CARNIVAL! at The Kennedy Center for the Performing Arts:

"Even this moment, though, with all its grandeur and pageantry, doesn’t bring the stage to life in the same way Marco the Magnificent does. Marco’s exaggerated diabolicalness could have easily been a recipe for pained mediocrity, but instead he pops from his surroundings like a 3-D cutout. Just like Marco’s laundry list of past women, the audience can’t bear to be without him. And when he’s not around, this carnival is typical — bright, polished, pretty and superficially entertaining, but nothing more.”
--Examniner.com

“Mr. La Cause's Marco is a hilarious parody of hypermasculinity..."
--The Washington Times

"...Sebastian La Cause as the deliciously pompous cad, Marco the magician. He and his perpetually jealous assistant (Natascia Diaz) keep the slender plot churning as they spar over affections and entertain with big numbers including "Magic, Magic."
--Variety

"La Cause prowls with a big reptile's muscular grace."
--Washington Post

“From the show’s outset, Marco commands the stage. He is color; he is movement. He is throwing knives; he is vanishing roses. He is smoothness; he is confidence; he is passion.”
--Examiner.com

"Marco, played to sleazy perfection by Sebastian La Cause, triumphs in the swashbuckling "A Sword and a Rose and a Cape."
--The Freelance-Star

SHE LOVES ME at The Arena Stage:

"The heat index goes up when Miss Lemenager's Ilona and Mr. La Cause's Steven share the stage..Their scenes together tingle with erotic promisebut they also are spectacular in their solos.."

"Mr. La Cause possesses that catnip sexuality throughout but really lets loose in "Grand Knowing You", in which falsetto sweeps betray his wicked, unrepentant heart."
--Jayne Blanchardl, The Washington Times

"The clever songs are embedded so skillfully into the story that never for a minute do you doubt any character's need to sing...it would be hard to imagine La Cause's smooth-as-snakeskin Kodaly romancing the object of his affection with anything but a sleazy serenade such as "Ilona"..."
--Peter Marks, The Washington Post

"...a good match with Sebastian La Cause as Steven Kodaly, a smarmy lothario who slithers when he walks."
--Susan Berlin, TalkinBroadway.com

"La Cause is equal parts handsome, charming, slimy and slick."
--Metroweekly

"Acting kudos can be fairly evenly distributed. Sebastian La Cause is appropriately sleazyas the duplicitous Kodaly"
--Lucia Anderson, The Free Lance Star

TIGER BY THE TAIL at The Wings Theatre Company:

"...Sebastian La Cause grounds a Cuban-American firebrand with authenticity..."
--David Hurst, NEXT Magazine

"Also enduring the pressures of the pen, and no less vividly limned... a proud, outspoken Latino with a quick temper, the assignment of Sebastian LaCause."
--Bruce Michael-Gelbert, Theatrescene.net

"In Tiger by the Tail, Mr. Becker knows how to turn a tale...building to an effective coup de theater...Jules Ochoa's production does well by it's material and the acting is respectable..."
--Anne Midgette, The New York Times

EDENVILLE at Emerging Artists Theatre Company:

"Edenville, a new romantic comedy...tells the story of Jules, a smart, handsome young gay man in search of Mr. Right (played by the likably hunky Sebastian La Cause)."

"...the play delivers delightful surprise after delightful surprise..."

"Nick Ruggeri plays Jules's Dad beautifully; he and La Cause have real chemistry, making this relationship the strongest one in the show."
--Martin Denton, NYTheatre.com

"Jules is kind of screwed up...But his imperfections and unrealistic expectations make him an interesting character and certainly easier to identify with than the bland leading men of many romantic comedies...This was in no small part due to Sebastian La Cause, whose good looks and vulnerability helped make Jules such a believable character."

"Some of the most moving and interesting moments of the play involved the relationship between Jules and his Dad."
--Byrne Harrison. OOBR

TAKE ME OUT at The Caldwell Theatre Company:

"The charismatic LaCause travels a difficult road from godlike self-assurance to a pained vulnerability and the beginnings of greater depth."
-- Christine Dolen, Miami Herald

"Sebastian LaCause has the perfect role portraying Darren Lemming. LaCause breathes attitude and swagger into Lemming. And, although Lemming unravels his façade, LaCause is right there showing his scars."
-- TalkingBroadway.com

"Sebastian LaCause's Darren Lemming is rightly all ego -- a man, who in his moments of both heady triumph and sullen disappointment, never sees beyond himself."
-- Charles Passy, Palm Beach Post

"As Darren, Sebastian LaCause anchors the production. With a dynamic presence and a powerful body, he's thoroughly plausible as a baseball demigod."
-- Ronald Mangravite, NewTimesBPB.com

THE ROCKY HORROR SHOW on Broadway:

"... an awesome Sebastian LaCause."
-- Michael Kuchwara, Associated Press

"... Sebastian LaCause, ... whose perma-tanned body apparently grows glitter rather than hair, fills out the brief requirements of the role of Rocky more than generously."
-- Charles Isherwood, Daily Variety

" ... hunk incarnate Sebastian LaCause ... "
-- Michael Sommers, Newhouse News Service

"Sebastian LaCause seems appropriately lost as the artificial slice
of beefcake created by Frank 'N' Furter."
-- Ben Bantley, New York Times

"Snap shot momemnts include ... LaCause's sexy gyrations Rocky-ing the house."
-- Leonard Jacobs, Back Stage

"Sebastian LaCause is endearingly hunky as Rocky ... "
-- Linda Winer, Newsday

" ... Sebastian LaCause more than fills the bill as the Rocky of Frank N. Furter's dreams."
-- Ken Mandelbaum, Broadway.com