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| Like his deconstructionist work Tom
Tom the Piper's Son, New York avant-garde filmmaker Ken Jacobs has
once again taken a piece or early, primitive cinema, in this case
Edison's New York City Ghetto Fish Market (1903), and revived it through
a process of self-revelation. Poring over every frame of this two-minute
short with digital software, Jacobs uncovers magical details in the
footage and reinvigorates it with the help of musician and vocalist
Catherine Jauniaux and cellist Tom Cora. One of Jacobs' masterworks,
originally created as a Nervous System live performance in 1993, and
sponsored by the avante-garde record label Tzadik in their Radical
Jewish Culture series. |
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