of the myth-making I outlined at the start of this essay continues to marginalize Aboriginal people's place in both Australian history and Australian society.

One of Lourandos's radical achievements was a great willingness to incorporate insights from ethnographic studies of recent Aboriginal societies into his explications of the archaeological record. As the authors of the essays in Part 2 acknowledge, every representation of the past is shaped and informed by the attitudes of the present, for good or ill. Lourandos scrupulously tried to enhance his interpretations of the physical record of Aboriginal societies in past millennia by means of inference not drawn solely from that record but also from recorded cultural practice. This use of anthropology in the service of archaeology, and the confluence of the two disciplines, is central to Part 3, "Anthropological approaches."

The five essays in this third section cover a broad range of styles and approaches, from Marcia Langton's "social and spiritual construction of water in Aboriginal societies," to John Bradley's examination of the development of technologies for exploiting the normally toxic fruit of cycad palms for food, through Franca Tamisari and James Wallace's exploration of the theme of the transformation of neutrally-conceived "space" to highly charged "place." In this last mentioned essay, the importance of the Dreaming is foregrounded, which brought back memories of the very first book I discussed in this blog four years ago. That was Landscapes, Rock Art, and the Dreaming: an archaeology of preunderstanding (Leicester University Press, 2002) by Bruno David, one of the editors of this festschrift for Harry Lourandos.

The essays of Part 4, "Late Holocene change," return the focus to strict archaeological studies ranging from excavations of burial sites in South Australia through Western Desert rock art (and language) on up to excavations of rock-shelters in the Torres Strait. I found these essays to be the most challenging in the collection, as I have little grounding in the vocabulary and methodology of archaeology and could easily lose the thread of an argument while searching for a concise definition of "Harris lines" and their significance in assessing diet and by extension climate. Once I grasped the convention of presenting raw data and only then following up with a discussion, I fared better; at first I felt hopelessly ignorant, but a little patience made these essays both comprehensible and rewarding.

There is a fifth part to the book, a single chapter under the rubric of "Extending the boundaries." Although many of the essays in the earlier parts of the book do indeed extend the boundaries of Lourandos's work into new areas of research, Barbara Bender's final chapter also extends the book's geographical reach by demonstrating the influence of Lourandos's approaches on the reconstruction of a Bronze-Age site in England's Cornwall. Bender's essay is part memoir, part post-modernist reflection on the field, and part research report. In many ways it unifies the investigative strategies and theoretical stances that have been exposed throughout the preceding essays in The Social Archaeology of Australian Indigenous Societies, including a focus on the unexpected ways in which archaeology can affect and be affected by the lives of the descendants of those it studies.

In the end, such repercussions of how the past is reconstructed and the stories that we tell ourselves about our ancestors do indeed have significant impacts on modern societies. Sadly, in the case of Australia, the stories too often reinforce myths of Eurocentric sophistication and progress at the expense of Indigenous people. Ironically, the romanticizing twenty-first century eco-warrior/guardian movement that seeks to position the Australian Aborigine as uniquely in harmony with the natural world, environmentally aware and in balance, may in fact be unwittingly reiterating the primitivizing myth of an environmentally driven culture lacking in human agency. The Social Archaeology of Australian Indigenous Societies opened my eyes to a field of scientific investigation about which I knew almost nothing; I had no memory of hearing Harry Lourandos's name before reading the opening chapter. But this book also opened my eyes to a new understanding of social responsibility in scientific investigation while at the same time educating me to some of the fundamentals of that science, all of which made for a most rewarding experience. 

Posted at 11:17 AM    

Sun - July 26, 2009

Understanding the Grog 


Among scholars of Indigenous experiences with alcohol and researchers of the effects of substance abuse more generally, Dr Maggie Brady has no peer. Her studies of Aboriginal drinking and petrol sniffing extend back thirty years and form the most broad-ranging and comprehensive body of investigation and commentary by any single individual. She has looked at the social history of alcohol, examined the habits of non-drinkers and those who "gave away the grog," charted the ebb and flow of petrol sniffing in remote communities, written on the Indigenous alcohol problem from the perspective of actions undertaken by the Australian Government, and discussed the impact of programs sponsored by the United Nations. Perhaps the quickest way to obtain an overview of her prodigious output is a quick browse through Google Books.

Most recently, Brady has produced a series of six short booklets collectively known as First Taste: how Indigenous Australians learned about grog (Alcohol Education and Rehabilitation Foundation, 2008). At about twenty-five pages each, handsomely designed and beautifully illustrated, these pamphlets aim to dispel many of the myths about Aborigines and alcohol that have accumulated over the years. Brady's position is that these misconceptions have reinforced a too popular notion that Aboriginal people are victims of the grog, powerless in its grasp. The defeatist attitudes that are thus spawned among both people Aboriginal and white only do more harm in turn. Brady's intent in this series may be focused--to peel away just a few layers and instill the tiniest bit of hope--but perhaps, as we have all heard many times in other contexts, from little things big things grow.

The first book, "Aims and Ideas," sets out the agenda for the series and presages some of the mythbusting that is to follow.
  • Aboriginal people traditionally had no alcohol
  • Alcohol use started in 1788 at Botany Bay with the First Fleet
  • Outsiders always used alcohol to exploit Aboriginal people
  • Aboriginal people were the passive recipients of alcohol
  • Alcohol abuse is determined more by biology than by social and cultural environment

These ideas are explored in the remaining books of the series. "The First Taste of Alcohol" contains sections on indigenous fermentation along with two accounts--one a tale from a startling Aboriginal point of view--of encounters with alcohol in 1788. The story of alcohol prior to the arrival of Europeans is further developed in "Strong Spirits from SE Asia," which focuses primarily on the role of Makassan traders in bringing alcohol to Australian shores, but also looks at early alcohol use in the Torres Strait influenced by contact with the Philippines and Polynesia. "Learning to Drink form the English" first examines the culture of alcohol use in England prior to the departure of the First Fleet and then takes up the story of Bennelong and Bungaree before concluding with a survey of bush drinking in the Victorian goldfields.

I was fascinated by the fourth book in the series, "The story of the bottle," an examination of the impact of glass bottles on Indigneous material culture over two centuries: the "bottle" of its title being a literal, not a metaphorical, reference to the containers that alcohol arrived in. Brady examines the archaeological record that reveals how the concave bases of bottles were incorporated into the Aboriginal toolkit as axes and scrapers and square-faced gin bottles were flaked to form highly-prized spear points. She follows this with an engrossing look at the bottle in contemporary artistic expression, from its use as decoration on graves, to its incorporation and depiction in the works of artists like Joanne Currie and Joan Stokes, to the woven bottles of Ramingining, before concluding with a look at how depiction of alcohol use in European illustration has influenced attitudes towards Aborigines in a more general fashion.

The final book in the series, "Struggles Over Drinking Rights," looks at both sides of the issue, at attempts to win equality before the law as well as attempts to build an Indigenous temperance movement to battle the ills brought with the grog. In this chapter of her examination as in each of the preceding, Brady is at pains to be non-judgmental and to simply present facts and dispel misconceptions. These are educational materials, not polemics. Useful bibliographies supplement each essay, and the clear, simple language makes them appropriate to a wide variety of readers from young students to health workers in Indigenous communities.

The set is available from the Alcohol Education and Rehabilitation Foundation for most reasonable prices: a single copy is free; additional sets cost only A$11.00 each.

While doing a little background research for this post I came across this wonderful video presentation, Maggie Brady: History and Culture in Indigenous Alcohol Use from the ABC. In it, Brady delivers a lecture based on First Taste at ANU's Centre for Aboriginal Economic Policy Research. You can download the program (from ABC's Fora.tv series) to your iPod as well as watch it online. Brady is joined in this presentation by Robin Room, who responds to Brady's remarks and examines the problems of alcohol abuse from a broader perspective of current government policy, initiatives, and culture change. Although the entire presentation is nearly an hour long, a "table of contents" feature allows you to view it in brief chapters of just a few minutes each.


 

Posted at 11:24 AM    

Sun - July 19, 2009

Making Business Work 


If you have the time or inclination to read only one book on Aboriginal affairs this year, I would strongly suggest that you pick up Kim Christen's Aboriginal Business: alliances in a remote Australian town (SAR Press, 2008/Aboriginal Studies Press, 2009).

Christen has been working with the Warumungu traditional owners around Tennant Creek for almost fifteen years now. She has helped them build the digital Mukurtu Archive of their history and culture, and was active in the planning and construction of the Nyinkka Nyunyu Cultural Centre. I was able to hear her lecture about both of these activities at the Kluge-Ruhe Aboriginal Art Collection in April 2008, and at the time she impressed me with her energy, enthusiasm, and multi-leveled appreciation for the lives and work of her Warumungu friends.

In Aboriginal Business, she expands the scope of her investigations enormously, which is one reason to make this your top choice for this year's reading list. In addition to addressing the "culture work" of the archives and cultural centre and the story of the production of a commercial CD of Warumungu women's songs, Christen offers a history of settler-Indigenous relations and interactions in the Tennant Creek region, focusing especially on the time since it became the center of the last major gold rush in Australian history during the 1930s. Part of what makes this such a fascinating story is the nature of the settlements at Tennant Creek. Established during the building of the Overland Telegraph in the 1870s, it is relatively remote, 500 km north of Alice Springs and 1000 south of Darwin, with little in the way of European settlement nearby. In 2001, approximately a third of the town's population of 3,000 was Indigenous. Thus, it shares traits of a white settler town and a remote Aboriginal community, largely Warumungu but with a Warlpiri, Alyawarr, and Kaytetye presence as well.

Christen details the story of conflicting land claims on both sides and talks about the succession of "mobs" that have tried to manage them: miners, government bureaucrats, lawyers, and throughout, Aboriginal families. She looks at the roles the Central Land Council, ATSIC, the Giants Reef mining company, the Federal, Territory, and town governments, and the railway companies have played in Tennant Creek. Each of her six thematic chapters looks at a different aspect of Aboriginal business in the town: land claims; Aboriginal organizations; mining; railways; cultural transmission in an age of digital technology; and the Nyinkka Nyunyu Cultural Centre.

The unifying theme that runs throughout these varied enterprises is announced in the book's subtitle and treated in the first, preliminary chapter: the making of alliances. By focusing on the work, the business of negotiation, contestation, and compromise, Christen is able to chart a history of Warumungu agency in Tennant Creek, its ups and its downs, but above all its persistence. This is a story about how people engage with their country and with those others who have come to occupy it with them. In her portrait of the Warumungu, they are neither passive victims nor activists, but rather women and men engaged in the business of living, with all their aspirations, disappointments, conflicts, and solutions.

That is not to say that Christen does not fully acknowledge the disadvantage under which the Warumungu labor. In the early chapters of the book she skillfully weaves together two narratives. The first is of the original dispossession as first the Overland Telegraph and then the gold mines brought waves of outsiders to the Barkly, intent upon taking over the land and pushing aside the Indigenous populace. The second is the effects of government policy in the last thirty years, culminating in Howard's Intervention. The philosophy of the Howard Government, with its emphasis on "practical reconciliation" and the "mainstreaming" of Aboriginal affairs into a broader Australian nation, stands as a metaphor for the logic of whitefella business that operates to exclude Aboriginal participation and agency.

In contrast, and perhaps to a degree in consequence, "Aboriginal business" has come to focus on the work of forging alliances, of harnessing willing partners and forcing unwilling collaborators into arrangements that provide options and choice for the Warumungu and allow them to assert their own position in the management of their lives and their country.

The historical sweep of Christen's narrative shows how these strategies have changed over time, all the while remaining focused on retaining control. Christen deftly skewers the gazetting of country around Tennant Creek, describing how the map making and marking of early white settlers was irrelevant to the Warumungu who remained as ignorant of the "power" of such pronouncements as the settlers were of the marking of country by the Dreaming tracks of the Warumungu ancestors. She demonstrates how in later years the Warumungu exploited the resources of missions and cattle stations and made those settlements the locus of their own social interactions: how the business of alliance-making among Aboriginal families was made necassary by whitefella settlement and at the same time forced negotiations between Aboriginal and settler.

When the historical trends of dispossession stood a chance of reversal in the wake of the Aboriginal Land Rights Act (ALRA) and the opening of legal negotiations in the 70s and 80s, the Warumungu developed new tactics for doing business with lawyers, pastoralists, and miners. Christen treats the effects of these changes with subtlety, noting, for example, how Aboriginal men may have chosen at times to say no to certain deals simply to exercise a long-denied prerogative, and at other times to impress upon potential partners the seriousness of taking care of country; they may also have said yes in order to open up economic opportunities. In her chapter on collaborations with mining companies, Christen describes the dynamic in the wake of the ALRA:

Mining has been, out of necessity, a joint venture; various parties negotiate deals, sign contracts, and share royalties. Aboriginal people rely on mining companies to run explorations, buy equipment, hire workers (Aboriginal or non-Aboriginal), and produce profits. Aboriginal consent, guaranteed by the ALRA, does not mean total control; it is a means to alter the parameters of engagement within the industry and shift some benefits back to Aboriginal individuals and communities. A large sign in the Tennant Creek branch of the CLC offices makes Aboriginal land-based opportunities clear:
EXPLORATION COMPANY WANTS TO LOOK AROUND YOUR COUNTRY? WHAT YOU CAN DO:
1) DO NOTHING
2) TRY TO BLOCK IT
3) MAKE AN AGREEMENT
The choices are not endless (p. 144, emphasis in the original).

The blunt set of options outlined by the CLC, with its pragmatic conclusion, "make an agreement," sums up the story of recent Warumungu history as presented in Aboriginal Business. The chapter on the completion of the Darwin-to-Alice leg of the transcontinental railway offers an example of ways in which alliances work two ways. Working with representatives from ADrail, Warumungu people helped to chart a course for the laying of track through their country and to identify resources (like gravel) that would be required by the rail company to complete the portions of the track that ran through country around Tennant Creek. These exploratory journeys also facilitated the Warumungu's ability to care for country by providing transportation out to country that would otherwise be difficult to visit while at the same time introducing that country to the railway's officers.

The naming of two locomotives the Purnu (which appropriately means "carrier") and the Aboriginal Stockman added the element of "symbolic" reconciliation to the practical business of building a railroad, thus acknowledging the importance of recognizing Indigenous history in a way that John Howard was at the time vociferously denying. The names, one in Warumungu and one in English, acknowledge pre- and post-contact history, and so comprehend both Dreaming tracks and track of cast steel.

The community of responsible Warumungu leaders brought their territorial knowledge to bear on this project in a way that married ancestral need with contemporary economic goals. ... Taking railway workers out to sites of significance and negotiating the benefits for their own communities, these Warumungu leaders situated country obligations in a new constellation of responsibility, in which railway officials and construction companies became secondary agents in the oversight and care of Aboriginal country. Defining aspects of their country for the railway companies meant inviting them to see the land and their partnerships differently. It also gave the Warumungu people a change to conduct their own country business (p. 181).

These are but a few examples drawn from the riches of Christen's book to illustrate the ways in which Tennant Creek's Aboriginal people conduct their business both within their own communities and with the larger Australian state. Through them, she effectively and marvelously obliterates the tension between continuity and change, between tradition and modernity. For the Warumungu, there is no choice between living in the past and living with the modern state; there is only the option of living.

Although Christen's work has been ongoing and this book itself been in preparation for several years now, its appearance at this moment seems particularly timely in the wake of the July 2 release of Overcoming Indigenous Disadvantage: Key Indicators 2009, which has been the subject of much media commentary this month. For example, Fred Chaney was quoted in The Australian recently as saying, "The really important thing is to get permanent gains, not to waste the money. Those permanent gains will be best obtained if the Aboriginal people are strongly involved ... and that takes time. ... I would like to see more attention being paid not to speed of action, but on the effectiveness of action ("Engage Aborigines to solve race problems, Rudd urged," July 11, 2009). Christen's book demonstrates the wisdom of following Chaney's advice. Just this week, Nicolas Rothwell praised the upsurge in local, grass-roots organizations that are wresting solutions from the welfare-era government bureaucracies ("The local road to recovery," The Australian, July 18, 2009). Christen's work shows rather how those old bureaucracies made possible new local solutions by providing a model for local organization; it also demonstrates that such local initiatives are anything but new.

Aboriginal Business offers welcome and timely insights into both historical issues and contemporary social concerns. Encompassing government, law, the arts, and industry, it likewise provides an appreciation of the sweep of concerns the Warumungu are acting upon. In her synthesis of the diachronic and the synchronic perspectives on life in this corner of the Barkly Tableland, Kim Christen offers an analysis that is at once timely and timeless.

For another look at Aboriginal Business in Tennant Creek, check out Christen's photos of the book launch there last Monday on Flickr.

Postscript: Kim has just written an eloquent, moving, and heartfelt post on the book launch and its effect on her and the people of Tennant Creek on her blog, Long Road . It says far more than I ever could about what this book truly means. 

Posted at 12:20 PM    

Sat - July 11, 2009

Tennant Creek Business 


If you happen to be in Tennant Creek this coming Monday, you won't want to miss the launch of Kim Christen's new publication from Aboriginal Studies Press, Aboriginal Business: Alliances in a Remote Australian Town. It was published some months ago in the US by SAR Press; I'm about 75 pages from the end of it right now and all I can say so far is that it's bloody brilliant. Look for a more extensive review here soon.

 

Posted at 01:53 PM    

Sat - July 4, 2009

Doom and Survival 


I cleven her sisters eyewas totally unprepared for Vivienne Cleven's second novel, Her Sister's Eye (University of Queensland Press, 2002).

Cleven's first novel, Bitin' Back (UQP, 2001), was a genial farce. In describing it so, I do not wish to denigrate its inventiveness, much less to downplay to the fundamental seriousness of its concern for the difficulties that beset Indigenous people--indeed, any of us--in molding an identity in the modern world. But Cleven's profound message lay under a cladding of outrageous humor and startling language that made the novel slip past your defenses in a spirit of delightful diversion.

Her Sister's Eye is another matter. Cleven is still as serious as a heart attack, but the lightness of tone has vanished. The language is as startling in its originality, its idiosyncratic flavor, and its metaphor, but the crack of laughter has been replaced by the crack of a whip. I hesitate to wander down the path of hyperbole, but this book brought to mind the world of William Faulkner's novels more often than anything else. The dense narrative, the temporal dislocations, the shifting points of view, and the bending of language to the experience of whichever character holds the stage of consciousness at any given moment left me slack-mouthed in surprise over and over again.

Set in a rural river town called Mundra, Her Sister's Eye is the story of families in collision, of catastrophes of all sorts, and above all the injuries that those collisions inflict. At the book's heart are two sisters, hinged together despite all their differences. Murilla Salte is a large, dark, serious, no-nonsense, pragmatic pillar of strength and determination who occupies a pivotal space between black and white in the town. Her younger sister Sofie is white-haired at the age of twenty-eight, but her mind is that of a child, capable of intense emotional attachments but bereft of any logic except that driven by those emotions.

The dynastic Drysdale family dominates the whitefella population of the town, or at least it did in years gone by. Now though, the family matriarch, Caroline, is an old woman, house-bound, cared for by Murilla, living more in her mind than in the family homestead. She incarnates the novel's multi-layered, shifting chronology. She also incarnates Faulkner's famous aphorism, "The past is never dead. It's not even past." She struggles with insults paid out years ago, and in response, Sofie's innocent loyalty to her, "the old one," is one of the major drivers of the novel's action. Sofie tends to the cares of Caroline's mind, as Murilla tends to her physical needs. And whereas Murilla tries to prevent Caroline from paying heeds to remembered insults, Sofie cannot help but to feel them herself. She reacts instinctively, not quite understanding what has gone wrong, but sure of her need to pay back when Caroline is incapable of vengeance.

Archie Corella is another linchpin of mystery and temporal dislocation, wandering in and out of the town and the lives of its citizens, always on the fringes, hard to locate both in space and time. Arriving in the first chapter seeking work, he is referred to the Drysdales, and briefly takes up as a gardener for them. He has a deep and somewhat mysterious bond of spiritual kinship with Sofie and a more pragmatic if embattled one with Murilla. His horrible physical disfigurement is an objective correlative of sorts with Sofie's damaged psyche. For certain, both of them are somehow bound to the river that runs through the town and as a focal point through the book's narrative.

The minor characters in the novel, the Drysdale men, the "Red Rose" ladies of the town, social matriarchs against whom Caroline and Sofie rage, bring a bit of Cleven's caustic wit into play. But they are all so toxic in themselves that it is hard to really laugh at them.

The weakest strand in the novel is embodied in the characters of Doris and Nana. Doris wants to understand the history of the town; old Nana is reluctant at first to reveal it, but eventually gives in and recounts large slabs of the backstory that begins to explain who the main characters really are, and how their histories are the history of the town's hatreds and misery. These sections of the novel struck me as slightly false. They are like the speeches offered at the beginning of a Shakespearean play that set the scene and name the players, but that lack the drama and the presentation or action (rather than bald retelling) that should form the core of the action. However, having deployed this narrative intrusion to unlock some of the secrets of the past, Cleven lets the action play itself out in a satisfying and truly dramatic conclusion.

Her Sister's Eye is a story of doom (or fate) and survival: the two sides of the human condition. The Drysdales and the Red Rose ladies are trapped in a mean, harsh environment, dusty on the one hand, dominated by the dangerous and implacable waters of the river on the other. They live on the land, in the country, without truly inhabiting it. The Indigenous people, the Saltes, the Gees, Doris and Nana, are denizens: they belong in this land, but their proper place has been usurped. They cling to their country, but like Murilla's ramshackle home, they are in constant danger of being bulldozed out of the way. Ultimately their fundamental connection allows them to survive, and like Sofie's mysterious ability to navigate the hazards of the river, to hold their own, however miserably, in the face of danger and brutality.

I would have said that Bitin' Back established Vivienne Cleven as a major force to be reckoned with in contemporary Australian, Aboriginal, and Queenslander fiction. But I would have been wrong by half. Her Sister's Eye takes Cleven straight to the top. 

Posted at 11:00 AM    

Sun - June 7, 2009

Stolen, Again (and Again) 


I've been continuing to work my way through the The Macquarie Pen Anthology of Aboriginal Literature at a slow pace, and am continually delighted by what I'm finding there. The early emphasis on documentary history has given way, towards the middle of the twentieth century, to hefty doses of "literature" in the sense of fiction, poetry, and drama. I continue, also, to be amazed by the variety of styles, genres and subgenres, and the mixture of the sweet and the useful found in these literary explorations.

Whilemonica clare karobran I was reading Gillian Cowlishaw's The City's Outback, I came to an excerpt from a novel in the Anthology that resonated powerfully with the stories of removal and family disruption Cowlishaw was reproducing, and decided to pursue the novel and read it in its entirety. The work in question was Monica Clare's Karobran: the story of an Aboriginal girl, originally published in 1978, a few years after the author's death, and reprinted in 2008 by the Alternative Publishing Cooperative Limited.

Clare was born in 1924 to an Aboriginal father and an English mother, and was sent with her younger brother from her home country in Queensland to Sydney at the age of six following her mother's death. The children spent a short but apparently idyllic time on a farm near Spencer in New South Wales before being separated from one another and sent to government homes. Later in life Clare became active in Aboriginal politics, working especially hard to improve housing conditions and with her husband, Les Clare, in Labor circles.

Karobran was unfinished at the time of Clare's death in 1973. She had brought the manuscript to the offices of FCAATSI, where a team of sympathetic editors later picked it and made final revisions. Like many first novels, Karobran is heavily autobiographical and draws on the first half of the author's life, from childhood through early adult independence. It is narrated in the third person, but always strictly from the point of view of Isabelle, who is seven years old in the opening chapter. The story begins the day of her mother's death and the confusion and fear she experiences. This incident sets up not only the pervasive sense of loss that will haunt Isabelle's life throughout the novel, but also her fierce loyalty to the remnants of her family, her father Dave, and her younger brother Morris.

It also adumbrates the plight of workers, particularly Aboriginal workers, during the years of the Great Depression as Dave sets off with the children in search of work. In the later chapters of the novel, when she is separated from first her father and later her brother, the sense of community that Isabelle finds in the struggles of working folk will sustain her and drive her forward in life, just as the hope that she can connect again with her family does.

Isabelle finds another early and tantalizing sense of community when the family is briefly taken in to the hospitable circle of an Aboriginal camp. But the stay there is brief as Dave sets off again looking for work. Sadly, their journey takes them next into the orbit of Tom Wall, a cruel, racist drunkard. Mrs Wall is barely able to defend herself, let alone the children, and at the end of this episode, the Welfare comes to take the children away as Dave goes off in search of a livelihood once more.

What follows next is the most idyllic chapter of the young girl's life (and the section of the book that is excerpted in the Anthology). Isabelle and Morris are sent to live with the Manbury's on a farm in New South Wales, and these kindly people provide the children not just a home, but a sense of connection to a countryside that stays with Isabelle long after the state intervenes once again and removes the children to an institutional home.

Although brother and sister maintain a loose connection in the city, the bond between them attenuates too. Isabelle leaves the home and finds work; she also finds a sympathetic white man named Bill who leads her into an awareness of larger issues of social justice, and more importantly, finally leads her out west to be reunited with members of a displaced Aboriginal community. There she finally achieves a spiritual reconnection with her father's people. She finds a measure of peace, although it is one that is permanently tinged with the unforgettable loss of her father and brother.

Karobran is a remarkable novel. Less than one hundred pages long, told in simple, clear prose, it nonetheless illuminates history in remarkable ways. It is a story of removal and loss, of the Stolen Generation embodied in a single life. It is likewise a novel of a distinct social consciousness, the story of labor in the Depression, of rural New South Wales, of the removal of whole communities from the country that had sustained them for generations. With its focused point of view, it never becomes didactic. It is a journey of discovery and wonder as much as it is a tale of loss told without a trace of self-pity. Isabelle, in her quiet and understated way, is one of the great heroines of Australian literature. 

Posted at 12:30 PM    

Sun - May 24, 2009

City Life 


With cowlishaw city's outbackThe City's Outback (UNSW Press, 2009), Gillian Cowlishaw has written a haunting book. Not only will the stories she tells here remain with you long after you have put it aside, the book is wraithlike in the way it seems to change shape from chapter to chapter, page to page. And like any revenant worth it's name, it can pack a hard and unsuspected punch quite at odds with its transparent character. It works superbly at all of its many levels, as urban or suburban documentary, as anthropological investigation, both of Aboriginal culture and of race relations, as reflexive meditation on the practice of social science, or as instruction manual on the rigors and challenges of fieldwork.

None of this will come as a surprise to readers of Cowlishaw's earlier books; indeed, the subtitle of Rednecks, Eggheads, and Blackfellas, her study of life on a cattle station in the far north, at Bulman, just south of Arnhem Land, might serve equally well for The City's Outback: "a study of racial power and intimacy in Australia. The title of her more recent monograph, Blackfellas, Whitefellas, and the Hidden Injuries of Race (2004), is apt in the current context as well. The City's Outback proceeds from the latter work, in that it picks up the story of people and family she worked with in rural Bourke, NSW. Only now, her locus of investigation is the western suburbs of Sydney, in Mt. Druitt. Here there is a substantial Aboriginal population, many of them connected to families Cowlishaw knew in Bourke, but the concept of an Aboriginal "community" remains more elusive. It lacks the geographical or social coherence of an isolated township, or of an cohesive community within a larger one. And so, in addition to being a locus for studying a suburban Aboriginal culture, it becomes a ground for questioning the very concept of Aboriginal culture itself.

Not that Cowlishaw denies that there is such a thing as Aboriginal culture, rather she wants to look at it from a new vantage point. When culture is often aligned with tradition, when community is defined by distance, and when both of those critical elements are lacking in the western suburbs of Sydney, what does it mean to be Aboriginal, and how does that state of affairs influence the people themselves, the Australian state, and the interactions between them?

This is but one of the goals that Cowlishaw pursues in a book whose clear-cut prose and straightforward narrative structure disguises the complexity of its intellectual agenda. Cowlishaw also seeks to illuminate the nature of fieldwork in such circumstances and, by extension, to cast light on the intricacies and problems of the classic anthropological role of participant-observer. The fieldworker must abandon even the pretense of strict objectivity in developing social relationships with the people she is working with; at the same time she must subject her own methodology and involvement to a degree of scrutiny that can withstand the objective assessment of her own intellect and those of her peers.

Cowlishaw manages to do this without floundering in a mess of theory. She makes reference to the "reflexive" nature of anthropological study and writing that has dominated the discipline for the last twenty-five years, but does so only to put her inquiry into context. She assumes that the reader has a basic understanding of the issues (or can pursue them via references in the extensive and excellent bibliography). She manages, rather, to portray the dilemma of the fieldworker by foregrounding her own reactions to what she sees and hears, and allowing herself and her readers to examine the feelings of both sympathy and repugnance, of curiosity and boredom that she experiences in the course of her conversations in Mt Druitt.

Her fieldwork in that suburb consisted largely of interviewing the friends and relatives of her main informant, Frank Doolan, a man she knew from the period of her research in Bourke that she wrote about in Blackfellas, Whitefellas, and the Hidden Injuries of Race. Frank is an articulate, passionate man, keenly aware of injustice and equally aware of the mistrust that continues to founder the cause of meaningful dialogue between the races or the communities. The closing paragraph of The City's Outback sums up Frank's position with an art that it seems impossible to improve upon.

On Police Remembrance Day in November 2006 he walked into the police station in Dubbo and asked the nervous young officer at the desk for 'one of them ribbons' that are worn on this day to mourn officers who have died in the line of duty. He wore the chequered ribbon all day saying, 'If we want them to respect our pain and our rituals we have to show that we respect theirs' (p. 228).

While Cowlishaw's research project involved, at Frank's urging, taping and transcribing the life stories of those he introduced her to, and returning those stories to their narrators as a means of assuring them that the stories had been heard and attended to, The City's Outback is not a compilation of those stories, a publication of them for our edification, or as the subjects of academic analysis. Or, at least, it is not those things alone. Cowlishaw acknowledges that far more work needs to be done to extract the full meaning, to conduct the extensive evaluation of what she has been told. But the stories themselves are powerful and among the most moving and startling episodes in the narrative that Cowlishaw weaves.

The overwhelming theme that emerges from these stories is the trauma of separation. Here is the story of the Stolen Generations written on a personal scale: Annie, for instance, who feels the sharpness of never having known her mother's love and thus finds herself ignorant of the ability to love her own children. She desperately wants Cowlishaw to arrange to have her imprisoned brother moved from Queensland to New South Wales where she can visit him, but cannot understand the love that such a desire demonstrates. She does not engage in blame, except possibly of herself: this is simply the life story she has been dealt. Tina's children were taken away from her and Tina herself is confounded by the bureaucracy, by her poverty, and perhaps most of all by her inability to reconnect with those she has lost, even when they come back to her in Sydney. Vera and Gary, teenaged parents, know that there are courses that the state runs to provide them with the skills to survive in modern society, but lack all context in which to make sense of those skills.

Through all these stories the themes of misery, violence, incomprehension, and anger rumble like thunder. Mutual incomprehension threatens to strangle these lives and even threatens to overwhelm Cowlishaw herself. She is repulsed by the casual acceptance of violence, and understands that repulsion to stem from the very alien nature of a culture that accepts mayhem as an inevitable component of daily life. Her informants see the police as enemies, incapable of any action that is not inherently antagonistic. Even Frank, who understands the role the police must play, and wants to encourage tolerance and respect, is ground down by the apparent endlessness of the cycle everyone seems to be trapped in. And Cowlishaw knows that to the citizens of Mt Druitt, she is a figure equally alien and incomprehensible, a white woman from the university, privileged, intermittent in her presence, governed by a code that has no meaning in their daily lives.

The disjuncture between those lives and government policy, between Annie's anguish over her self-perceived inability to love her children and the public's growing appreciation of the fate of the "Stolen Generations" is the predicament Cowlishaw wants ultimately to address.

This fieldwork brought me to the heart of a dilemma that is not mine so much as that of the nation, the dilemma attendant upon being part of the hegemonic culture. The liberal impulse to solve problems through appeals to governments has led Aboriginal activist discourses into a trap. They have to identify specific social injustices linked to a specific set of grievances. We see that subaltern groups--immigrants, Aborigines, women, foreign-looking youth--have a subordinate position in the world and we take this to be immoral, unjust, ill-ordered, and lied about. Social scientists, whether or not they belong to such groups, put themselves on the subalterns' side, trying to find the real source of their problems ... which must have escaped others, particularly governments. But, if we bypass the spokespersons or representatives, who are the ones listened to because they speak the language of governments, and get close to these marginal people, their conditions become more complex and baffling. One reason is that some characteristic differences arouse distaste or pity. The ability to live with violence, to ignore contempt and to laugh at insult, or to display aggression towards elusive sources of injury, are disturbing to outsiders. But further, these problematic qualities that we want to explain as consequences of subordination, and therefore remediable, may be valued as elements of a normal environment, a familiar homely style of interaction, a habitus (pp. 213-214).

Cowlishaw's encounters in Mt Druitt took place in 2000, in the days when the sting of Bringing Them Home was still fresh, and in the year when thousands marched across the Sydney Harbour Bridge. Those were events that were acknowledged in Mt Druitt, but seem to have had little impact there. Cowlishaw is now writing in the shadow of the sex-and-violence media scandals that led to the Intervention in 2007, and in the shadow of the Intervention itself, again events that might cast a shadow in the suburbs without altering daily life. The City's Outback is a guidebook, not to the depressed enclaves of the city and their dysfunctions, but to the habits of thought that keep the lives that are lived there in eclipse.


Google Map showing the location of Mt Druit (upper left)
 

Posted at 10:19 AM    















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Published On: Jul 17, 2010 11:56 AM
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