10/19/03 10 PM

Welcome to English 5. Please browse this web site carefully, giving particular attention to the assessment rubric (the Subject A Scoring Guide), the community of writers statement, and my thoughts on civility in the classroom. I recommend saving this web page among your "bookmarks" or "favorites" on your internet software. Visit often for updates on the course calendar, required "study notes," and updated supplemental resources such as web links, sample papers, and other goodies.

10/19/03 9 PM

Please download and print out the REVISED COURSE CALENDAR: word file / rtf file / pdf file

 

Interactive Course Calendar

Week 1
Week 2
Week 3
Week 5
Week 6
Week 7
Julia Alvarez and James Baldwin Quotes

For each class meeting, this calendar identifies the required reading, study, and writing assignments. To access the "Study Notes" for a particular class meeting, click on the date. To review or download assignment instructions and other materials relevant to a class meeting, click on the linked text for that assignment.

A word about "Study Notes": You must read any study notes that I post to the calendar. I strongly suggest you read these notes BEFORE you begin any of the assignments for a particular date on the calendar. I frequently suggest ideas for how to approach readings and prepare for class activities that will help you maximize your learning and study efficiency. Because I like to keep these notes as directly responsive to what is going on in class as I possibly can, I usually do not post "Study Notes" for more than a class or two in advance of where we are in the course. This means you should regularly check the calendar and this homepage (ideally, after each class meeting).

Week 4: Conference #1 / Mandatory Revision Week
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Monday October 20

  • Lemuel Gulliver. Travels into Several Remote Nations of the World, Part III (129-185)
  • Surf the course web site and familiarize yourself with its many splendors
  • Download and review revised course calendar: word file / rtf file / pdf file
  • If you have not already done so, visit Blackboard to sign up for a "discussion starter" date.

Wednesday October 22

  • Lemuel Gulliver. Travels into Several Remote Nations of the World, Part IV (187-252)
  • Complete "Error Record" before Thursday or Friday appointment: (form not yet posted)
  • Complete "Conference Prep Sheet" before Thursday or Friday appointment (distributed in class on Wednesday)

Friday, October 24

  • Mckeon, “Virtue and Truth in Gulliver’s Travels” (328-334)
  • Rogers: “Gulliver’s Glasses” (320-328)
  • Review “Responding to Swift” essay instructions (not yet posted)
  • Complete “Correction Log” for Grant Wood Essay / email to instructor

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Week 8: Responding to Mark Twain / Conference #2
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Monday, November 17

  • Read and Study: WCA Chapter 5, "Reasoning Methods and Fallacies" (98-123)

Wednesday November 19

  • Read and Study: Frederick Douglass, "I Hear the Mournful Cry of Millions" (WCA 722)

Friday, November 21

  • Draft summary paragraph and schematic outline (for 3 example paragraphs and conclusion) for "Responding to Twain Essay. Bring a copy to class / email backup to instructor
  • Read and study: Rachel Carson,"The Obligation to Endure" (727-731)
  • Attend scheduled conference #2

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Week 9: Classic Arguments
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Monday, November 24

  • Complete full-length draft (1200 word minimum) of "Responding to Twain Essay"
  • Read and Study: Plato's Allegory of the Cave (689-697)

Wednesday, November 26

  • Class only for students who did not attend lunch at my house

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Week 10: Finale
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Monday December 1

  • Final Exam Workshop

Wednesday December 3

  • In Class Essay
  • Final Draft "Responding to Twain" Due

Friday, December 5

  • Optional Revision: Responding to Swift due
  • Final exam workshop part 2

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Assessment Rubric

Paper Evaluation: Although each assignment will have specific instructions and evaluation criteria, I will always apply the Subject A Scoring Guide criteria. Take some time to review these carefully before you submit each assignment.

A 6 paper commands attention because of its insightful development and mature style. It presents a cogent response to the text, elaborating that response with well-chosen examples and persuasive reasoning. The 6 paper shows that its writer can usually choose words aptly, use sophisticated sentences effectively, and observe the conventions of written English.

A 5 paper is clearly competent. It presents a thoughtful response to the text, elaborating that response with appropriate examples and sensible reasoning. A 5 paper typically has a less fluent and complex style than a 6, but does show that its writer can usually choose words accurately, vary sentences effectively, and observe the conventions of written English.

A 4 paper is satisfactory, sometimes marginally so. It presents an adequate response to the text, elaborating that response with sufficient examples and acceptable reasoning. Just as these examples and this reading will ordinarily be less developed than those in 5 paper, so will the 5 paper’s style be less effective. Nevertheless, a 4 paper shows that its writer can usually choose words of sufficient precision, control sentences of reasonable variety, and observe the conventions of written English.

A 3 paper is unsatisfactory in one or more of the following ways. It may respond to the text illogically; it may lack coherent structure or elaboration with examples; it may reflect and incomplete understanding of the text or the topic. Its prose is usually characterized by at least one of the following: frequently imprecise word choice; little sentence variety; occasional major errors in grammar and usage, or frequent minor errors.

A 2 paper shows serious weaknesses, ordinarily of several kinds. It frequently presents a simplistic, inappropriate, or incoherent response to the text, one that may suggest some significant misunderstanding of the text or the topic. Its prose is usually characterized by at least one of the following: simplistic or inaccurate word choice; monotonous or fragmented sentence structure; many repeated errors in grammar and usage.

A 1 paper suggests severe difficulties in reading and writing conventional English. It may disregard the topic’s demands, or it may lack appropriate pattern of structure or development. It may be inappropriately brief. It often has a pervasive pattern of errors in word choice, sentence structure, grammar, and usage.

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Community of Writers

For each of us (including the instructor) to achieve our goals in this class, we must commit to a set of principles and practices from which we can establish a community of writers who respect, stimulate, and empower each other. I offer the following ideas as a working draft of those principles. We can build on these as the quarter advances.

We each understand that we write in this course for a public audience (each other)

We each recognize that this course provides each of us (including the instructor) an extraordinary opportunity to develop our ability to communicate with others through writing.

Each of us has ideas and experiences to share with others through our prose and class discussion.

Each of us will arrive to class on time, having completed all reading and writing assignments according to the class schedule.

Each of us will treat the other members of the class with respect, listening attentively while others speak.
In the context of this mutual respect, we will not hesitate to disagree with each other and offer constructive critical responses to each other’s compositions.

Each of us understands that racist, sexist, or otherwise inflammatory language contradicts our commitment to respect each other and develop our community of writers. It also violates the standards of the broader UC Riverside community of which we are a part.

Each of us commits to submitting our own original work for each assignment in this class (ideas, language, and assignments taken from others without proper documentation constitute plagiarism).

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Civility in the Classroom

I would like to welcome all students into an environment that creates a sense of community, courtesy, and respect; we come to this classroom to work cooperatively and learn together.

To help us make the most of the limited time we have together, please make every effort to come to class on time and to stay until the end of the class meeting unless you have informed me that you must leave early. I ask that any student who arrives late to class or misses class come see me during my office hours before the next class meeting. If you miss class, you are responsible for all material covered or distributed in class.

Because we meet in such short sessions--only fifty minutes--and need to make the most of that limited time, I ask that you not leave the classroom once you arrive unless you have an emergency. The same need for focus requires that only one person at a time is speaking in the class (when we are all working together) or within a smaller working group. Side conversations distract surrounding students and me.

Please also turn off all cell phones, pagers, beepers, and other instruments of communication torment. Think of this 50 minutes as your escape from the outside world. And remember that the piercing cry of the cell phone has an astonishingly chilling impact on class discussion and activities. So many times I have seen myself and other students paralyzed as we all hear that chipper blast and wonder anxiously whether we forgot to turn off our phones. Any teacher can tell you that the sight of twenty-three college students flinching involuntarily can derail even the most insightful and inspiring of class discussions or activities.

If, after reading this, you feel a little bit offended that I would have to state such obvious principles of courtesy here ("after all, we are in college aren't we?"), I don't particularly blame you. In my defense, I can only say that it is exactly because we are in a college environment that we need some reminders about these issues. College liberates us in so many ways (from parents and other authority figures, from other people controlling our schedules, and from the normal rules of human civilization--have you been to a college party lately?) that we forget to reorient ourselves when we enter a classroom.

Please help all of us enjoy a focused, productive, and welcoming environment by following the principles of courtesy and respect that I have outlined here.

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Grant Wood Links

Grant Wood's Iowa : Offers great background on Wood placing him in a personal, social, national, and even international context. The best place to start learning more about Wood.

Scary Looking Americans: A web version of "American Gothic."

An essay by John Seery, Pomona College Professor and nationally recognized scholar of irony in American culture and Politics.

Jonathan Swift Links

http://www.jaffebros.com/lee/gulliver/ The definitive starting point for Swift studies on the web.

Mark Twain Links

The best of all Twain web pages—includes searchable texts of all Twain works and lots of background goodies (Connecticut Yankee resources are especially good): http://etext.lib.virginia.edu/railton/index2.html

The official web site for the recent Ken Burns PBS special has a chronology, some useful photos, and other goodies (warning: site is pretty commercial): http://www.pbs.org/marktwain

Site operated by the folks who maintain the Mark Twain house in Connecticut. I do not think you can understand Twain until you look at and think about this house and what it tells us about him: http://www.marktwainhouse.org/

An excellent collection of Twain quotes on all manner and range of topics: http://www.twainquotes.com/quotesatoz.html

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Page last updated: 11 March, 2004