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In the course of collecting Chinese seals I got caught up in 'seal script,' an ancient Chinese calligraphic form in use now almost exclusively for personal seals (chops) and occasionally for calligraphic scrolls. Seal script, unlike 'regular' Chinese script, allows of nearly infinite formal variations. I started doing my own calligraphy and began to translate some pithy Chinese sayings--some of which are nearly equivalent to English proverbs--into seal script. Some sayings were turned into etching plates and printed in November, 2002 at the Vermont Studio Center. I combined the etched plates with red impressions from actual seals. A common feature of Asian prints is the vacancy of their centers, a allusion to religious notions of 'emptiness,' 'nothingness,' and similar inaccurate Western translations. I made this vacancy central to my prints as well, with the impressions, both etchings and the seal impressions, surrounding the open center as they do in many originals. I include below some enlarged details to give a sense of what the prints look like close-up. |
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Driving a Nail Into a Stone Slab, 2002 etching and stone prints on Arches paper 30"h x 22-1/4"w |
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Taking Off One's Pants in Order to Fart, 2002 etching and stone prints on Arches paper 30"h x 22-1/2"w This is a sassy Chinese saying along the lines of the old American joke: How can you tell if a man is a Protestant? He gets out of the shower in order to pee. |
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![]() All Thunder and No Rain, 2002 etching and stone prints on Arches paper 30"h x 22-1/4"w Self-explanatory, like "all bark and no bite." |
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Last Year's Almanac, 2002 etching and stone prints on Arches paper 15"h x 14-1/2"w |
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Turning Somersaults on Knives, 2002 etching and stone prints on Arches paper 10"h x 9"w |
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Untitled, 2002 woodblock and stone prints on rice paper 14-1/2"h x 11"w This is one of three unique woodblocks. |