Loren Madsen/Chinese prints
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Chinese prints

ears In the course of collecting Chinese seals I got caught up in 'seal script,' an ancient Chinese calligraphic form in use now almost exclusively for personal seals (chops) and occasionally for calligraphic scrolls.
Seal script, unlike 'regular' Chinese script, allows of nearly infinite formal variations. I started doing my own calligraphy and began to translate some pithy Chinese sayings--some of which are nearly equivalent to English proverbs--into seal script. Some sayings were turned into etching plates and printed in November, 2002 at the Vermont Studio Center. I combined the etched plates with red impressions from actual seals.
A common feature of Asian prints is the vacancy of their centers, a allusion to religious notions of 'emptiness,' 'nothingness,' and similar inaccurate Western translations. I made this vacancy central to my prints as well, with the impressions, both etchings and the seal impressions, surrounding the open center as they do in many originals.
I include below some enlarged details to give a sense of what the prints look like close-up.

nail nail Driving a Nail Into a Stone Slab, 2002
etching and stone prints on Arches paper
30"h x 22-1/4"w

pants Taking Off One's Pants in Order to Fart, 2002
etching and stone prints on Arches paper
30"h x 22-1/2"w

This is a sassy Chinese saying along the lines of the old American joke: How can you tell if a man is a Protestant? He gets out of the shower in order to pee.

thunder tiger

All Thunder and No Rain, 2002
etching and stone prints on Arches paper
30"h x 22-1/4"w

Self-explanatory, like "all bark and no bite."
rain> basket

almanac Last Year's Almanac, 2002
etching and stone prints on Arches paper
15"h x 14-1/2"w


 somersaults Turning Somersaults on Knives, 2002
etching and stone prints on Arches paper
10"h x 9"w

woodblock Untitled, 2002
woodblock and stone prints on rice paper
14-1/2"h x 11"w

This is one of three unique woodblocks.