In a breathtaking
display of hypocrisy, double-think and plain technical incompetence, Rosen lists
in her "Steve Jobs, Let my Music Go" whine reasons why Apple has screwed the
pooch on the iTunes Music Store and made her life as a poor consumer on a
bloated pension so hard.
And she does it
by stealing Martin Luther King's famous 1964 Nobel lecture, "Let My People Go" to make her case as if to
imply that Apple was making slaves of us all. Perhaps since Rosen took over at
gay rights group the Human Rights Campaign, she feels an affinity for
that great man. It's a shame that affinity doesn't extend beyond her bedroom and
choice of sexual orientation.
"I spent 17
years in the music business the last several of which were all about pushing and
prodding the painful development of legitimate on-line music," Rosen writes,
trying to rewrite the history
books.
Yet Steve came around
and in just a few months signed up
everyone.
"Look, I
bowed at his feetwhen the iPod and iTunes was created because HE
GOT THE BALL ROLLING," she writes.
Steve,
the outsider, who was not even a recording executive and certainly not someone
who commanded the ear of the entire industry from the bastion of its most
influential chair. It must have really stung when his reality distortion field
collapsed and you picked yourself back up from your knees to find that he had
put in place the only workable solution that made you look a dead duck and
speeding you out the door.
The Prince of
Cool bested the Queen of Darkness and, what is more, everyone knows
it.
Ouch.
Rosen,
who is obviously a Microsoft shill (and I wonder how much Gates is paying her to
lobby on his behalf), pastes Apple's use of the
open AAC standard. Instead, she says, everyone should use (and pay for)
Microsoft's proprietary, closed WMA standard.
"But keeping the iTunes system a
proprietary technology to prevent anyone from using multiple (read Microsoft)
music systems is the most anti-consumer and user unfriendly thing any god can
do."
Bizarre reasoning for a logical
person living in the real world, but her comments have to be viewed through the
prism of someone who worked tirelessly for years to stop people legally
downloading music and having choice.
This
is the same woman who:
* Presided over
the industry during its anti-competitive cartel years, which saw the US
Federal Trade Commission put an end to the
illegal behaviour that stole more than $US480 million from US consumers and many
more in Europe and elsewhere. * Started a
vicious anti-download crusade that went as far as to argue forcefully in secret
emails and meetings that the RIAA should hack our
PCs. * Who instituted the policy of suing
individual filesharers, which netted dead grandmothers and children. Why was Hilary silent when this
happened? * Championed the discredited Digital Millennium Copyright Act that has had a
wide, negative impact across the globe on interoperability and has shut down
companies and threatens entire industries. *
Drove hard new copy-protected CDs against the objections of consumers, the format's maker, Philips, and anti-trust regulators, such as the
ACCC.
Although
admitting "most agree (iPod) is the best quality player on the market", she
wrongly claims that the "cheapest one costs a few hundred dollars" in a bid to
show that it is wildly over-priced compared to no-name players "starting at as
little as 29 bucks". Typically these cheapy players have just 128MB RAM, not
the 512MB that the iPod Shuffle has for $US99. Four-times the capacity for a
little more than three-times the price seems a bargain to me. Even the cheapest
iPod Mini (4GB) costs just $US199 and it has the benefit of an ecosystem of
suppliers that extend its capability, something the cheaper contenders will
never have.
That's like buying a BMW for
little more than the cost of a Falcon, a prospect that would make most drivers
salivate.
This deliberate deceit is
typical of the tricks Rosen and her ilk played for years up on the Hill and to
the industry in their never-ending bid to gip citizens and
consumers.
The problem, Hilary, is when
you blog you don't have the insulating bureaucratic apparatus of the RIAA behind
you to shield you from the repercussions of your
statements.
Her claim that "the problem
is that the iPod only works with either songs that you buy from the online Apple
iTunes store or songs that you rip from your own CD’s" will come as a
surprise to Dom Carosa, owner of Australia's first publicy listed online music
store, Destra.
"Destra
has seen a 300 per cent annualised increase in downloads from the
company’s MP3.com.au website by Apple iPod users," Dom
wrote in an April 28 press
release.
"Since marketing to
Apple iPod owners that free legal music is available on our MP3.com.au website,
the download rush has overwhelmed us. Our advertisers love it and the
advertising revenue we generate goes straight to our bottom
line."
She betrays her lack of technical
credentials by saying you have to be a "geek" to work out how to get music other
than from the iTMS on to your iPod. I know people who can barely turn on their
computer who routinely download music to their iPods from a range of sources,
and nary a complaint because the free iTunes software for Windows and Mac makes
it a breeze. Unlike much of the free software the WMA player makers ship, or
Microsoft's own clunky and bipolar Windows Media
Player.
But Hilary's biggest conceit is
assuming that we consumers are idiots. She did this her entire tenure at the
RIAA, alienating us with her moronic actions and possibly largely responsible
for the recession the industry saw through her hard-line and out of touch
actions.
No wonder the industry dumped
her in 2003.
"There are lots of places
you can go for great music at good deals and with a deep catalog of songs from
over the last 20 or 30 years. MSN.com, Rhapsody.com, aolmusic.com, even
walmart.com," she writes.
No-one is
compelled to buy an iPod. No-one is forcing those people to buy music from
Apple. iPod owners are free to shop wherever they want. If the stupidity of the
WMA digital restrictions management systems reduce audio quality, that is a
competitive issue for the online shop owners to sort out. If they don't, they
will go broke. If consumers really like those other platforms so much, they will
choose them. Some do, but they are in the
minority.
That is what a free market
looks like, Hilary. It's no wonder you have such a hard time recognising
one.
In Australia, as is the case in most
of the world where iPods are popular, there is no iTMS. Yet Apple's player
outsells the others.
The consumers have
spoken, and for once they seem to be in accord with the industry, which also
seems happy at the outcome.
Arguing as
Hilary does that Apple's use of the open AAC format inhibits progress and
consumer choice is like 80s Beta VCR owners complaining they can't use VHS tapes
-- except in 2005 the better format is winning -- or that an audio tape won't
work on CD players.
I didn't hear Hilary
or anyone in the content business argue that consumers should get a free
cross-grade of all their content to a different format so they would remain
interoperable. The music industry has made the great bulk of its profits over
the last forty years from forcing people to pay again for something they already
owned.
Yet this is the argument she runs
now.
She lies about the facts and tells
us we don't know what's good for
us.
Deceit and conceit -- that is Hilary
Rosen in her own words