Igor & I have developed a close understanding of each other's craft and we work well together. Igor abhors strong color, preferring a subdued look that causes the viewer to look into the picture. This is my second project with this DP.

Nearly all lighting was with practicals; exposures were usually set to 2/3 over, intending to let the highlights blow. The script called for three primary looks that were achieved in color correction. The highlights were treated separately and given a soft shoulder allowing for more latitude in the mid-tones to create this rich look.
This is my fourth project with this DP.

Great dialogue with DP Jim Denault in daily discussions early in the shoot. Enjoyed his confidence during the remainder of the shoot.
Finish accomplished from IP with Director, Chris Terrio; also a great collaboration.

My first project with this DP, Joaquin Baca-Asay. Through daily messages, we developed a great rapor. I've enjoyed several projects with him since.

Great daily collaborative relationship with this detail oriented DP, in which emailed me detailed summaries of each scene expressing his intent and I would comment upon how successfully his intent was rendered.

Great collaborative effort with DP Christo Bakalov via phone and daily emails.

Great interaction with this DP. Zubin favored dramatic, theatrical lighting in many setups, so he anticipated very specific subtleties in these dailies.

This was my first full scale project color correcting tape originated imagery for filmout. The result was a greatly enhanced presentation benefitting from continuity, & with a filmic character.

Sandy, his wife Lainey & I worked two weeks on this project - from the original negative. It wasn't particularly challenging, but lots & lots of work. The result, however, was beautiful. It was pleasure working with these two delightful people on this special project.