The Disconnected Dislocation Dilemma:::::::Kenneth Jones::::::The Print
Center::::::Philadelphia, PA
An Accumulated
Story
It may be
that the distance between lived experience and our recollection of it is the
measure of wisdom in memory. There is at once both a fascination and fear of
this distance and its suspicious accumulation. As I grow older, I am finding
space between idea and action most precious–for it is that space which
tests our creative
self.
The problem with
art is gathering that elusive wisdom into a form and re-defining it so it
suspends into an idea–the form becomes a concept of memory, of hope, of
despair. Untangling the accumulated story is a common challenge for all of
us.
These days, my
experience is surrounded by the mania of pictures currently attached (yet
detachable) in navigable screens of mediated information–hurried images
stored anonymously and transparently in the electronic impulse of tiny
machinery. The transient graphic–a sophisticated but immature mark of
mathematics and my obsessive collections of parts of things undone, messages
unhinged from the messenger tell this accumulated story of resizing windows,
some opened, some closed, some still hidden.
The work in the
"Disconnected, Dislocation Dilemma", is a collision of such images, information
and markings–fraught with the anxiety of the unresolved. These images are
left open and determinately incomplete. It is what these images collect rather
than direct or distill that's significant–they are snapshot inventories
of the moving landscape of the screen. These noisy desktop captures map the
terrain surrounding the usually hidden episodes of editing the fine art image.
The images are left within the interface and are in the process of departure,
arrival, or possibly even estranged by their inevitable
obsolescence.
Kenneth
Jones
November 2004
Posted: Mon - December
6, 2004 at 01:03 AM