How boring it is to label a movie Tarantino-esque anymore. The thing is, when it comes to an offering like Lucky Number Slevin, the shoe fits, and the result is anything but boring. Gruesome killings, arid wit, self-reflexive pop culture references, an A-list cast, and style-heavy production values abound, which gives the proceedings an epoxy bond that seals the Q.T. homage factor. Josh Hartnett—who spends a lot of buffed-up time with his shirt off—is Slevin Kelevra, a hapless fellow visiting his New York friend Nick. But Nick has disappeared, which sets off a mistaken-identity thrill ride when two goons grab Slevin (he's in Nick's apartment so he must be Nick) and take him to their crime lord boss, the Boss (Morgan Freeman). The Boss doesn't care about Slevin's wrong-man protests; he just wants the $96,000 Nick owes him. In one of many offers he can't refuse, Slevin has to agree to murder the son of the Boss's felonious arch rival, the Rabbi (Ben Kingsley) or take the bullet himself. But Slevin turns out to be no ordinary patsy. Thrown into the ingeniously designed production, clever plot twists, and academic nods to Bond, Hitchcock, and obscure old cartoons are Lucy Liu as a sexy coroner, Stanley Tucci as an obsessed cop, and Bruce Willis as a wily hit man with his finger in many pots. With so much visual and narrative trickery, there's almost too much to absorb in one viewing of this convoluted jigsaw puzzle of revenge and entertaining mayhem. Lucky Number Slevin isn't quite up to par with similarly brainy thrillers like Memento and The Usual Suspects, but the prospect of seeing it again in order to get your bearings is just as appealing.—Ted Fry 
The story of a bride-to-be trying to find her real father from three possible candidates told using songs by the popular 70s group abba. Based on the hit broadway musical. Studio: Uni Dist Corp. (mca) Release Date: 12/16/2008 Starring: Meryl Streep Colin Firth Run time: 109 minutes Rating: Pg13 
In this entertaining comedy Jim Carrey hilariously portrays the late Andy Kaufman, considered to be one of the most innovative, eccentric and enigmatic comics of all time. Along for the ride to the top is Kaufman s manager, George Shapiro (Danny DeVito), his best friend and writer, Bob Zmuda (Paul Giamatti) and girlfriend Lynn Margulies (Courtney Love). You ll stand up and cheer for Carrey in "A comic wallop of a movie!" 
Disgraced ex-England captain (Danny 'Mean Machine' Meehan) is thrown in jail for assaulting two police officers. Whilst in jail, he doesn't receive any favors because of his celebrity status in the outside world. He is out numbered and many prisoners constantly barrage him with insults for letting down his country in a crucial World Cup game. He keeps his head down and has the opportunity to forget everything and change the lives of the prisoners. These prisoners have the chance to put one over the evil guards. The prisoners are lead by Danny and the whole of the prison, guards aside, are behind them. Game on...... 
Tyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible—occasionally frighteningly so—that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here—and no doubt accurately so—is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. —N.F. Mendoza 
A flashy, splashy summer-movie blockbuster that's fun and exciting without being mindless? That's the impossible mission accomplished by director Brian De Palma, star-coproducer Tom Cruise, and the crack team of Mission: Impossible. Based on the '60s TV show and an almost impenetrably complex (but nonetheless thrilling) original story by David Koepp (Jurassic Park) and Steven Zaillian (Schindler's List), with a screenplay by Koepp and Robert Towne (Chinatown, Shampoo), Mission: Impossible begins with veteran agent Jim Phelps (Jon Voight) and his expert crew embarking on a mission that goes horribly, horribly wrong. But nothing is what it seems. The nail-biting set piece—always a signature of director De Palma (Carrie, The Untouchables)—in which Cruise is lowered from the ceiling to retrieve information from a computer in a high-security vault—is an instant classic. But perhaps even more impressive, at least in retrospect, is a flashback sequence in which two characters attempt to reconstruct a series of events from multiple points of view. It's pretty daring and sophisticated stuff for a big-budget spy movie, but brains were always what put the Mission: Impossible team ahead of the competition, anyway, no? —Jim Emerson |
An inspirational adventure based on the true story of two young men whose thrilling and dangerous road trip across latin america becomes a life-changing journey of self-discovery. Studio: Uni Dist Corp. (mca) Release Date: 05/22/2007 Starring: Gael Garcia Bernal Mia Maestro Run time: 127 minutes Rating: R 
A poet falls for a beautiful courtesan whom a jealous duke covets in this stylish musical with music drawn from familiar 20th century sources. Studio: Tcfhe Release Date: 01/15/2008 Starring: Nicole Kidman John Leguizamo Run time: 127 minutes Rating: Pg13 Director: Baz Luhrman 
Filled with a few imaginative moments and a child actor who looks like a miniaturized Sharon Stone, II isn't as neverending as the third headache in the series, but it's not on par with the original. Versions of Atreyu, the brave warrior, Rockbiter, and Falcor, that flying, pink, poodle-dragon, return to travel across the storybook world of Fantasia. This time our protagonist and reader, Bastian, is actually in the story the entire time instead of looking on from outside the pages. The interaction doesn't help, as it's the same crisis and the same story line (well, okay, he is reading the same book), but at least the film is not as unrelentingly melancholy as the first one either. Children may be frightened by the "giants," large dung beetles on two legs, that threaten our heroes. —Keith Simanton 
Winner of the World Audience Award at Sundance, Once starts out as a small-scale romance, like Before Sunrise, before arriving somewhere unexpected. An Irish busker (Glen Hansard, the Frames and The Commitments) meets a Czech flower seller (Markéta Irglová) while singing on the streets of Dublin. (In the credits, they're listed as Guy and Girl.) She likes what she hears and lets him know. Turns out she's a musician, too. They work on a few songs together and a friendship is forged. She lives with her widowed mother, who doesn't speak English. He lives with his widowed father, who owns a repair shop. Since he broke up with his girlfriend, the guy has been drifting, unable and unwilling to get his life in order. The girl encourages him to pursue a record deal, and the guy emerges from his funk. Then he makes a move on the girl, who rejects his advances. He's confused, but as he comes to find, there's a reason she's keeping her distance. Though Once is filled with appealing folk-pop by Hansard and Irglová (released on CD as The Swell Season), the movie isn't a traditional musical, but rather a more optimistic Brief Encounter. Filmmaker John Carney, Hansard's former bandmate, captures the real city—in all its affluence and poverty—rather than the picture postcard version. His beautifully shot film serves as a heartfelt ballad about all the underclass Guys and Girls swept aside amidst Ireland's economic miracle. —Kathleen C. Fennessy 
Outfoxed: Rupert Murdoch's War on Journalism uses the inflammatory tactics of the Fox News Channel to demonstrate the conservative bias that's handed down by Fox's owner, media mogul Rupert Murdoch. The documentary gathers interviews from media watchdogs and former Fox employees (including a former anchor, Jon Du Pre, who describes his flailing efforts to create a celebration for Reagan's birthday when the one he was sent to cover never materialized), but their overwhelming condemnation of Fox's skewed news practices isn't half as effective as footage taken directly from Fox itself—an appalling montage of pundit Bill O'Reilly telling guests to shut up; repeated efforts to paint Democratic presidential nominee John Kerry as weak and waffling, while President Bush is captured in respectful, reverent images; and management memos dictating language, subject matter, and point of view. Outfoxed is unlikely to persuade Fox News fans to change their views, but it may spur outraged liberals to take action. —Bret Fetzer 
OK, picture this: Take 16 of the best snowboarders in the world, the hardest working crew of cinematographers in the industry and one of the worst snow years in memory and what do you come up with? Well you tell us. Picture This is already being hailed the most groundbreaking film snowboarding has ever seen. Don't miss this defining moment from the world leaders in snowboard films. Starring: Aaron Bittner, Andreas Wiig, Darrell Mathes, DCP, Eero Ettala, Hampus Mosesson, Heikki Sorsa, Jeremy Jones, Jussi Oksanen, Seth Huot, Shaun White, Wille Yli-Luoma, and many more.... |
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124 Items
Last Updated:
Feb 27, 2009
Feb 27, 2009
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