Books Are Collections of Ideas
Years ago, when I moved into what hopefully
will be our last home, we were lucky enough to have hired a moving company to
help us with the really heavy stuff. Mohammed was the leader of the tiny crew
working with us that seering July afternoon. After struggling with a Steinway
Vertigrand piano, pipe leg tables with hickory tops, washers,
refrigerators...the stuff that kills when it falls, the crew uncovered a cube of
tightly packed cardboard boxes, stuffed cleverly in the back of the truck. As
Mohammed hoisted the first box from the floor to his shoulder, he winced
crouching into a clean and jerk position, slowly rising, back straight air
puffing his cheeks. Now this was a big man, his arms were thick as my leg and
his fist solid as a rock. He grimaced, "What in God's name do you have in here
?", the sweat atomized across his words condensing his mighty breath. "Just
books," I yelled from across the
yard.
As Mohammed descended across
the swayed aluminum plank from the lift of the truck to the lawn, he stopped
before me and said, "Books are powerful things," his eyes full of an
understanding much deeper than
mine.
The form of a book is mostly
physical, it usually represents an expression of language contained in a
sequential format. Language, though, can be an abstract of many things not
necessarily attached to written words. This language can be formed within a
visual, spatial or sonic expression and never reveal itself as such. One could
argue that all works of art, all creations– are forms of the book, because
the space the book form takes encompasses the progression or regression of time.
Mostly, what holds the concept of the artists book together is the physical form
of the book–the book as object, used as the idea or the engine of the
art.
The work assembled in
"Collections Contained" was procured under the auspices that the work address
the issues of idea before form. And, that the form becomes physically present
because of the gravity of the idea it contains. Books are collections of
ideas.
Twelve artists from the
Baltimore and Philadelphia corridor, extending to West Virginia have been
collected in this exhibition. In some ways, the installation of books on
pedestals is a glossary of one extended and larger journal of ideas assembled on
the human experience. Each book is an index of the next–together they
form a greater library, a library without shelves, numerical codes and pages,
but rather of inspirations, illuminations, whimsy and
regret.
Please return to this space
next week for a critical review of the
show.
--Kenneth
Jones
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Collections
Contained is a books arts show curated by Professor Jim McFarland,Printmaker
Karen Kohles and Professor Kenneth Jones of the
Visual, Performing & Applied
Arts Division at Harford Community College in Bel Air,
Maryland.
Posted: Thu - September 23, 2004 at 02:13 PM