A Stanner Retrospective
In over a decade of intensive reading on
Aboriginal art and culture, I have encountered a handful of books that have
suddenly opened up vast new terrains of knowledge and understanding for me.
Fred Myers' Pintupi Country, Pintupi Self: settlement, place and
politics among Western Desert Aborigines (Smithsonian Institution
Press, 1986) was the first and most fundamental of these for its insights into
social organization and custom. Tim Rowse's White Flour, White Power: from rations to citizenship in
Central Australia (Cambridge University Press, 2002) revealed the
territory of contact history to me; Gillian Cowlishaw's Blackfellas, Whitefellas and the Hidden Injuries of
Race (Blackwell, 2004) did the same for race relations; Deborah
Bird Rose's Reports from a Wild Country: ethics for
decolonisation (UNSW Press, 2004) brought questions of colonialism
and the environment to my consideration. (Truth, reading those last three in
the space of a year was among the significant inspirations for starting this
blog.) But no single book has knocked me on my ear quite the way that W. E. H.
Stanner's White Man Got No Dreaming: essays 1938-1973
(Australian National University Press, 1979) did. In part this was because of
the sheer breadth of its subject matter; in part it was because of the
extraordinary degree of sympathy Stanner evinced for the Aboriginal people and
his uncanny ability to present the humanity, the aspirations and despair of
Indigenous Australians. I remain convinced to this day that no one could read
these essays and remain unmoved by
them.I had earlier read the famous ABC
Boyer lectures, After the Dreaming (ABC Books, 1968), which
was the only one of Stanner's works still in print a decade ago, and been bowled
over by the manner in which he placed Aboriginal affairs in the context of the
broader Australian state. I had scavenged articles published over the years in
Oceania and puzzled over On Aboriginal Religion (University of
Sydney, 1966). But during the summer in which I finally put my hands on a copy
of White Man Got No Dreaming and immersed myself in Stanner's reflections
on the Dreaming, on social change in the Daly River region, on the vast
implications of the Yirrkala Land Rights Case, on justice and injustice in
Aboriginal Australia, I felt myself emerging from a chrysalis of platitude and
commonplace into a bright and altered vision that nothing has since quite
equaled.It is now thirty years since
the publication of White Man Got No Dreaming, and time has clearly come
for an assessment of Stanner's contributions. Black Inc. Agenda has recently
brought out The Dreaming and Other Essays, which I
presume reprints the earlier collection; I haven't seen a copy of it yet and the
few reviews I've read have left it unclear what points of overlap exist between
the two books. But whatever it contains, that new publication will bring
Stanner's elegant prose back into the limelight. Indeed, it is the eloquence of
Stanner's voice as much as the piercing quality of his insights that make him
worth reading.But there
is
even more rejoicing to be had in the appearance of a superb collection of
critical essays on Stanner's life and work, An Appreciation of Difference: WEH Stanner and Aboriginal
Australia (Aboriginal Studies Press, 2008), edited by Melinda
Hinkson and Jeremy Beckett. My appetite for a book of this sort had been
whetted a few years back when I read Inga Clenndinen's
"The Power to Frustrate Good Intentions: or, the revenge of the Aborigines,"
published in the journal Common Knowledge (vol. 11, no. 3, 2005, pp.
410-431), in which she examined Stanner's famous biographical essay on
"Durmugam: a Nangiomeri." After having spent many years in a somewhat solitary
communion with Stanner's thought, I found having another's perspective on a
familiar piece of his writing both surprising and invigorating.
How much richer, then, to have fifteen
of the finest writers on Aboriginal issues address Stanner's legacy in this
current volume. The table of contents lists a vertiable who's who of the finest
scholars writing today. In addition to the estimable editors, contributors to
An Appreciation of Difference include Geoffrey Gray, John Mulvaney,
Barrie Dexter, Peter Sutton, Ian Keen, Howard Morphy, Alberto Furlan, Nicolas
Peterson, Nancy Williams, John Taylor, Ann Curthoys, Tim Rowse, and Jon Altman!
One could construct an entire semester's university seminar on contemporary
scholarship in Aboriginal studies from the newly republished essays, On
Aboriginal Religion, and the essays in this volume.
A particular strength of this
collection is the variety of approaches that the authors bring to Stanner's life
and work. Following the editors' excellent introductory essay, the first
section of the book treats largely with the varied aspects of Stanner's career:
his multiple assignments during the Second World War, his post-war appointment
to the London-based East African Institute of Social Research, his role in the
founding of the Australian Institute for Aboriginal Studies, his tenure at the
Australian National University, and his work with Nugget Coombs and Barrie
Dexter on the Council for Aboriginal Affairs.
What emerges from these essays on
Stanner's career in "Diverse Fields" is the picture of a complicated man, the
details of whose life surprised me, as my chief impressions of him had been
formed from his writings. To begin with, I hadn't realized how little he had
published over the course of this varied career, and how much of his work
remains in manuscript form and as raw notes. The combination of rigorous
attention to his civil career and responsibilities was partially the cause for
this restricted output; equally, it seems, his high personal standards for his
writing kept his work in progress perpetually in progress. The grace of his
prose in print no doubt stems from that will to
perfection.The portrait of Stanner
painted here also reveals a man of a surprisingly conservative political bent.
A soldier who felt his highest distinction might be "a chance to be of some use
to my country," a servant of almost Victorian rectitude whose impeccable
grooming might give a clue to his moral probity, the Stanner we meet in these
pages seems to be an unlikely candidate to champion the rights of a people
largely regarded as primitive and uncivilized. And yet, perhaps that sense of
decorum and that high moral character is not so surprising after all, for it
bespeaks a set of principles that the environment of thoughtless prejudice that
often surrounded him could not
compromise.The second part of the
collection is entitled "In Pursuit of Transcendent Value" and offers the most
engaging and diverse set of essays in An Appreciation of Difference. It
begins with a pair of essays by editors Beckett and Hinkson that examine some of
Stanner's fieldwork, focusing on his encounter with Durmugam and his
explorations of rock art sites along the Fitzmaurice River. Beckett's offering,
incisevely subtitled "Stanner's Durmugam," suggests, as Clendinnen's early piece
on the subject did, how much of Stanner's own personality is reflected in his
portrait of the man from Daly River. Similarly, Hinkson's tale of the grueling
quest for the discovery of rock art reveals Stanner's almost single-minded
devotion to and absorption in the task; he pushes himself and his guides
relentlessly and almost cruelly, absorbed as he is by the mystery he seeks to
unveil.Peter Sutton and Ian Keen next
seek to deconstruct the mind that took the raw materials of these early
fieldwork investigations and produced from them the startling insights on On
Aboriginal Religion. When I first read the essays that comprise that small
monograph, I was awed by their ingenuity, by the synthetic mind that could
discern a universal theme of sacrifice, a theme that resonated with Christian
tradition, in the rituals of the Murrin-patha people. I was also slightly
uneasy with the parallels, for although Stanner argued convincingly against the
degrading characterization of such rituals as magic and superstition that had
been the legacy of early scholars like Sir James Frazier, I felt that there
might be too much of the author and too little of the Aboriginal in his
exposition. Sutton and Keen probe these matters sensitively and demonstrate how
Stanner's conclusions were indeed an attempt to move beyond his own intellectual
tradition and expose the intellect and the spirit behind Aboriginal practice:
surely the most important contribution of this (or any) phase of Stanner's
work.The last two essays in this
section, by Howard Morphy and Alberto Furlan, move beyond Stanner's writings to
examine, respectively, Yolngu mortuary rituals and contemporary song-writing in
Wadeye in light of Stanner's work. These original essays demonstrate in
themselves the profound impact that Stanner's "appreciation of difference" have
had on scholars who followed him, and provide exemplary proof of the importance
of his intuitions and perceptions.The
importance of land and of people's connections to it, in a variety of ways, is
the thread that unites the essays in the third portion of An Appreciation of
Difference. The essays of White Man Got No Dreaming are arranged in
chronological order, and most of those that follow the publication of After
the Dreaming build to a crescendo around the theme of land and land rights:
"Industrial Justice in the Never-Never;" "No, no Sir James: Polyphemus, not
Goliath;" "The Yirrkala Land Case: Dress-rehearsal;" "Fictions, Nettles and
Freedoms." The essays in this current critical collection gathered under the
rubric "Land and People," like those in the previous section, try to tease out
some of the apparent contradictions between Stanner's attitudes and methods and
the conclusions presented in his writings. In particular, Nancy Williams' essay
on Stanner and the Yirrkala case illuminates a major and most important
principle: "Stanner's appreciation of Aborigines as intelligent and rational
individuals" (p. 211). In all aspects of his analysis, whether or land tenure,
social organization, or religious belief, that appreciation is at the core of
Stanner's thinking and his
achievement.The concluding section of
the book treats of Stanner as "A Public Intellectual" and focuses on the
philosophy revealed by After the Dreaming. Ann Curthoys looks, somewhat
defensively, at Stanner's assessments of historians in the Boyer Lectures. Tim
Rowse reads the lectures to illuminate Stanner as social critic, and Jon Altman
mines them for their impact of Stanner's later career in Indigenous policy,
primarily during the Whitlam era and beyond. Altman examines the implications
of Stanner's career in light of contemporary controversies leading up to and
following the Howard government's intervention into the Northern Territory,
which is certainly the most devastating turn of events in the Territory since
the excision of land for the Nabalco lease, the event that shaped the final
decades of Stanner's life.One of the
most important of the essays collected in White Man Got No Dreaming was
the 1958 Presidential Address to Section F (Anthropology) of the Australian and
New Zealand Association for the Advancement of Science, entitled "Continuity and
Change among the Aborigines." In this essay, Stanner wrote of a fundamental
contrast between the white man's teleological orientation and that of the black
man "whose 'future' differentiates itself only as a kind of extended present,
whose principle is to be continuously at one with the past" (Stanner, 1979, p.
58)--a theme that Deborah Bird Rose developed brilliantly in Reports from a
Wild State. But more importantly, Stanner strove to demonstrate how the
nineteenth-century vision of "primitives" and "tradition" as static entities was
flawed, and how in fact Aboriginal society is characterized by both continuity
and change. The achievement of the authors who have contributed to An
Appreciation of Difference is to demonstrate how the principles of
continuity and change apply equally to the life and work of this great public
intellectual, W. E. H. Stanner,
himself.Postscript: Thanks to David
Nash for pointing me to information on the Symposium to mark the centenary of the birth of
W. E. H. Stanner, held at the Australian National University in 2005, which led
to this book. My only regret now is the discovery that there are a few papers from that Symposium that didn't make it
into the pages of this volume!
Posted: Sun - May 3, 2009 at 12:40 PM
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Readings, reviews, and reflections by an American observer of Australian Indigenous art, culture, politics, anthropology, music, and literature.
If you don't wish to leave comments on the blog itself please feel free to contact me directly. Will Owen
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Published On: May 03, 2009 09:23 PM
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