Invisible
Invaders
Aliens from
the moon misunderestimate Earth, end in quagmire
Obviously
shot on a very low budget, this is one of those films that
fall into the category of the easily mockable. The film,
however, in spite of everything working against it, still
manages to provide a solid hour of entertainment. You just
have to embrace the budgetary shortcuts.
As the title suggests, Earth is under attack by invisible
invaders! They come from a planet where, for some reason
long ago, they made themselves and everything invisible.
The advantages of that plan are difficult for my puny earth
brain to fathom. For thousands of years, the invisible
invaders have been living on the moon, but we haven't
guessed it because they're invisible! One of them could be
sitting right beside you as you read this, probably not,
but there could be. Quick! Reach out real fast and see if
you can feel it. Boy, they're fast aren't they? It got
clean out of the way, didn't it? Which is good news,
because the invisible invaders in the movie are kind of
slow, so if you didn't catch one, it's a pretty good sign
that what ever got away from you probably wasn't an
invisible invader; it was something else.
But I digress.
The film is told in weird semi-documentary style, the same
weird style used in "Plan Nine From Outer Space." I'm sure
you'll recall Criswell's amazing opening monologue: "And
remember, my friends: future events such as these, will
affect YOU, in the future." Followed by a total shift in
time, "And now, for the first time, we are bringing to you
the full story of what happened on that fateful day." Which
is it? Future events, or already happened? It can be
equally weird watching this film; it's unclear what time
period the audience is supposed to be in while watching.
Present day, looking back at an alien invasion that we have
already forgotten, or far flung future?
It's such a strange device for telling the story that I
couldn't figure out the purpose for it. Then I finally
realized that in using it the producer can save a boatload
of money. Example: A character heads out on a risky
mission, the narrator says something like "And that was the
last time anyone saw him alive!" Voila! A whole plot thread
wrapped up in a couple of words. No need to film the
character's demise; we know what happened. Money in the
bank, cha-ching! Genius! And for those who would still mock
it, ask yourself this: how many times near the end of a
Shakespeare play does one herald after another race on to
the stage to announce the sudden death of a principle
character? Good enough for Shakespeare, then it's good
enough for "Invisible Invaders," 'nuff said.
The story begins with a complete non-sequiter. Over stock
footage, the narrator tells us that during the atomic age,
scientists often worked under intense pressure.
Occasionally, mistakes were made. The great John Carradine
plays one such scientist, one Dr. Karol Noymann, who stands
in a lab looking scholarly as he inspects a test tube.
Ooops. A mistake has been made. His face settles into a
mask of stoic fatalism, then boom! A spinning headline
announces his death.
The atomic age stuff doesn't seem to have any bearing at
all on the rest of the story except that it spurs one of
Noymann's colleagues, Dr. Adam Penner, to resign from the
atomic research program.
Following Noymann's funeral, however, his corpse (Huh?
Wasn't he just ground zero of an atomic blast?) is
reanimated by an invisible alien who visits Penner to
politely inform him of the impending invisible invasion.
The invaders will enter the bodies of earth's dead and use
them as the weapons that will destroy all life on earth.
"The dead will kill the living!" Noymann says in a reading
that only the great Carradine could deliver and still live
to tell the tale.
Earth's only choice is to surrender or be wiped out. The
alien plan is pretty vague. If earth does surrender, what
then? It would seem we'll be wiped out anyway.
The film's theme, I guess, is that Dr. Penner, the
conscientious pacifist, must challenge his pacifist beliefs
when confronted by the menace from space. As stock footage
destruction of the earth takes place, Penner, another
scientist, Penner's beautiful but smart daughter, and an
Army major assigned to protect them take refuge in the
impregnable depths of Bronson Canyon to work out a way to
defeat the alien plan.
With the total destruction of the human race at stake, with
just hours between victory and permanent retirement
for homo
sapiens sapiens on the
line, needless to say that it is of equal importance that
Penner's daughter choose one of the two available men to
fall in love with, no other time will do, it has to be NOW.
So who will it be? The wimpy scientist she is engaged to,
or the muy macho all-American major? Hmmmm, I wonder which
of these she will choose, Hmmmmm.
But all that said, the film does offer a few good things
along the way. I never found it boring, and basically it is
competently made; it's not as bad as it could be, and
production values are fairly nice considering the budget.
The black and white photography is sharp and nicely lit,
especially in the opening scenes with the reanimated
Noymann. Paul Dunlap's eerie music score is repetitive, but
uses the theremin to good effect to create that standard
1950's atmosphere of creepy oddness. Ooo-wee-ooo-wooo!
And for film buffs, it will be fun to draw comparisons
between this film and Plan 9 from Outer Space and George
Romero's "Night of the Living Dead."