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Tuesday, 08 November
2005
By Deardra
Shuler Suzanne
Kay and Mark Bamford are two writers that met in Los Angeles, fell in love,
married, and started a family. Nothing unusual about that, it happens
everyday. However, the two joined forces shortly after marriage and
co-wrote a short film which Mark directed entitled “Hero.” As
a result of the film, Mark won the Atom Films “Director to Watch”
Award in 2001. “Hero” led the couple off on a world tour of
film premieres and festivals that eventually took them to Cape Town, South
Africa. Cape Town was so beautiful, that after returning to Los Angeles,
the couple made the decision to take a year off and return to Cape Town where
they planned to perform volunteer work while writing their first feature film
together. Their feature film, “Cape of Good Hope” is to be
released in two New York City theaters: the Angelika Film Center, located at 18
West Houston Street and the Clearview Theatre on
62nd
Street and Broadway on Friday, November 11,
2005.
Suzanne Kay grew up in a
world of glamour and entertainment as the daughter of Diahann Caroll. She
attended Columbia University in New York and earned a Master’s Degree in
Journalism. She was an intern on the McNeil-Lehrer News Hour on PBS, and
eventually wrote news at CNN in Atlanta. She moved on to become the Arts
and Entertainment Editor for Essence Magazine. Familiar with the camera,
both in front of it and behind it, she co-anchored ETV’s first
entertainment program. She later scripted several Fox-TV sitcoms.
Kay eventually turned her attention to screen writing and co-wrote the short
film Hero
with her husband.
Presently the two are showcasing their first jointly written feature film in
America, “Cape of Good Hope” which Mark directed and Suzanne
produced. The film is about to be released in American theaters
nationwide. Mr. Bamford who was born in Louisville, Kentucky, grew up in
New York. He later went on to study art and dramatic writing in London and
Paris. A cum laude graduate of New York University, Mark moved to Los
Angeles where he became a free lance screenwriter. Having survived their
collaboration of the “Hero” film,” Mark, Suzanne and their two
children returned to Cape Town, South Africa where they have taken up permanent
residence. “Initially
the idea was to leave Los Angeles, write for a year, return with the finished
script, and shoot it in America. However, after having taught English to
refugees escaping civil war in the Congo and Rwanda during our first year in
Cape Town, we saw how important the work was so decided to stay. We began
working on our feature film. As events unfolded and we got to know diverse
people, we decided we wanted the film to reflect the human side of South
Africa,” remarked Suzanne. And indeed the film
does. Since
it has been 10 years since Apartheid ended,
CAPE OF GOOD HOPE
highlights life in South
Africa as seen through the lives of three women of various races during the 10
years Apartheid has been defunct. Though the rigors of Apartheid has left
its mark on South Africa, this film tells the story of the triumphs and
challenges of a country and people striving to change the course of their
destiny in the hopes of forging a new land and new people.
Cape of Good
Hope is a film that shows
that love takes many forms while having an effect on all living forms.
This film will make you take a deep look within the human psyche which touches
upon our human frailties, challenges, and prejudices. But it also offers
the hope that there is the opportunity to learn from our mistakes and move
toward fashioning a better
world. Cape
of Good Hope touches on the
life of a Black South African woman; a Colored South African Woman, and a White
South African woman. Each is brought together through a series of events
that shows that while there is a small group of White South Africans who still
hold on to their prejudices, not all white South Africans, do. It also
demonstrates that there is bad and good in everyone and no one race is
perfect. The Black South African woman is portrayed by Nthati Moshesh
(Lindiwe) who is a television, film, and stage actress in South Africa.
Her character Lindiwe is a woman who seeks to improve herself by attending
school. She is an intelligent woman who knows her own mind. She
works as a domestic while attempting to avoid the unwanted advances of her white
employer Nick (Stephen Van Heern). Lindiwe lives in a two room dwelling
with her mother and young son Thabo, performed by up and coming actor Kamo
Masilo. Thabo is an industrious lad who has trained his dog to do many
entertaining tricks. Both Lindiwe and Thabo fall in love with Jean Claude,
an educated refugee from the Congo, who is well versed in astronomy but forced
to work as a janitor. Jean Claude is played by Paris-based Eriq Ebouanay
(who is also known for his role as Patrice Lumumba in the film
“Lumumba”). Jean Claude provides the father figure that Thabo
needs and love interest to Lindiwe. Lindiwe’s mother (played by Lillian
Dube who appeared in Cry, the Beloved Country) is prejudiced by Jean
Claude’s immigrant status and therefore seeks to encourage her daughter to
marry the local preacher played by South African actor Yule
Masiteng. The
second woman, Sharifa, is a Muslim and member of what was known as the Colored
category in the film. The role is played by stage and television actress
Quanita Adams who is married to Habib (comedian David Isaacs) in the film.
Both Habib and Sharifa are desperate to have a child and in the end prove that
love has no
barriers. Newcomer
Debbie Brown (Kate) is the white woman. Kate is rather cynical and owns
the dog shelter that unites all the characters. Kate’s low self
esteem is also reflected in her mother Penny (Clare Marshall) whose character
has married several times and whose latest fiancée Bruce (Greg Viljoen) is
even younger than Kate. Kate has problems choosing men wisely and initially
spurns the attentions of Doctor Morne (Morne Visser) who is attracted to
her. Each character struggles to overcome their fears, judgments, and
insecurities in order to find love and self determination. Their
individual turmoil supplies the catalyst that makes
Cape of Good
Hope a very poignant and
humanistic
film. "Africa
is made up of many diverse cultures,” remarks Bamford. “We
experienced many of these cultures in Cape Town which is a very cosmopolitan
city. Suzanne and I began to write about the various groups within Cape Town
which under Apartheid had been divided into separate groups. This caste system
was very harsh on the non white population. However, 10 years after
Apartheid, Blacks are now reaping the benefits of education, jobs, job training,
and Affirmative Action. There is a lot of social planning going on under
President Mbeki. South African Blacks and Colored are now attending top
colleges for free and affordable housing is being built. I would say that
there has been more housing built in South Africa within the last year, than has
been built in America in the last 50 years. There is a great deal of
improvement in terms of electricity and water as well. In a situation
where 80% of the population was below the poverty line, now the government is
putting into effect proactive plans that are bringing about a rapidly emerging
middle and upper class that include Blacks, Muslims, and Indians.
Naturally, it can’t happen overnight but what has already been achieved is
remarkable. South Africa is attracting investors and its industries are
growing by leaps and bounds, even the currency has doubled in value against the
dollar in the last two years. The South African economy is growing about 5% a
year. Also, though interracial couples are scarce in South Africa, Suzanne and I
have never experienced any negativity from either white or
black." “South
Africa in the last 10 years has changed rather quickly and non-violently,”
commented Suzanne. “It has been an amazing thing to see that the
transition has been done without violence. But it is too soon to assume
that prejudices don’t still prevail. There is a lot still to be done
and that will take time. Also, the film industry has become very strong in
Africa. There are not yet as many independent films such as our film, but
its happening. Commercials and the bigger films are presently being filmed
predominately because South Africa has a diverse terrain and you can shoot a
movie in Africa and actually make it look like it was shot in New York.
Cape of Good
Hope is comprised of only
South African actors, some who came to experience their first leading role
through this film” explained
Suzanne. “You
know Apartheid was a very oppressive system. There were many people who
were too afraid to do anything about the rigors of the system because those that
tried were imprisoned. That applied to Whites as well as Blacks and
Coloreds. A lot of people went to jail and many were killed, especially
black people,” remarked Mark. “These days, White South
Africans, are very aware that the world views South Africa as a racist country
so many are very eager to change that
perception.” “We
wanted to show the positive side of the people of South Africa and how people
are merely living their lives as human beings. In some cases, we used
subtle reminders of the old regime via the dogs in the movie. We used the
dogs as a metaphor and reflection of what was going on in human lives. For
example, there was a dog in the film that was trained to hate blacks and some
talk about mixed breeds and pure breed superiority similar to what went on via
the Apartheid idea of racial superiority. However, the main focus of our
movie was not to harp on Apartheid but to show the human side of South Africa as
it is today” stated the
couple. Cape
of Good Hope is an
independent film that has won Honorable Mention at the Toronto Film Festival as
part of the People's Choice Award and the Jury Prize for Best Film &
Audience Award for Best Feature. This is the first time in the festival's
history that the same film has been awarded both
prizes. CAPE
OF GOOD HOPE is a must see movie that will have audiences leaving the theater
feeling positive about who we are and can be as human beings. Go see
it!
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