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Cuerpos Hablando. Moving words. Gekidan NI nació de un compromiso hacia el cuerpo humano como principio y medio último del acto teatral y de una visión común: hacer que la experiencia teatral sobrepase barreras culturales, raciales, lingüísticas o idiosincráticas. Sin importar el origen del texto o el lenguaje hablado en el escenario, el teatro sucede aquí y ahora, es un evento creado simultáneamente entre espectador y actor, una experiencia que se vive en el cuerpo, que invita a imaginar y a percibir lo que para los ojos es invisible, que nos mueve a un nivel más allá de lo que la razón o la lógica pueden comprender o explicar. The Suzuki method is an actor training system consisting of rigorous, physically demanding excercises that require great ability, concentration and will power. Its purpose is to give the actor consciousness and control of his or her own center of gravity and breathing, invisible things that are not part of everyday ordinary awareness; as well as to bring out and effectively use the basic animalistic energy that all human beings naturally possess.
MAKI SAITO |
Speaking Bodies. Palabras en movimiento. Gekidan NI was born out of a commitment to the human body as the beginning and ultimate medium of the theatrical act, and from a common vision: to make the theatrical experience one that overcomes cultural, racial, language or ideological barriers. No matter the origin of the text or the language spoken on stage, the theatre happens here and now; it is an event created simultaneously between audience and actor, an experience of the body; it invites to imagine and perceive that which is invisible to the eyes and moves us to a level beyond that which reason or logic can understand or explain. El Método Suzuki, es un sistema de entrenamiento para actores que consiste de una serie de ejercicios físicamente rigurosos y
RICARDO ZEGER |
