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Margie Butler Biographic Profile & Artist Statement


BIOGRAPHIC PROFILE

AUCTIONS, SHOWS & RESIDENCIES

Artworks! at Dover Street Artist-in-Residence, January - June 2003
One Person Show, Community Gallery July 10 - August 30 2003

Vermont Studio Center two-month artist-in-residence ­ October and November 2002

Group Show, The Corscaden Barn, Keene Valley, NY August 2002 and 2003

Mystic Art Association Juried Shows ­ Summer 2002 & 1994

Small Works Show, Museum of Fine Arts, Boston ­ February-April 2002

Garrison Art Center Artists on Location Auctions, Garrison, NY ­ 2000 thru 2002

Yearly Williams-Mystic Undergraduate Program Scholarship Auction,
Mystic Seaport, CT 1992 to present

West Hartford Art League Juried Show ­ Summer 1993

WATERCOLOR PAINTING course work

Summer course work at RISD 1988-89, Watercolor
Course Work at Art Students League, New York with Mario Cooper 1993-5
Course Work at The Design Academy, New York with David Dewey 1996-7

Workshops with:
Robin Young, Monhegan Island, ME ­ August 2001 & 2002
Christopher Zhang, Mystic Art Association, Mystic, CT ­ June 2001
Barbara Insalaco, NISDA, Nantucket, MA ­ September 1998
Nancy Howell, Keene Valley, NY ­ August 1997

OIL PAINTING course work

The Rhode Island School of Design ­ Spring 2003
Susan Fassatti, Pursuit of an Abstract Language

The Museum School at the MFA, Boston ­ Fall 2001
Robin Dash, Color Painting Workshop
Hannah Barrett, Experiments in Technical Oil Painting

The School for Visual Art, New York City ­ Spring 2002
Ira Richer, Advanced Painting Workshop: An Approach to Critical Thinking

EDUCATION

Middlebury College, Middlebury, Vermont; BA 1990
Environmental Studies major, Studio Art and Maritime Studies Minors

ART & RELATED EXPERIENCES/WORK

AHA! (Art, History, Architecture) Program Director of this cultural economic development non-profit
project in New Bedford, MA ­ April 2003 to Present

Cambridge Art Center volunteer, Cambridge, MA ­ Fall 2001
CAC is an inner city after school arts program for elementary children

Monhegan Island Museum volunteer, Maine ­ August 2001

Watercolor painting in Culebra, Puerto Rico; Benin, West Africa; Keene Valley, NY; and Greece

 

 

Margie Butler
Artist Statement

 

My paintings depict personal objects and intimate places to create a strong sense of physical and emotional space. I think often about the fine line between peaceful contemplation and underlying restlessness and seek to make paintings about the emotional truth that lies within this zone. By painting storefronts I pass daily or the corners of my studio I am exploring how charged everyday glimpses of life can be. I have found both formal and metaphorical value in subjects such as chairs, windows, plants and trees and items from my studio. As I push the immediate physical space in and around these objects through strong color, cropped compositions and purposeful brushstrokes I am metaphorically painting about emotional space and personal truths.

Watercolor landscape painting began developing my interest in luminous color and organic gestures. As I have transitioned into oil, I have painted in many directions and allowed myself frequent experiments in abstraction. I am often drawn to the middle ground between realism and abstraction by my love of color, painterly gestures and mark making. I see this back and forth between realism and abstraction as a reflection of both sides of me -- the definite pragmatist and a searching soul.

I recognize painting is a journey that brings constant change and question. Tuning into what I want to paint is a significant personal process and one I am committed to continue as I assemble my unique narrative of objects and places, color and perspective. I draw inspiration from the works of Bonnard, Matisse, and Alice Neel as well as Richard Deibenkorn, Lois Dodd and Adele Alsop for their highly personal statements, their expressive use of color and the evocative intimacy of each view.

My greatest goal is to be an honest, expressive painter.