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program note:
This work was developed for flute improvisation and live electronics, in collaboration with the flutist Sabine Vogel. It was commissioned by DAAD Berlin, and was realized at Elektronisches Studio der Technische Universität Berlin. Almost of electronic sounds, based on the composer’s idea “sound creature”, are created from Vogel’s actual performance on the stage by using real-time signal processing technique which is programed in Max/MSP. In this work the composer tried to find a moderate but unique point in between improvised and scored music. The title suggests the composer’s notion of “space” that something unperceivable still exists in.