List
Garage, Inc.

Artist: Metallica
Genre: Metal
Label: Elektra / Wea
Release: Nov 1998
# of Discs: 2
Rating: 4.0 (594 votes)
UPC: 0075596229920
ASIN: B00000FCBC
Personal Details
Date Added: 20 Jan 2007
Price: $24.98
Tracks
(originally recorded by Discharge)
Free Speech For The Dumb
(originally recorded by Diamond Head)
It's Electric
(originally recorded by Black Sabbath)
Sabbra Cadabra
(originally recorded by Bob Seger)
Turn The Page
(originally recorded by the Misfits)
Die Die My Darling
(originally recorded by Nick Cave & The Bad Seeds)
Loverman
featuring Evil, Curse of the Pharaohs, Satan's
Mercyful Fate
(originally recorded by Blue Oyster Cult)
Astronomy
(originally recorded by Thin Lizzy)
Whiskey In The Jar
(originally recorded by Lynyrd Skynyrd)
Tuesday's Gone
(originally recorded by Discharge)
The More I See
(originally recorded by Diamond Head
Helpless
(originally recorded by Holocaust)
The Small Hours
(originally recorded by Killing Joke)
The Wait
(originally recorded by The Misfits)
Last Caress/Green Helll
(originally recorded by Diamond Head)
Am I Evil?
(originally recorded by Blitzkrieg)
Blitzkrieg
(originally recorded by Budgie)
Breadfan
(originally recorded by Diamond Head)
The Prince
(originally recorded by Queen)
Stone Cold Crazy
(originally recorded by the Anti-Nowhere League)
So What
(originally recorded by Sweet Savage)
Killing Time
(originally recorded by Motorhead)
Overkill
(originally recorded by Motorhead)
Damage Case
(originally recorded by Motorhead)
Stone Dead Forever
(originally recorded by Motorhead)
Too Late Too Late
Crash Course in Brain Surgery (originally recorded by Budgie)
Summary
This double-disc, all-covers release could come to represent a vital turning point for Metallica. While disc 2 is a straightforward collection of every cover the group have recorded in its 16-year history, disc 1 comprises 11 new selections drawn from the oeuvres of such exciting and diverse artists as U.K. punks Discharge and nefarious Australian Nick Cave. The heavier songs, such as the Mercyful Fate medley, Black Sabbath's "Sabbra Cadabra," and the Misfits' "Die Die My Darling," prove that nobody delivers a crunching riff better than these metal veterans. But it is vocalist-guitarist James Hetfields's confident approach toward the likes of Cave's "Loverman" and Bob Seger's "Turn the Page" that delivers the most electricity; here his raw, heartfelt vocals are largely untouched. Given that the recharged group spent only three weeks in the studio recording these tracks, it appears that these guys have remembered the value of studio spontaneity over laborious pontificating. Hopefully, that mindset will resurface in future projects. "--Steffan Chirazi"