There was a time, in the early 70's, when my "star was rising."
I had job offers from a number of large churches. I was asked to be the president of a Christian college. I was asked to be the chief administrator of a health care organization that would have made me a millionaire.
But instead of all those opportunities, I chose to go to Pepperdine University as "Special Assistant to the President." Dr. Bill Banowsky was one of the most dynamic college presidents in the nation and he wanted me to be his "man." I thought I might eventually succeed him.
It wasn't too long after I took the job that Dr. Banowsky told me he wanted to publicize my position with the university. He told me that a part of that publicity required that I have a very professional photograph taken that would be used in many ways. Even though we were in the same California county as Hollywood, he didn't think there was a photographer good enough in Los Angeles to take the kind of publicity picture he wanted. In Dallas, Texas, in no less a place than Neiman-Marcus Department Store, there was perhaps the finest portrait photography studio in the world. Gittings Studio. So Dr. Banowsky had his secretary make an appointment for me at Gittings.
I bought the finest and most expensive suit I ever owned. I had my hair styled by Jay Sebring's assistant (Sebring was a phenomenal hair-stylist who had been killed by the Manson family.) And on the proper day I flew off to Dallas to have my photo-shoot.
When I got to Gittings Studio I felt like absolute royalty. The receptionist assured me that I wouldn't have to wait long. She said, "Mr. Hope is taking longer than we'd thought." She was talking about "the" Mr. Hope, Robert by name.
Yes, in a few moments Bob Hope came out of the studio. He had been having his Gittings photo made. He smiled at me and I smiled back. He knew I had to be someone important to be there, so he didn't embarrass himself by asking my identity. I already knew who he was.
So I went into the palatial studio, and was greeted by Mr. Gittings. He sat me on the same bench Bob Hope had just left. It was still warm!
The next hour was spent in posing. I don't know how many shots were taken but he said they were all marvelous. I thanked him, ate lunch in the fine dining part of Neiman-Marcus, and flew back to Los Angeles.
In a few days my proofs came, and Dr. Banowsky's "people" picked the one they thought was best. You can judge for yourself.

When the beautiful prints came, all 8 x 10's, I was eager to show them to people. I refrained from putting one up in my office, or even from putting one in my home. But I wanted to!
Not only was the picture impressive, the inscription on the back was impressive. It said: ""THIS PHOTOGRAPH IS THE LIKENESS OF SILAS SHOTWELL. IT WAS MADE AT GITTINGS STUDIO, NEIMAN-MARCUS, DALLAS, TEXAS. IT IS COPYRIGHTED. TO MAKE COPIES OF IT FOR PUBLICITY PURPOSES YOU MUST HAVE THE WRITTEN PERMISSION OF THE PHOTOGRAPHER OR THE SUBJECT, THE OWNERS OF THE PHOTOGRAPH."
I was flying high. Bob Hope had nothing on me.
I could hardly wait for opportunities to mail out the picture.
Within a day or two I got my first chance. The Church of Christ in Huntsville, Texas wanted me to come there and put on a gospel meeting. Their preacher, Ottis Hilburn, was an old friend that I had known in Oregon. And as we talked on the phone, he said, "Silas, send me a brief bio, and a picture, if you have one." I assured him that I had one.
I had three secretaries at Pepperdine and I had one of them send out a bio and the picture that very day. Registered mail I think.
About a week passed and Ottis sent me a note to tell me the things had arrived. And then he said the strangest thing. He said, "I got your picture. Ha. Ha."
Why had he said, "Ha. Ha."? It seemed curious to me. But I had too much important business to take care of to give much thought to what he meant.
In a matter of weeks it was time to go to Huntsville. I stepped off an airplane in Dallas to be met by Ottis. He was to drive me to Huntsville to conduct the meeting. He told me all the good things that he expected. He thought God was going to use this time as a time to save a number of souls, both in the community, and in the Texas State Prison. All the sermons were going to be broadcast on the radio and inmates could listen from behind stone walls. I was thankful for the opportunity also.
But I was curious.
Toward the end of the drive I asked, "Ottis, when you got my picture you told me you got it but you said, 'Ha,' 'Ha.' Why did you say 'Ha', 'Ha'?
He looked at me with surprise and said, "You don't know?'
I assured him that I didn't know what was funny.
He said, "You really don't know?"
A bit agitated, I said, "No!"
We were almost to Huntsville by that time. He didn't explain his actions any further. He said he'd show me.
When we got to his office he showed me the fliers they had printed, and the newspaper ads they had run. He even showed me the prison newspaper that had my picture proudly on the front page. l still didn't see anything funny. And I told Ottis so.
He said to me, "It's that thing on the back."
That was the thing that had impressed me. What was so funny about it?
He then took the picture I had sent him, and I turned it over. There was the inscription, exactly as I had first read it.
"THIS PHOTOGRAPH IS THE LIKENESS OF SILAS SHOTWELL. IT WAS MADE AT GITTINGS STUDIO, NEIMAN-MARCUS, DALLAS, TEXAS. IT IS COPYRIGHTED. TO MAKE COPIES OF IT FOR PUBLICITY PURPOSES YOU MUST HAVE THE WRITTEN PERMISSION OF THE PHOTOGRAPHER OR THE SUBJECT, THE OWNERS OF THE PHOTOGRAPH."
But then I noticed what I hadn't noticed the first time. My eye had done some editing the first time.
In reality, it didn't say "SHOTWELL."
It said, "SNOTWELL!"
I couldn't believe it. "SNOTWELL!"
I immediately called my secretary and had her check the other copies. She told me she had mailed out at least ten to other places I was supposed to appear. And sure enough, all the copies she had had the misspelling: "SNOTWELL."
After a few moments of sheer embarrassment, I began to laugh. Ottis laughed with me. We guffawed and we howled. "Snotwell."
That's what I was! Either Gittings, or God, or both, had taught me a lesson.
I didn't stay in the high-powered job but a few months. I went back to preaching, my true calling. And I started going to churches that needed me, not necessarily the ones that were big and famous.
And to any place that wanted me to come, I sent out the infamous photos as long as I had any left. "Snotwell" and all. No changes. I thought, "If the shoe fits. . ."
God has been humbling me ever since. I'm grateful for that. I want my only "bigness" to be my heart, not my ego.
You may never think of me as "Shotwell" again. And I don't mind that.
I'm just who I am. God forgive me for ever trying to be more.