Optic Clusters
The Theory Of Everything
 THE THEORY OF EVERYTHING unifies the Theory of Relativity,
Quantum String theory, and Universal spirituality : based on the evolution
of a single ray of light which can be described as follows: 3- identical
faces, 3-edges, 2 vertices, an inside and outside, occupies space, has
spin-ability and conforms to "Eulers Rule". I call this structure
a "TRION RE". Leon Lederman,the noted physicist ,might call
it "The God Particle", from his book of the same name. "The
Space Cluster Theory is based on two simple principals: No straight
lines and from the one comes the many. "WE ARE THE SPACE BETWEEN
THE LIGHT."
The Space Between: Optic Clusters
With "Optic Clusters" I take the viewer on
a visual exploration of three-dimensional space; the space between the
balloons. This is the world of no straight lines—no edges to fall
off. After all, the world is round. The artist Delicroix once speculated,
"It would be worthy to investigate whether straight lines only
exist in our brains." Plato searched for hidden forms in nature,
but remained in flat land. He didn't see the curves. Even the great
Leonardo became preoccupied with pure but straight geometric designs.
"Optic Clusters" show us hidden forms that can only be seen
and which only exist in curved space. We search through a myriad of
endless structures to find the one indivisible "God particle,"
as it is called by physicist Leon Lederman, in his book of the same
name. I call this shape a "Trion-Re" or "Starseed,"
one form creating all geometric forms found in nature. From the one
comes the many. Pythagoras promoted the idea that a few basic shapes
underlie a myriad number of shapes of the visible world.
That common denominator seems to be light itself. With "Optic Clusters"
I play with the light, trying to influence it from one place to another.
I twirl it between my fingers, manipulating it until I can pluck a single
ray and examine its form, like a stop-action photo, but in 3-D sculpture.
The viewer can optically explore the interrelationships of each different
shape and view the source of its creation. We are in a constant juxtaposition
of positive and negative space, transforming one to the other in a seemingly
endless dance.
Leonard Schalain, in his book, Art and Physics, states, "Visionary
art alerts the other members that a conceptual shift is about to occur
in the thought system used to perceive the world. Revolutionary art
in all times has served this function of preparing the future."
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