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Powered by DREAMWEAVER Welcome to my Weblog, wherein I hope to enlighten and entertain you with the goings on in my art studio and my home, Come on in and make yourself comfortable! Available at my table in Chicago:
"Captain Hazzard" cover, by Tom Floyd, from the novel by Ron Fortier and Chester Hawks,PYTHON MEN OF LOST CITY, now available from Wildcat books. Interior spot illustrations by Rob Davis. (see the link below for other wildcat books featuring Rob Davis Art) links: (more links below) Montage of panels from "Daughter of Dracula". This was used as a promotional poster on my back drop at the Planet Comicon in Kansas City April 2-3., 2005. and will again be on my table in Chicago at Wizard World. August 4-6, 2006 • What they're saying about Brother Grim: "Fortier's pulp-ish prose is first rate fun. The spooky cover painting by Thomas Floyd helps set the mood for the stories, as do the interior illustrations by Rob Davis. It's a terrific looking package all around." -"Four of five Tonys"-Tony Isabella
Available at my table in Chicago:
COVER by Thom Floyd OF THE"Brother Grim" novel with interiior illustrations by Rob Davis. (NOW AVAILABLE! CLICK OVER TO WILCAT BOOKS TO GET YOUR COPY.) And also available from the same creative team:
Available at my table in Chicago: Thom Floyd's cover for THE PULP-STYLE NOVEL "HOUNDS OF HELL" FEATURING ARWORK BY ROB DAVIS AND BRADLEY WALTON . (NOW AVAILABLE! CLICK OVER TOWILCAT BOOKS TO GET YOUR COPY.) • Some favorite Links: (comics reviews)by old pal michael Vance) Kansas City's Planet Comicon.com
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! | Sunday, July 30, 2006 10:36 AM Okay, we’re back again.
Well, plenty, actually. There are still the pulp projects coming from Ron Fortier’s busy pulp grist mill. No less than two Captain Hazzard novels are in various states of production (one is written and awaiting my illustrations, and another is being clacked out on Ron’s keyboard—see the link at left for his notes on the matter) that I’ll be illustrating. There’s a Secret Agent X anthology coming soon from Ron’s editorial mind for which I’ll be doing interior illustrations and the cover. The first of those stories is finished, I just have to find the time to get the illustrations going while doing Captain Hazzard at the same time. Then there are the other two stories yet to come…
illustration from chapter 7 of "Citadel of Fear", the latest Captain Hazzard pulp novel by Ron Fortier and Martin Powell. The first of the villains show... However, this all should work out fine and dandy now that I don’t have DOD on the table. After two years the muse has been satisfied in that department. Next on the comics agenda is “Robyn of Sherwood” with Paul Storrie. He and I will be talking over our next moves at the Wizard World show coming up next weekend. I’ll let you know how that goes.
"Robyn of Sherwood" #4 cover (from the Mile High Comics website) This is the busiest the studio has been since the bottom fell out on the Star Trek stuff at DC and Malibu back in the mid 90’s.
Which
leads me to mention that since I’ll be in Chicago next weekend
there won’t be a regular (well, I TRY to be a regular updater here… )
update of this website. Not until at least the Monday after
the show, depending on how worn out I’ll be from the adreneline
rush and exhaustion of driving back to mid-Missouri from Chicago. I hope
to have some photos and maybe even some video to share (if I can master
how to do the video thing and there’s anything worth
showing). And now one last thing before I get back to digging through the piles
of stuff in the studio: Back
when I first broke into the comics biz in the late 80’s and
early 90’s, close pal and writer Kirk Chritton
started up a great newsletter on breaking into the industry
called
COMICS CAREER
NEWSLETTER.
I did a number of articles for him covering the titular
basis for
the magazine. Kirk has dug up those and other articles
for the magazine and
posted them on a website for all to see at: http://comicscareer.com/articles.html . Surf over and see what we were talking about almost
15 years ago. Nearly everything is as relevant then as
now,
though we
should create
some new
articles on coloring in Photoshop and lettering with
a computer. Webcomics are a phenom since we did those
articles
too. If you like what you see, tell Kirk. Maybe we can get him to do this
a bit more and more often. Okay,
time to start digging… More as it develops. Sunday, July 23, 2006 8:50 PM After nearly two years it’s finally finished. Just yesterday I put the finishing touches on page 108 of Daughter of Dracula (DOD), a graphic novel Ron Fortier asked me to draw for him. I agreed on the condition that he understood that I could only give him one penciled, inked, lettered page a week. detail of page 107 of Daughter of Dracula. Click on the image to see the full page.
detail of page 108 of Daughter of Dracula. Click on the image to see the full page. This
book has been a labor of love. Ron originally wrote this story as a
screenplay, and I can see it being
done that way very
easily.
All along
Ron encouraged me, telling me this would be my “Magnum Opus.” Well,
I don’t know about that, but there are a good number of pages that
I can honestly say are the best work I’ve ever done, and the book
as a whole is the best one comic book, novel or single issue, that I’ve
ever done. Today
I did my absolute final work on this book (though before publication
there may be some tweaking here and
there, as we have
yet to get a
publisher on-board) by penciling the cover and sending it off to Ron.
Freddie Lopez
(sorry I could not remember your name earlier, Freddie, but your work
itself is unforgettable) will be working some magic on the pencils
for the cover of DOD. He’ll be adding a gibbous moon to the upper left
side and I’ve suggested some sort of cloud formation across the
middle background, but it’s up to him. pencils for the cover of the graphic novel Daughter of Dracula. After
all this time I have mixed feelings about this weekend’s
ending of this book. I’ve lived with this script and these characters
for two years. That’s longer than I’ve spent on anything
else I’ve done in comics work, though my work with RA Jones on
Scimidar at Malibu back in the early 90’s was about the same
amount of time (and intensity, I must say). Reflecting back, it’s interesting to note that my career in comics (spotty as it is, thanks to the vagaries of the industry) has been punctuated by stories with female leads. Scimidar was/is a female empath whose downward spiral (and eventual planned redemption) RA Jones and I chronicled for a couple of years. We had a certified independent comics hit with her, and she jump-started my career.
SCIMIDAR
by RA Jones and Rob Davis-this cover was from my last issue At
the end of the first phase of my career another female character was
Paul Storrie’s Robyn of Sherwood.
Though a bit hurried, she made a nice end cap to the era of my career
that included some interesting
work on licensed characters from the science fiction world (Star Trek,
Quantum Leap, and Pirates of Dark Water).
ROBYN OF SHERWOOD by Paul Storrie and Rob Davis Paul
and I have been talking lately about reworking some of the pages from
the aborted series (it was published
by Caliber, which
unfortunately
succumbed to the implosion of the 90’s as did many other companies
at the time), completely re-drawing issue #3 and reworking some of
my pages in issue #4, possibly issuing them as a graphic novel and
perhaps
re-launching it as a series. He and I are talking more in Chicago in
a couple of weeks.
GREEN HORNET by Ron Fortier (not sure who drew this first issue, the cover is by Jim Steranko) And
now there’s Marya, the Daughter of Dracula. I have some hope
that she will re-energize my career after 10 years on the fringes. In
any case she has brought me closer to old pal Ron Fortier who asked me
at one time back in the 90’s to draw a version of the Green Hornet
and didn’t take it personally when I had to turn him down for professional
reasons. That was a shame, since I love the character and what Ron was
doing with him, I just couldn’t work for the company publishing
it at the time. Ron and I even pitched a Rose & Thorn mini-series
(or was it an ongoing series, Ron?) to DC, who didn’t bite. Again
a shame, it was as good as the recent mini DC did of the character
(and another female character!).
ROSE & THORN by Gail Simone, Adriana Malo and Dan Green , Cover by Adam Hughes (2003) After
all that Ron and I never got to work together, though I continued to
send him Christmas cards all these
years. Then, suddenly,
almost
8 years later, he notices my Route 66 webcomic and pitches an idea
to revamp
an old pulp series as a webcomic, Dr. Satan. That was a fun weekly
ride, but it ground to a halt when Adventurestrips.com didn’t get any
traction online. Those strips, however, are slated to make an appearance
in print sometime early next year from Wildcat Books. I’ll keep
you all informed about that as it nears. So
for now Ron has me pretty well booked doing illustrations for all his
various pulp novel projects. As those
come off the drawing
board
I’ll post them here to tease you into peeking at the books themselves
(everything so far has been a rip-roaring hoot to read, so feel free
to join us!). In
exactly two weeks I should be nearly home from what I hope will be
a fun and exciting visit to the Windy
City with some old
pals. I’ll
be sure to let you know how it went then. More as it develops. Sunday, July 16, 2006 12:47 PM Not much time for chit-chat today. I'm hip deep in all the work that's coming my way, so I won't be able to post much in the way of my thoughts this week (and, frankly, my thoughts have been of rather mundane stuff of late anyway...:)). First up, another page of Daughter of Dracula has slipped off the drawing board. We're very quickly moving to the end, with only two pages left. With any luck I'll have both pages done by this time next week ready for you to see. Then I'll have to gel all those cover ideas that have been percolating all this time into something interesting and usable for the inker/finisher Ron has lined up to take care of the cover (his name isn't handy or I'd share-- more when we get to that point).
click on the above image to see the full page 106 of Daughter of Dracula Secondly, another illo' is finished for the up-coming Captain Hazzard novel, Citadel of Fear. I'm doing every third chapter. Last week we had chapter 1, this week, chapter 4.
"'Get the Hornet ready, someone just made this personal.'" Page 107 of Daughter of Dracula is on the drawing board, and will, with any luck, be done this evening. Then we'll move on to illustrations for the Agent X anthology (the first story just came in and it's a DOOZIE!) and more for Citadel of Fear. Topping off the week with the final page of DOD. Then it's a frantic week of fitting in work in-between work getting ready for Chicago's Wizard World comics convention. On that note, I've just learned that a "new" show is starting up in Kansas City this Fall called MoKan Comics Conspiracy. I've been in contact with the organizers and I will be a guest at the show. My usual convention haunt, Planet ComiCon, had location problems this year and didn't get held (next year's show is already booked, so it should go off without a problem), so I jumped at the opportunity to see the KC fans again this October. I'll post more as I know it, but surf over to their website (mo-kancomicsconspiracy.com/ ) to see thier powerful lineup of guests including Howard Chaykin! Hope to see you there. More as it develops...
Sunday, July 9, 2006 8:14 PM Welcome to the month of July.
(***NOTE
I may give away critical plot points in my “review” of
this movie. BEWARE!***) I
saw the “flaws” that I’ve seen others note in blogs
and discussion groups, and I personally thought that the movie addressed
the bigger problems head on. Most notably the fact that Superman was
a “jerk” for not saying goodbye to Lois Lane before he went
running off to check out the remains of Krypton. He and Lois talked that
one through, and though it was not resolved, Lois definitely let him
know she thought he was a jerk for not saying goodbye, and Clark was
just as adamant that he just couldn’t bring himself to do
it. Also,
it seemed to me that when Martha Kent mentioned that Clark had been
gone 5 years and she had thought him dead that there was
a flicker
of “has it been that long?” in Clark’s eyes- addressing
some difficulties other viewers had with the movie plot. If he didn’t
think he was going to be gone that long or HAD been gone that long his
not saying goodbye to Lois or anyone else made more sense. Just because
it wasn’t voiced anywhere, doesn’t mean it wasn’t
there. I saw it, but it was definitely subtle. The
special effects in this film were superior. The first time we see Clark
doing super things rescuing the “Genesis Shuttle” was
just spectacular! Not only did I believe a man could fly (and
the scenes where it obviously was NOT computer generated, but
a real
person doing
the flying were extremely well done) but I believed he could
do some pretty amazing things with his strength and heat vision.
I
clapped
after he set down the fuselage of the jet in the baseball stadium! The
story held together fairly well, though, as some have noted it lagged
in pacing in places. Personally, I thought this was
a good
thing. In
far too many Hollywood films there’s this idea we have to rush
through every scene, rather than drink in what’s happening slowly—absorbing
what we’re seeing. Films used to do this regularly, but nowadays
seem far too eager to “move things quickly forward” to
the detriment of the story being told. Lingering on a moment
to reflect on
it is good sometimes. The
casting was good as well. As Peter David noted on his blog it was ballsy
of Kevin Spacey to actually shave his
head to
play Lex
Luthor.
It added much to the mystique of the character, which Spacey
played with subdued but palpable menace. There were moments
when I believed
in the
truly menacing character of Lex that was played a bit too “comic
booky” (as non-comics readers would understand that term) or “campy” by
Gene Hackman. Lois
Lane seemed a bit too distracted in this film. The friend who accompanied
me to the showing was quite perturbed
by
Lois’s bringing her son
Jason with her aboard Luthor’s boat. This did seem a bit out of
character for any real life mother- especially one who had seemed to
be coddling her child, even calling him “fragile” at one
point. This is the only nit I have to pick with the story—no way
does this jibe with reality or even established character. Other than
this I believed Superman could fall in love with this woman—I never
got that with Margot Kidder’s Lois. Some
folks had problems with Superman “stalking” Lois by
following her home and using his X-ray vision to “spy” on
her. I found this in character for a guy who had just come back after
five years to find his love had “moved on” with another guy.
He was curious, and discretely used his abilities to check up on her
and see how she was doing. It wasn’t like he
was going to do something drastic or violent to her
if she
upset his
internal view
of things (as
abusive, stalking boyfriends do in real life). And
it seemed quite
natural for Clark to keep his eye on her with his vision,
lovingly it seemed
to me, as she rode the elevator up in the Daily Planet
building. After all, he was remembering how much he
cared for her and
let his view of
her linger, then let it drift away as other things
casually distracted him away from her. I
give this one 4 1/2 out of 5. It wasn’t a perfect film, as I
think few other films are (the last I have seen is “American Beauty”,
curiously another film with Kevin Spacey), but was darn near. It hit
all the right emotional notes with me, and the special effects and the
super-feats of Superman in this film made it a winner and one I’ll
definitely purchase for home viewing alongside both
Spider-Man films and Fantastic Four in the comic
book genre. Highly recommended! And now on to this week’s page from Daughter of Dracula. We’re closing in fast on the end of our story and the full reveal of the climax. Three pages left to go. click on the above image to see the full page 105 of Daughter of Dracula I’ve also started doing spot illustrations for the new Captain Hazzard novel for Ron Fortier. The first one viewed below.
"Redman Kane was dead befre he could scream. But, his adventure was just beginning." As
well, I’m starting to formulate what I’ll be taking along
to Chicago’s Wizard World show, and who and whether I’ll
be trying to solicit work at any comics publishers while I’m
there. More as it develops. And a note on links I’ve posted here before. I have been told that many if not all these links don’t operate correctly, giving viewers error messages rather than taking them to the pages referenced. Given this problem, and my not knowing at this point how to correct that problem I’m not going to post any links to articles until I decide how I want to do that. I hope to make up my mind by the next posting. |
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