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Like the White Stripes, we had no bass player nor did we feel a need for one. Fast forward a few years -- I had moved to Connecticut in high school and Paul and I were in separate bands – his more successful than mine, but every once in a while I would sit in with his band, like when I played bass at Great Adventure (almost breaking Paul’s leg by slamming a car door on it before the gig). At the University of Connecticut, I played in a popular cover band called Fallout, even opening for Clarence Clemons (Springsteen’s Sax player) at UCONN’s Spring concert in 1982. All the while, Paul and I never deviated from our master plan – get out of school, get jobs, and hook up with someone that could sing and write music so we could become rich and famous.
The BNI years We auditioned with as many local musicians as we could, seeking “the One” whose coattails we could ride to fame and fortune. We played with Kilgore Trout, and Punky, whose boyfriend kept a shoebox with evidence for his lawsuits against well-known country stars who had “stolen” his songs. Stevo and Marc of BNI were the first people we jammed with who did not have obvious mental problems, so we immediately agreed to join forces with them. We played up and down the state in the original bar circuit, mostly playing during the week and rarely making any money. Our home base was the cool Court Tavern where we sometimes played and the very “un-cool” Corner Tavern, where we played most of our gigs. And I think that really characterized the band – there were much better and cooler bands in New Brunswick at that time, but we had a quirky pop sound and some catchy songs. I think what finally did us in was a lack of dedication and drive and just getting older. As Paul famously put it, “we almost made it to the bottom.”
Post –BNI |
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