SARAH E WEBB

Born 1966 Palo Alto, CA

Currently Residing Rochester, NY

ONE & TWO PERSON EXHIBITIONS

2004 fat & blood , Kristen Frederickson Contemporary Art, New York, NY

2002 waxing/waning, Gallery 31, Visual Studies Workshop, Rochester, NY

Mourning Matters: Nancy Topolski/Sarah Webb , Westmoreland College, Pittsburgh, PA

2001 milk & tears, Lincoln Gallery, CCRI, Lincoln, RI

1999 in a delicate condition, Hartnett Gallery, University of Rochester, Rochester, NY

1995 recipes for (re)collection, Cell Gallery, Writers and Books, Rochester, NY

1994 Domestic Rituals , Rush Rhees Library Gallery, University of Rochester, NY

SELECTED EXHIBITIONS

2005 Maternal Metaphors , Ohio University Art Gallery, Athens, OH

2004 Quilted, Rochester Contemporary, Rochester, NY

Maternal Metaphors, Rochester Contemporary, Rochester, NY

2003 Collecting Thoughts: Barbara Siegel/Sarah Webb/Mary Margaret O'Brien

Kristen Frederickson Contemporary Art, New York, NY

Uncommon Threads, Delaware Arts Center Loft Gallery, Narrowsburg, NY

Fotofiesta Columbia: “The Body Politic” Museo de Eafit, Medellin, Colombia

2002 Art for Now, Kristen Frederickson Contemporary Art, New York, NY

The Body Politic, Delaware Center for Contemporary Art, Wilmington, DE

2001 Sarah Webb, Ruth Manning, Lynne Feldman, Park 54, Rochester, NY

2000 The Body Politic, Gallery 210, Syracuse, NY

Made in Rochester, Bausch & Lomb Gallery, Rochester, NY

Visual Studies Workshop Alumni Exhibition, Gateway & Co., Rochester, NY

1999 UNBOUND, Gallery: Untitled, Dallas, TX

Relics and Icons, Hallwalls Contemporary Arts Center, Buffalo, NY

1998 Out of the Clear Blue Sky, Visual Studies Workshop, Rochester, NY

Festival of the American Livingroom , Here Gallery, New York, NY

Everson Museum Biennial, Everson Museum of Art, Syracuse, NY. Juror: Bill Arning

Artists Look at Gender , Foreman Center Gallery, Hartwick College, Oneonta, NY

Substance: materials, process and vision in clay, Texas Woman's University, Denton, TX

1997 Home? Pyramid Arts Center, Rochester, NY

Supermarket, University of Wisconsin, Madison, WI

1995 Small Works, Chuck Levitan Gallery, New York, NY. Juror: Marisol

1994 Consuming Passions: Food, Art, Culture, Hallwalls Contempporary Arts Center, Buffalo, NY

SELECTED PUBLICATIONS

2004 Elizabeth Lyons: Hand Tools & Arms, catalogue essayist

Miriam Schapiro: An Interview with the Artist , Kristen Frederickson & Sarah Webb, Brenau University Galleries, Gainseville, GA., exhibition catalogue

2003

Singular Women: Writing the Artist, Kristen Frederickson & Sarah Webb, co-editors, University of California Press, Berkeley, CA

2002

Fotophile , “Childhood: Memory and Desire,” Fall, 2002, contributing essayist

Contemporary Artists , 5th edition, St. James Press, New York, contributing essayist

Syracuse Cultural Workers 2001 Datebook , Syracuse, NY, contributing artist

2000

“Containing the Infinite. Olafur Eliasson: New Work,” Afterimage, July/Aug., 2000, vol. 28, no. 1

1997

Materials, Substance, Form: To Last or Not to Last , Pyramid Arts Center, Rochester, NY catalogue essayist

Our Grandmothers , Linda Sunshine, editor. Stewart, Tabori and Chang, New York,

contributing artist

1995 Stories from Her , Rochester, NY, self-published exhibition catalogue, editor

SELECTED BIBLIOGRAPHY

2004 Rowe, Dorothy, Oxford Art Journal , “Women Writing Art's Histories,” 2004, Vol. 27, No. 1

Maternal Metaphors , Rochester, NY, ill. exhibition catalogue

Frueh, Joanna, Art Journal , “Love is the Answer,” Spring 2004, Vol. 63, No. 1

2003 Chernick, Myrel, Journal of the Association for Research on Mothering , “Maternal Metaphors: Artists/Mothers/Artwork,” Spring/Summer 2003, Vol. 5, No. 1

Raven, Arlene, The Women's Review of Books , “To mono or not to mono,” June, 2003, Vol. XX, No. 9

Collecting Thoughts , New York, NY, ill. exhibition catalogue

Heuer, Megan, ARTnews , “Saying the F-Word,” June 2003, Vol.102, No. 6

Younkin, Erica Lynn, In New York , “Waxing on about Art,” June 2003.

2002 Sozanski, Edward J., Philadelphia Inquirer, “Their bodies, their selves animating art,”

December 13

Auricchio, Laura, Art Journal , “Works in Translation: Ghada Amer's Hybrid Pleasures,” Winter 2002, Vol. 60, No. 4

2001 Morrisey, Tom, Art New England , “Sarah Webb: Milk and Tears,” June/July, Vol. 22, No. 4

2000 Rushworth, Katherine, The Syracuse Herald American , “Is Beauty Real or Bizarre?” August 13

The Body Politic , Syracuse, NY, ill. exhibition catalogue

1999 Copeland, Colette, Fotophile , “SPE Northeast - A Resurgence?” Autumn, No. 33

Mitchell, C.D., The Dallas Morning News , “Unbound at Gallery: Untitled,” May 7

1998 Artists Look at Gender , Oneonta, NY, ill. exhibition brochure

The 1998 Everson Biennial , Syracuse, NY, ill. exhibition brochure

LECTURES/WORKSHOPS

2005 University of Rochester, Rochester, NY, “(en)Gendered/(em)Powered,” curatorial lecture

Visual Studies Workshop Summer Institute, Rochester, NY “Domesticated Objects: Gender,

Performance and the Body”

2004 Rochester Contemporary, Rochester, NY, “Maternal Metaphors,” contributing panelist

Kristen Frederickson Contemporary Art, New York, NY, “Miriam Schapiro: A Life of Work,” panel chair

2002 College Art Association National Conference Philadelphia, PA, Breasts in Visual Culture, “Milk

and Tears: Performing Maternity”

Westmoreland Community College, Pittsburgh, PA, artist-in-residence workshop

Rochester City School District, Rochester, NY, Young Mothers Program, artist-in-residence

2001 College Art Association National Conference Chicago, IL, “Playing the Odds: The Promise of Employment in the Visual Arts,” panel co-chair & presenter

1999 Society for Photographic Education Northeast Regional Conference, Rochester, NY

“MFA's A Few Years Out”

Barnard Feminist Art & Art History Conference New York, NY, “Pregnant Pause: Making a

Space for Maternal Representations”

Pyramid Arts Center, Rochester, NY “Materials, Substance, Form: To Last or Not to Last,”

panel moderator.

1998 Visual Studies Workshop Summer Institute, Rochester, NY “Creating Likeness: The Portrait in Context”

Pyramid Arts Center, Rochester, NY “The Female Gaze: Women Look at Men,”panel co-chair

Rutgers University Institute for Research on Women New Brunswick, NJ, Women in the Arts Conference. “ Call for Work: Feminist Art and Curatorial Concerns”

1997 College Art Association National Conference New York, NY, The Politics of Rediscovery: The Monograph in Feminist Art History , “Gwen John: Refocusing Our Gaze”

1995 Society for Photographic Education National Conference, Atlanta, GA, “Women and Animals:

Oppression, Representation and Resistance”

CURATORIAL EXPERIENCE

2005 Juror , (en)Gendered: Identity, Gender & Art , Art & Music Library, University of Rochester, Rochester, NY

2003 Curatorial Assistant, Kathleen McEnery Cunningham , Hartnett Gallery, University of Rochester, Rochester, NY

2002 Juror, Out of the Icebox , Hartnett Gallery, University of Rochester, Rochester, NY

2001 Juror, Seeking the Sequential , Pyramid Arts Center and Cinema Theatre, Rochester, NY

1999 Exhibition Coordinator, Materials, Substance Form , Pyramid Arts Center, Rochester, NY

1998 Juror, The Female Gaze: Women Look at Men , Pyramid Arts Center, Rochester, NY

1995 Co-curator, Stories from Her, An exhibition originating at the Hartnett Gallery,University of Rochester, Rochester, NY. Traveled to sites at Hartwick College, Oneonta, NY, University of Dayton, Dayton, OH; Texas Woman's University, Denton, TX

HONORS & AWARDS

2004 NYSCA Special Opportunity Stipend

2002 NYSCA Special Opportunity Stipend

2001 NYSCA Special Opportunity Stipend

1999 NYSCA Special Opportunity Stipend

COLLECTIONS

Visual Studies Workshop, Rochester, NY

Edward Albee Foundation, New York, NY

Wallace Library, Rochester Institute of Technology, Rochester, NY

EDUCATION

Master of Fine Arts in Visual Studies, Visual Studies Workshop, Rochester, NY, 1995

Postgraduate Diploma in Art History, Christie's Education, London, England, 1991

Bachelor of Arts, Connecticut College, New London, CT, 1988