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| biography | list of works | past activities | prizes, grants etc |


[2006]

“Figure in Movement II” for piano and real-time audio/visual processing technique
____commissioned by Heather O’Donnell
____supported by DAAD Berlin
____realized at Sonology Department, Kunitachi College of Music and TU Berlin


[2005]

“Emergence of Boundary” electroacoustic composition
____composed for the performance by Mayumi Fukuzaki (butoh dance) + Shintaro Imai (sound)
____realized at TU Berlin
“Figure in Movement” electroacoustic composition
____realized at TU Berlin


[2004]

“Quartz” for flute and electronics
____commissioned by Rundfunks Berlin-Brandenburg
____realized at TU Berlin
____collaborative work with Sabine Vogel (flute improvisation)
“Ubiquitous” for flute and electronics
____commissioned by DAAD Berlin
____realized at TU Berlin
____collaborative work with Sabine Vogel (flute improvisation)
“Motion and Glitch Study” for dance, visual image processing and electronic sound
____commissioned by Inventionen 2004
____realized at TU Berlin
____collaborative work with Kazue Ikeda (dance improvisation)


____Motion and Glitch Study: photo by Masa Hayashi


[2003]

“Accumulation” for harp and electronics
____realized at ZKM
“Glitchdesign” electroacoustic composition
____realized at ZKM
“Lautsprechermusik” fόr 5 verschiedene Lautsprecher
____realized at ZKM

____Lautsprechermusik
“Frequency” multimedia installation
____realized at ZKM, HfG Karlsruhe
____collaborative work with Kazumi Wada (concept/visual art)


____Frequency
“Die Zwitschermaschine” fόr Flφte und Elektronik
____realized at ZKM


[2002]

“Materials” for a cellist
____commissioned by Jean-Guihen Queyras
“Filtering” for piano and electronics
____commissioned by Yoshiko Shibuya
“Metafragment” for percussion and electronics


[2000]

“Metal Mosquito” electroacoustic composition
____realized at Swiss Center for Computer Music
“La Lutte bleue” pour violoncelle et ιlectronique
____realized at Ircam


[1999]

“Resonant Quarks II” electroacoustic composition
____realized at Sonology Department, Kunitachi College of Music
“Resonance” for clarinet, piano, percussion and computer
____realized at Sonology Department, Kunitachi College of Music


[1998]

“Resonant Black” for baritone and computer
____realized at Sonology Department, Kunitachi College of Music
“Resonant Waves” for clarinet and computer
____realized at Sonology Department, Kunitachi College of Music
“Resonant Quarks” for four channels tape
____realized at Sonology Department, Kunitachi College of Music