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Chandler & Taki

Photo credit: UCLA Special Collections

 

 

 

 

 

 

 

 

 

 

 

 

Quotes from Raymond Chandler's writing

In my humble opinion, this is the best short story beginning ever, perhaps the best opening in all literature. The first paragraph from the short story "Red Wing."

"There was a desert wind blowing that night. It was one of those hot dry Santa Ana's that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge."

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Bunker Hill is old town, lost town, shabby town, crook town. Once, very long ago, it was the choice residential district of the city, and there are still standing a few of the jigsaw Gothic mansions with wide porches and walls covered with round-end shingles and full corner bay windows with spindle turrets. They are all rooming houses now, their parquetry floors are scratched and worn through the once glossy finish and the wide sweeping staircases are dark with time and with cheap varnish laid on over generations of dirt. In the tall rooms haggard landladies bicker with shifty tenants. On the wide cool front porches, reaching their cracked shoes into the sun, and staring at nothing, sit the old men with faces like lost battles.
In and around the old houses there are flyblown restaurants and Italian fruit stands and cheap apartment houses and little candy stores where you can buy even nastier things than their candy. And there are ratty hotels where nobody except people named Smith and Jones sign the register and where the night clerk is half watchdog and half pander.
Out of the apartment houses come women who should be young but have faces like stale beer; men with pulled-down hats and quick eyes that look the street over behind the cupped hand that shields the match flame; worn intellectuals with cigarette coughs and no money in the bank; fly cops with granite faces and unwavering eyes; cokies and coke peddlers; people who look like nothing in particular and know it, and once in a while even men that actually go to work. But they come out early, when the wide cracked sidewalks are empty and still have dew on them.

The High Window

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The light went out. The room was as black as Carry Nation's bonnet.

Farewell My Lovely

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"Well, you do get up," she said, wrinkling her nose at the faded red settee, the two odd semi-easy chairs, the net curtains that needed laundering and the boy's size library table with the venerable magazines on it to give the place a professional touch. "I was beginning to think perhaps you worked in bed, like Marcel Proust."

"Who's he?" I put a cigarette in my mouth and stared at her. She looked a little pale and strained, but she looked like a girl who could function under a strain.

"A French writer, a connoisseur in degenerates. You wouldn't know him."
"Tut, tut," I said. "Come into my boudoir."

The BIg Sleep

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"Sit down, pal. Breathe quietly, keep your voice down, and remember that a Carne operative is to a cheap shamus like you what Toscanini is to an organ grinder's monkey."

The Long Goodbye

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"She shot him."

His stiff eyebrows went up a little. His eyes got the stony look. His teeth clamped. He breathed softly and twisted one large hand on his knee and looked down at it.
"Go on," he said, in a voice the size of a marble."

Short story "The Lady In The Lake"

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You can find more quotes on the following web site:

http://www.hifibliss.com/peter/chandler.html

 

 

  © 2007 Loren Latker

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