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Fall Colours—2007 edition

The Celtic Colours 2007 festival was, as always, superb and, this year, was accompanied by some of the most brilliant colours I remember seeing on Cape Breton Island during the five falls that I have attended the festival. Unfortunately for the festival’s attendees, the colours were late in arriving and the sun was usually missing in action, at least at the times when I was able to get my camera in hand and head out for pictures, so their brilliance was often unilluminated and then, sadly, gave a dullish impression, especially from a distance. Had I not stayed a week past the end of the Celtic Colours festival and gritted my teeth through more rotten weather at the start of that week, I’d have come home with half the pictures I ended up with and only a few would have been as brilliant as those I present in this essay (last year, I had more than 500 candidates from which to select; this year, I had barely 300.) As it is, you will notice a lot of clouds in these pictures, ever-present companions this fall except during two stellar days and appearing in benign forms even those days.

The photos in this essay are presented in the order in which they were taken. All are from Inverness County, with one exception, the second photo, which is from Richmond County. Cape Breton’s other three counties, of course, have gorgeously coloured trees and places of great beauty, but on the occasions when I was in those counties this fall, the leaves had not begun to change at all, had only barely begun to turn, or were bereft of sun, so the photos I took there do not appear here.

The idea that the fall colours are best along the Cabot Trail does not accord with my experience; while there are areas of the Cabot Trail that usually have very fine colours (especially from Hunters Mountain to Margaree Harbour, ascending and descending North Mountain in the Cape Breton Highlands National Park, and along the Atlantic coast from Wreck Cove to St. Anns), there are usually even more vivid colours off the trail in places such as Capstick; Portree in the Margaree Valley; the Cèilidh Trail (Route 19) from Southwest Margaree to Margaree Forks and from Mabou to Inverness; Orangedale; and especially the area from Cape Mabou to Whycocomagh along Route 252 and nearby back-country gravel roads (of which the Northeast Mabou Road, the Smithville Road, the Mull River Road, the Upper Southwest Mabou Road, Morans Road, the Glencoe Mills Road, and the Whycocomagh Road are the most spectacular). Such a large percentage of the pictures here come from this area because that is where I found the best fall colours.

I hope you will enjoy the photos I have chosen here and I encourage you to join me in exploring the cornucopia of riches that Cape Breton Island offers so freely to both its visitors and its residents.

Victor Maurice Faubert
2007 October 28

 

Note: If you are unfamiliar with the place names mentioned in this essay, you should download this free PDF file from the Destination Cape Breton web site. It is the best computer-readable map of Cape Breton Island that I currently know about[1] and it scales nicely, allowing you to zoom in on an area of interest. The place name index accompanying this map is very helpful; the level of detail, both of back roads and streams, is excellent. There are a few discrepancies in the place names on this map and those of the sixth edition of the Nova Scotia Atlas [ISBN 10: 0-88780-707-0; ISBN 13: 978-0-88780-707-7]; for this essay, the only significant difference is that what the Destination Cape Breton map shows as the Bridgend Brook near Whycocomagh is shown as the Indian River in both the Nova Scotia Atlas and the Natural Resources Canada topographic maps. In this essay, I refer to this stream using the name Indian River.


[1] I am indebted to Kimberley Wotherspoon for the reference to this map in a posting on 2007 July 24 to the Cape Breton Music Mailing List (available by going to this web page and clicking on “cbmusic list” in its left column).

 

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Feedback on the photos and the accompanying commentary, including corrections, is always welcome; it may be sent either to this site’s web master or to the essay’s author.