PIFF REVIEW: 'Art School Confidential'
Capsule review from The Oregonian's
larger coverage of the 29th Portland
International Film Festival. Click on the title link for the movie's
official Web
site.
'Art School
Confidential'In
interviews, indie cartoonist Chris Ware slams his alma mater, Chicago's School of the Art
Institute, by referring to it as the "Art of the School Institute."
It's a comment on the way art class
exists mostly to reinforce its own bureaucracy. (David Mamet makes a similar
point when he dismisses acting class as being part of a
larger, and unnecessary, "institutional model.")
And it rather neatly sums up one of
the less-subtle points of indie cartoonist Daniel Clowes' screenplay for
"Art School
Confidential."
Clowes' reunion with director Terry
Zwigoff (they previously collaborated on "Ghost World") follows a talented but
pathetically romantic suburbanite (Max Minghella) as he slowly loses his soul
(and maybe his sanity) at an urban art college -- while obsessing over a hot art
model (Sophia Myles) and confronting pretention, careerism and a homicidal
maniac.The movie has some mean things
to say about art-world careerism and our obsession with images, and it's
hilarious in chunks. (John Malkovich is fantastically passive-aggressive as a
teacher who's wasted decades kissing fannies while learning to paint perfect
triangles.) But overall, the bite feels a bit soft coming from the man who
helmed "Bad Santa." It's frankly hard to know who this movie is
for,
exactly -- the art-school stereotypes are too easy and broad for anyone who's
spent any time in that world, and it's hard to imagine anyone else caring about
anything beyond the frat-movie-grade sex jokes.
Grade:
BUnited States; 102
mins. (6:45 p.m. Friday 2/24, Guild; 8 p.m. Saturday 2/25, Whitsell
Auditorium)PIFF spinning into final weekend, but first, a fine
preview (The Oregonian, Feb.
23, 2005)PIFF: Down to its last reels
(The Oregonian, Feb. 24,
2006)The 29th Portland
International Film Festival
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Posted: Fri - February 24, 2006 at 12:00 AM
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