Local
Motion is dedicated to the development and expression
of a contemporary dance based on the body in movement, informed
by survival and communication behavior.
Kurt Koegel was a competitive gymnast for 13 years before he discovered
dance in 1978 and left Minneapolis to study at SUNY Purchase and
work with a multitude of teachers and choreograpers in New York
City. He has been practicing contact and performance improvisation
for 20 years and teaching extensively throughout Europe since
1988 when he moved to Berlin.
His group choreographies have been funded by the Berlin Cultural
Senate, the ‘Land Niedersachsen’, the ‘Berlin
Olympics-2000 Fund’, the Nederland’s Anjer Fonds,
the European Commission’s “Kaleidoscope Programme”,
the Busan Cultural Commission, KNUA, Seoul, and the Chang Mu Festival
in Seoul
He is known for his eclectic background that integrates an education
in Architecture with Contact Improvisation, Modern Dance and a
variety of alternative movement approaches including Body-Mind
Centering, Pilates, Yoga and Rock Climbing.
In 1979 he left the University of Minnesota’s, School of
Architecture to enroll in the dance department at the State University
of New York at Purchase, and later as a scholarship student at
the Merce Cunningham Foundation. There he studied ballet, ‘Pilates’,
as well as Graham, Limon, and Cunningham techniques. In New York
he also worked with a wide range of dancers and choreographers
including Ohad Naharin, Merce Cunningham, Lisa Kraus, Ann Bogart,
Simone Forti and Steve Paxton.
In 1982 he completed Bachelor of Science in “Dance, Design
& Communication from the University of Minnesota, University
College. In 1983 he completed his Pre-Master’s Program in
Architecture University of Oregon, School of Architecture, and
in 1984, his defended his Master’s Degree at the University
of Minnesota, entitled: “A Cross –Disciplinary Approach
to Education in the Arts and Humanities, with honors.
He has given lectures in the connection between Dance and Architecture
at Universities and Symposium throughout Europe and North America.
He has also published many articles in trade journals concerning
new pedagogic approaches to the teaching of contemporary dance.
“I am constantly seeking to expand my base of knowledge
by research and practice. My study includes yoga, feldenkrais,
body mind centering and rock climbing. My passion is finding more
effective ways of teaching performance-oriented contact and contemporary
techniques that are informed by authentic movement principles.”
Festivals: Teaching & Performing Engagements
- Regular Guest Teacher
- Cie Ultima Vez / Wim Vanderkeybus
- Cie Rosas / Anne Teresa de Keersmaeker
- Cie Jean-Claude Errore. Il segnalibro non è definito.
- Cie Christiane Blaise Grenoble
- Chang Mu Festival ‘04
- Bolzano Summer Dance Festival ‘04
- New York Improvisation Festival ‘02 ‘
- “Immersion - Recontre Improvisation” Brussels ‘00
- Orvieto Improvisation Festival – Founder ‘00/’01
- Palucca Summer Academy - Dresden ‘00
- Festival of Dance - Lisbon '97
- Bolzano Summer Dance Festival '96
- Danza per la Danza - Orvieto '95
- Kampnagel Festival - Hamburg '93
- Internationale TanzTage - Stuttgart '93
- Culture City Europe - Kopenhagen '93
- Freiburger New-Dance-Tage '93 (Co-founder “Alternating
Currents)
- Internationale Tanzwochen Münster '92 / '94
- TanzWerkstatt Europa - München '92
- Tanz im August - Berlin - '91
- Euro-Scene-Leipzig '91
- Emergency Exit - Subotitcia '90
- Festival Roma Europa - '89 / '90
- Fabbrica Europa - Firenze '88