  
Presentations on
The Lost Generation and The Harlem Renaissance
Fiction, Poetry, Art,
Photography, Music, and Performance
Paired Sophomore Project:
Students will choose an artistic selection to present to the
class. You may choose from those listed below or you may find
your own. Selections may come from the school library or the
public library or other sources, but should be cleared through
Mr. Shaw and/or Ms. Effinger. Students should conduct their own
research, rehearsals, and arrange for any props needed in the
presentation (overhead projector, transparencies, cassette tape
and player, etc.)
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WebReports
Spring 1998, we decided to use the school
homepage to present and publish student projects. The names underlined
below represent active links to this year's student WebReports.
"Ye olde project"...dragged
into the 21st century
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Presentation
Ideas
Fiction (Specific Readings):
F. Scott Fitzgerald - The Great Gatsby, beginning of Chapter
3; Ernest Hemingway - "The Snows of Kilimanjaro," first
few pages; John Dos Passos - The Big Money, Newsreel LIV;
William Faulkner - As I Lay Dying, the first three pages
of the chapter titled "Mosely"; Sinclair Lewis - Babbitt,
Chapter 6, Part III.
Fiction (Unassigned Readings):
Rudolph Fisher, Zora Neale Hurston, James Weldon Johnson, Jean
Toomer, Claude McKay, Arna Bontemps.
Poetry: Countee
Cullen, Langston Hughes, e e cummings, T.S.
Eliot, Robert Frost, Carl
Sandburg, Archibald MacLeish.
Art: Edward
Hopper, Georgia O'Keeffe,
Henry Ossawa Tanner, Aaron Douglas.
Photography: Edward
Steichen or Ansel Adams.
Music: Louis
Armstrong, Duke Ellington,
George Gershwin, Jelly Roll
Morton, Fats Waller, Bessie
Smith, Ma Rainey, Paul Robeson, Ethel Waters, Roland Hayes.
Performance: Florence
Mills or Josephine Baker.
General Guidelines
- Each project will include at least
a two-page written report of the presentation and a bibliography
with at least three sources.
- Presentations should be limited
to a few incredibly organized and well-rehearsed minutes.
- Each presentation should include
a brief biographical sketch.
- Each presentation must explain how
the times (the 1920s and/or the 1930s) are reflected/expressed
in the work.
In FICTION,
do not spend all of your time reading to the class. You should
select quotes that will relate how the artist reflected a feeling
of alienation from American society of the 1920s and/or the 1930s.
In POETRY, if the
work is not too long, it should be read to the class.
In ART and PHOTOGRAPHY,
your presention must include a copy of the work to be discussed.
This copy must be of a size that all students can view it at
one time, or it may be on an overhead sheet.
In MUSIC, listening
is a must. A tape, CD, or a "soundie" music video should
be part of the presentation.
In PERFORMANCE, some
vivid description or visual example should be provided.
Go to Evaluation.
Go to Internet Resources.
Go to the Standard MLA Bibliography
Format.
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