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LordPeter List |
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An off-list discussion of literary styles and writing between Rachel Levy and Marjorie Phelps led to this thought:
What would the Wimsey books sound like if they had been written by some other authors? Dorothy L. Sayers, if you recall, wrote the scene of the picnic on the beach and the investigation of the sands (Chap. 16 of Have His Carcase) so that "the conversation, such as it was, rather resembled the dialogue of a Russian tragedy."
Here are the "rules" of the contest:
The more of you that participate, the more fun this will be, but it's only a game, folks, and well off-topic at that, so those who don't care to play can just read and enjoy and -- or even trash this post without reading it first.
Have fun!
Rachel Levy and Marjorie Phelps
THE TEXT:
She got up from the table and made her way into a kind of large lounge, where the middle space was cleared for dancing. A select orchestra occupied a platform at one end, and small tables were arranged all round the sides of the room, where visitors could drink coffee or liqueurs and watch the dancing. While she took her place and gave her order, the floor was occupied by a pair of obviously professional dancers, giving an exhibition waltz. The man was tall and fair, with sleek hair plastered closely to his head, and a queer, unhealthy face with a wide, melancholy mouth. The girl, in an exaggerated gown of petunia satin with an enormous bustle and a train, exhibited a mask of Victorian coyness as she revolved languidly in her partner's arms to the strains of the "Blue Danube." "Autres temps, autres moeurs," thought Harriet. She looked about the room. Long skirts and costumes of the 'seventies were in evidence - and even ostrich feathers and fans. Even the coyness had its imitators. But it was so obviously an imitation. The slender-seeming waists were made so, not by savage tight-lacing, but by sheer expensive dressmaking. To-morrow, on the tennis-court, the short, loose tunic-frock would reveal them as the waists of muscular young women of the day, despising all bonds. And the sidelong glances, the down-cast eyes, the mock-modesty - masks, only. If this was the "return to womanliness" hailed by the fashion-correspondents, it was to a quite different kind of womanliness - set on a basis of economic independence. Were men really stupid enough to believe that the good old day of submissive womanhood could be brought back by milliners' fashions? "Hardly," thought Harriet, "when they know perfectly well that one has only to remove the train and the bustle, get into a short skirt and walk off, with a job to do and money in one's pocket. Oh, well, it's a game, and presumably they all know the rules."
Lord Peter Wimsey's and Harriet Vane's arms are from: