| Peter Vaughan, Leslie Caron, Alfred
Marks, Jennie Linden, Rudolf Nureyev, Michelle Phillips, Seymour Cassel,
Anton Diffring, John Justin, Felicity Kendal, Carol Kane
Rudolph Valentino, born in Italy in 1895 as Alfonzo Raffaele Pierre
Philibert Guglielmi, emigrated to the U.S. and became for a time
the reigning male romantic lead of the silent-film era. He died
in 1926, having led a short, troubled and tempestuous life which
included several stints in prison. The crowds surrounding his coffin
before and during his funeral were among the largest ever seen in
the U.S. In this film, Ken Russell has used events from the famous
actor's life as the basis for an extended meditation on the nature
of stardom, and especially on what it means to be a sex idol. Beginning
and ending with the funeral of Valentino (Rudolf Nureyev), the story
chronicles his rise to Hollywood stardom from life as an Italian
emigrant dishwasher and show-dancer. Often embroiled in controversies
about his manliness (or perceived lack of ), in the film he dies
as a result of internal injuries suffered in a boxing match he fought
in to defend his honor. |