But
this begs the question – if a tree falls in the woods and no one is around
to hear it, does it really make a
noise?
Perhaps I'm getting old. Or
perhaps the show really has become insignificant. But does anyone really watch
Saturday Night Live anymore? The only attention I'd given the show in the past
year was U2's appearance and the morning after Simpson's original, ill-fated
appearance. I taped the U2 episode and skipped to the performances. I watched
Simpson's fiasco online.
So the fact
Simpson made a triumphant return to the show last night is really of little
matter to me. Without an acid reflux-incduced chicken dance, Ashlee Simpson
performances leave me feeling a little empty.
British
media are
claiming Boy George (O'Dowd) is facing an uphill battle to save his
career following Friday's drug arrest in New York City.
Stop the presses! Boy George's career
is "in trouble"? Who knew?
For goodness
sake, Boy George's
popular
career has been non-existent since 1984. Only die-hards will remember 1986's
From Luxury To
Heartache and the top 15 single "Move Away."
Heroin and weirdness rivaled only by Michael Jackson effectively grounded the
career of the early-80s icon. Admittedly George has registered a few blips on
the radars in the years since. But we'd be hard pressed to call it a career.
Gretchen
Wilson's debut Here For The
Party was no fluke. The singer's sophomore
effort, All Jacked
Up, debuted at No. 1 on the Billboard 200.
Record buyers must have agreed with Music
4 Life's assessment as they grabbed up 264,000 copies of the disc in
one week. That figure tops last year's record setting debut
Here For The
Party which sold 227,000 copies in its No. 2
debut.
Wilson has quickly become one
of Music For Life's favorite female singers despite her views and opinions which
sometimes run contrary to ours. This set, like the last, is poised to spawn
several country and crossover radio hits. Take note of "One Bud Wiser" and
"Politically Uncorrect." The real gem is, however, the Billie Holiday-inspired
"Good Morning Heartache" which could expose Wilson to an even bigger audience.
Duran
Duran fans like me are always ready for a concert from the original MTV poster
band. But as the tour in support of
Astronaut
draws to a close in Europe in the coming
months, the chances of seeing them anytime soon are slim. Unless, of course, you
catch the spectacular forthcoming release
Duran Duran Live From
London.
Slated
for an October 25 release in the States,
Live From
London will be issued as a single 20-song DVD
or a deluxe combo containing the DVD and a 10-song live hits disc. The single
DVD also will include a documentary, photo gallery, 4-page booklet and an audio
track voiceover on 10 of the songs (two by each member of the band). The double
disc edition will tack on a 3D bonus song ("I Don't Want Your Love"), a 12-page
booklet and deluxe packaging.
The
preview clips I've seen from this collection are incredible. You can view one of
the stunning clips online at SRS Labs' web site. This
marks the first time the reunited Duran Duran will appear on a live disc. The
collection was culled from the band's record breaking 2004 run of sold-out
concerts at London's Wembley Arena.
Order your copy today from Mike at
Medazzaland Discs. Tell him
Music 4 Life sent you.
O.A.R.'s
new disc Stories Of A Stranger
hit stores today. Arguably this is the most
powerful release from the Maryland by way of Columbus outfit yet. Amazon.com
saysStories
puts the listener "center seat, a few rows back" at an O.A.R. show. But fans
will pay a premium for this experience if they buy from iTunes - $14.99 in fact.
This is the most expensive single-disc
new release I can remember being released on the iTunes Music Store. Apple touts
the release as the "Bonus Video Version," offering a "making of" video, a
digital booklet and two useless dub versions of "Program Director" and "One
Shot." I will say it again. In fact I will scream
it...
$14.99 IS ENTIRELY TOO
MUCH TO PAY FOR AN ALBUM DOWNLOAD ON iTUNES OR ANY OTHER DOWNLOAD STORE.
There. I said it. And I will keep
saying it as long as record labels continue to put pressure on Apple other
digital retailers to pump up the price of album downloads.
I can buy
Stories
on CD for $9.99 at a variety of brick-and-mortar retailers this week. A video
and two throwaway remixes do not make it worth $5 extra. Sorry O.A.R. Sorry
Apple. Sorry big record labels. Music For Life will be skipping this new release
in protest.
Lately
I can't get enough of The Rolling Stones. Since the release of
A Bigger
Bang and all the hype surrounding their latest
tour, I've been spinning The Stones almost non-stop. Its great to rediscover
gems like "She's So Cold" and "Loving Cup" while also enjoying the hell out of
their finest album of new material in years.
Unfortunately, I had to skip their
Columbus performance last week as I just couldn't bring myself to spend the $175
for a single upper level ticket. I figured I'd put on the
Live
Licks DVDs or enjoy a bootleg copy of the
September 24 show.
I didn't realize
how many Stones t-shirts were in my wardrobe, either. I've got the classic
tongue shirt. I've worn my Forty
Licks shirt to near threads. I recently
acquired a new "logo tee" at Target of all places. And I was lucky enough to
score three t-shirts (Boston, Columbus and tour dates) from the current tour
without having to cough up money for a ticket.
I'm disappointed Sirius chose not to
continue their Stones channel into October. Now I'll just to wait for the next
television special of CD/DVD documenting the current tour. What are the odds one
will be out sometime next year?
18
Years and $104.30 Later: A Bon Jovi Ticket
Story
Early in 1987 Huntington, WV
was rocked by the news that Bon Jovi would headline a show at the rarely used
Huntington Civic Center. Without a doubt this would be the hottest ticket in the
River Cities since Elvis was slated to open the facility in 1977 (he died before
the show, though). Bon Jovi was sitting atop the charts with "You Give Love A
Bad Name" and the album Slippery When
Wet was a must-have for everyone aged 8 to 38,
give or take a few years either way.
Sometime in February of that year my
dad dropped off me and a friend at Scratch & Tilt, Huntington's most famous
arcade and official ticket outlet. These were the days before Ticketmaster,
ticket brokers and elaborate schemes bilk fans of hard earned money. About 200
of us gathered to draw numbers for the chance to buy tickets. I vividly recall
pulling number 15 out of the hat. Jean jacket clad teenagers, Marshall students
and some older "kids" our parents warned us about formed an orderly
line.
A few minutes later I plunked
down $15 for a ticket to see Bon Jovi in Huntington, WV. I couldn't believe it.
The biggest band of the year was going to play the 9,000-seat Huntington Civic
Center. My parents couldn't believe I was spending a week's worth of lawn mowing
money to see them.
Fast forward
almost twenty years -> -> -> ->
Staying true to the marketing
push behind Bon Jovi's latest effort
Have A Nice
Day, I couldn't help but have a smirk on my
face as I hit "Purchase" on Ticketmaster's web site yesterday morning. I had
just spent $119.30 for two upper level seats to see Bon Jovi play Columbus'
Schottenstein Center. Who would have believed on that cold morning in 1987 that
two decades later I'd spending $104 more to see the aging rockers crank out
their arena friendly hits?
Had I opted
to purchase the lower level or floor seats for the November 9 show, I would have
had to shell out more than $200 after facility fees, handling charges and
Ticketmaster "convenience" charges. Since I just purchased a new home and
realized this would be my 10th time seeing Bon Jovi, I rationalized the upper
level "cheap" seats would be more than acceptable.
Tupac
"2Pac" Shakur is not dead. No way. You can't convince me.
Has anyone else noticed this is the
most prolific "dead" guy in history? There has been more than a dozen Tupac
album releases since his death in 1996. Although many are remix or live discs,
at least a half dozen albums of original material have found their way to record
store shelves.
Now comes news that a
Tupac screenplay is heading to the sliver screen.
Live 2 Tell
is being developed as a feature film and will
begin shooting in March 2006 according
to Billboard.com.
Also, on a
recent trip to an urban record store I noticed an abundance of 2Pac merchandise
- calendars, posters, stickers, etc.
Most
of us would be thrilled to find a $20 bill in the pocket of the jacket we
stuffed in the closet after Winter. Could you imagine the feeling experienced by
Library of Congress engineer Larry Appelbaum last Spring when he accidentally
uncovered a jazz gem in an unmarked
box?
Thelonius Monk and John Coltrane
has worked together in the late 1950s. Sadly, their studio legacy consisted of
only three songs. Now fans, scholars and musicians can rejoice with the release
of 52 minutes of two immortals sharing a chemistry of which others could only
dream. Recorded at Carnegie Hall in 1957 as part of a show for VOA (Voice of
America), the set is
the
jazz album of 2005. I would go so far to say this may even be the best album
from all genres this year.
Coltrane is,
on the tapes, brilliant. Monk is nothing short of genius. The result is a
recording of both power and significance. Rarely do you musicians who compliment
one another so well. And it is even more rare to hear two jazz giants push one
another to dizzying new heights. As fantastic as Harry Connick Jr.'s and
Branford Marsalis' Occasions
project is, it falls well short of this
pairing.
Something once thought lost
forever is now available for everyone to enjoy. You can read more about the
discover on Library
of Congress' site.
Coldplay's
X&Y
was the first album offered for pre-order on the iTunes Music Store. One week
later came the opportunity to pre-order the Black Eyed Peas
Monkey
Business. Then came a steady stream of
pre-orders - Bon Jovi, The Rolling Stones, Sheryl Crow, Fiona Apple, Depeche
Mode, Franz Ferdinand – and the list goes on.
I will admit it's a pretty sweet deal
at first glance. As an iTMS customer, I get the chance to pre-order a hot album
with the promise of extras and bonuses not offered on the standard download.
Typically it's a bonus track or a video. In the case of Depeche Mode, its access
to a pre-sale code for concert tickets. Cool,
eh?
But look deeper. These pre-orders
often carry a price tag heftier than their standard download counterparts -
$11.99 instead of $9.99. It also gives the big labels leverage to tout these new
albums in interviews and in the media. The labels can now say "Artist X's album
had 40,000 pre-orders through iTunes." I realize this isn't any different than
pre-ordering the disc through Amazon.com. But there the albums are frequently
discounted.
I also have to ask if the
bonuses are really worth the extra two bucks? Usually you receive a "bonus"
track that was actually deemed a throwaway by the band or the label. Why wasn't
it good enough to be included on the album in the first place? For completists,
it may be worth it. For casual fans, perhaps not.
And I still can't get past paying for
videos. These are supposed to be free! I remember MTV's purpose in the 80s.
Music videos are commercials for an album. Do you pay Aquafresh to see ads for
toothpaste? No. So why do I have to pay Sony for a John Mayer
video?
I'm
sure the question on everyone's mind is "what has been Music 4 Life been
listening to recently?" It certainly hasn't been a quiet summer. And the slate
for fall looks pretty full, too. But for now, six albums from artists everyone
knows is getting a lot of air time on the iPod.
Gretchen
Wilson had a huge task following up her 2004
quadruple platinum Redneck
Woman. All indications are
All Jacked
Up will continue to enhance Wilson's country
music superstar status. The title track and lead single deepens her redneck
image. And "One Bud Wiser" is a cute, albeit silly, play on words. But guest
spots from Merle Haggard (on "Politically Uncorrect") and Paris Hilton bashing
(on "California Girls") remind the listener this is good, old-fashion country
music.
Blues rock fans everywhere are
rejoicing the new releases from Eric
Clapton and
The Rolling
Stones. Fans in the know are calling the
Stones' A Bigger
Bang one of the band's best efforts in years.
A friend of mine went so far to name
Bang
their best album since 1971's Sticky
Fingers. I'm not sure you can ignore
Some
Girls or
Tattoo
You, but I will say that
Bang
breathes new life into a career that just doesn't seem to have an
end.
Clapton, meanwhile, can't go wrong
with a parade of guests that include John Mayer, Steve Winwood and Billy
Preston. Amazon.com calls Back
Home "Clapton in a good mood." And the
surprising mix of material is indeed the perfect cap to a recent trifecta - a
period that has included the 2005 Cream reunion and the highly successful
Me and Mr.
Johnson
project.
Paul
McCartney, like the Stones, must have received
the memo stating one can't live on past successes alone. And while no one could
blame McCartney for coasting on Beatles or Wings hits, we certainly can expect
more out of one half of the world's greatest songwriting team than we've
received over the past several releases.
Chaos and Creation in the
Backyard delivers some of the best music we've
heard from a Beatle in decades. The album is as depressing as it is good,
though. Powerful, haunting and sensitive are adjectives I've read to describe
the effort. I'd agree.
After an extended absence, Music4Life finally
returns. I know that for many it seems we've fallen off the face of the earth.
Email went unchecked. Albums not reviewed. Concerts missed. What on Earth
happened? Well, it's too complicated to explain. And the most important thing is
this...
Apple To Sell Music Videos; Video iPods Not Far Off?
Word on the
street is that Apple is in negotiations with record labels to sell
music videos. Am I the only one who thinks it is a bad idea to pay for what is
basically a commercial for a song? Perhaps my age has something to do with this.
I remember watching NBC's Friday Night Videos (pre-MTV for you kids out there)
for the latest, hippest clips from the likes of Duran Duran, The Police and The
Cars. Obviously I remember also when MTV actually played music videos.
The funny thing is that I really don't
miss music videos that much. You'd be hard pressed to find someone who loves
music as much as I do. But music videos I could live without. Sure, I tune in to
the VH1 countdown, MTV 2 or MTV Hits everyone once in a while. And occasionally
I will check out the video section in the iTunes Music Store. But would I pay to
see these clips?
Sorry, but my answer
is a resounding NO. These are commercials folks. The entire purpose of a music
video is to sell records (or CDs or downloads) and merchandise. I realize
musicians and labels are looking for as many revenue streams as possible. But
this is not something that is going to take the over-30 crowd by storm.
Can Apple revolutionize music videos
(and possible movies) they revolutionized portable music with the iPod? All I
can say is I might pay attention if the product was as or more interesting than
the current iPods. No way do I want to watch a music video on a two inch screen.
Nor do I even want to think about downloading a blockbuster movie to only be
able to watch it in QuickTime on my Mac. Bring me a revolutionary product and I
promise to open up my mind again.
What is going on with all the covers albums? Is Rod
Stewart to blame. This trend really seemed to take off when Stewart delivered
The Great American Songbook
Series to masses of baby boomers eager to hear
mellow classics from a one-time rocker. Now we have entries from Rick
Springfield, Carly Simon and Michael McDonald. Erasure even got in on the act
with the shamelessly titled Other
People's Songs.
I'm not sure what disturbs me the most
- the fact so many artists are choosing the remake route or that I actually like
some of these albums. Many singers and musicians can breathe new life into
classics. And likewise, these classics can breathe new life into stalled,
failing or forgotten careers. At the same time, it is almost sacrilegious to
take on the Motown catalog or eighties classics.
Now, let's just hope this trend
doesn't carry over to shows a la Clay Aiken and his Jukebox Summer
Tour 2005. The American Idol will play songs from the 50s through
today because he "thought it would be cool to sing a bunch of covers and relate
to everybody." And while this formula is successful, I'd rather "relate" to a
band or singer based on the feelings I have and connections I made based on
their
original music.
Still, I think this is
going to be a lasting trend. Most of the remake albums are selling very well.
The Clay Aiken tour is apparently doing good business. Most people, it seems,
aren't bothered by the Nick At Nite approach to music.