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F&J25: Where I Am

Flotsam & Jetsam (25) for August 28, 2006


I'M HERE for a semester in De Pere, Wisconsin (pop. 22,850). It’s a nice, small Midwestern city close to Green Bay, home of the Packers. I’ll tell you more about it and what brings me here in some future column, but meanwhile, for my relatives and friends, here are some pictures of the local scenery which I took this weekend. Tomorrow the mad rush of classes begins.


This is the apartment—that’s right, the second floor of a red brick box, on the first floor of which is the Human Resources office. It may not look like much, but it’s actually quite cozy.


What more can a guy ask for but a Lazy-Boy-type chair and a big TV? Bring those football games on! (But truth to tell, I think I’m getting addicted to “Project Runway”.)


My cupboard runneth over with... Ligo, Campbell’s, and ramen. And rice.


The gym’s right next to the apartment—but where’s the badminton court?


Ah, summer along the Fox River.


They’re building a new bridge across the Fox.


What else can this street be called but Main Street?


Another place, another office, another Mac.


Things are BIG in the Midwest. Here’s the world’s biggest grocery cart at the Festival supermart.


Another big store (I should say THE other big store) in De Pere is ShopKo. I wanted to say “Shop ko rin.”


And here’s why I’m here: St. Norbert College, established (like we were) in 1898.

F&J24: My New Red Shoes

Flotsam & Jetsam (24) for July 16, 2006




“I WOULDN’T be caught dead wearing those,” said a badminton buddy. “Ha-ha, I like them, but they’re not you!” said Beng. “Wow!” said my mom.

Well, I love them, and I could go to my grave in them, whatever the world says. I’m talking about my new red shoes—my Yonex SHB-99 Power Cushion shoes, to be more specific, the latest dent in my pocketbook caused by my current addiction to badminton (or, to more precise, by what we hapless amateurs know to be equipmentitis—the feverish notion that jumping around in the fanciest gear will give you a killer backhand where you had none).

How’d I get the itch for this particular pair? I saw my badminton coach (ah, yes, I have one, too) wear them; since I can’t possibly match his shots (he was our first international champion 14 years ago, when he was just 16), the least I can do is match his shoes. I opened a badminton magazine (yes, I read those, too) and there the shoe was, advertised on the very first inside page. I felt fated to have them, and a few desperate phone calls to Yonex’s local dealers later, I found a pair in my exact size (10.5, US) at the Racquets & More shop in Eastwood. The minute I put them on, I knew it was a match made in heaven.

Indeed they’re a far cry from the pennyloafers, topsiders, and oxfords I’m more accustomed to; they remind me of Dorothy’s fabled shoes in The Wizard of Oz (see the original pair at the Smithsonian, below), and of course I’m hoping they’ll transport me in the same magical way to badminton nirvana, all the way to the All-England Championships.



Probably not, but if you see a spring in my step, you’ll know why. Yeeehah!

F&J23: Likhaan Submission Guidelines

Flotsam & Jetsam (23) for July 4, 2006


HERE, FINALLY, are the full and official submission guidelines for Likhaan: the Journal of Contemporary Philippine Literature, the inaugural issue of which we at the UP Institute of Creative Writing hope to publish by Writers' Night early in December. I will be Issue Editor for this first issue, assisted by Dr. Lilia Quindoza Santiago and Dr. J. Neil Garcia. Please note that while we can answer technical queries about these guidelines, and while we will acknowledge all submissions, we will not critique or comment on any work submitted.

And--on a personal note--please don't ask me exactly how much the "substantial cash payment" will be; we're working out the details, but I can tell you that it will be higher than the rates currently offered by local publications for literary material. If it's the money you're seriously after, consider selling insurance or real estate. That said, here goes:

1. For its first issue, Likhaan will accept submissions in the following genres, in both English and Filipino:

- Short stories ranging from about 12 to 30 pages double-spaced (in 11-12 points Times Roman, New York, Palatino, Book Antiqua, Arial or some such standard font). A suite of short prose pieces will be considered.

- A suite of four to seven poems, out which the editors might choose three to five. Long poems will be considered in lieu of a suite.

- Essays (critical, scholarly, and/or creative nonfiction), subject to the same length limitations as short stories, above.

- Excerpts from graphic novels, or full short graphic stories, for reproduction in black and white on no more than 10 printed pages, 6” x 9”. Excerpts should be accompanied by a synopsis of the full narrative.

2. All submissions must be original, and unpublished anywhere else.

3. All submissions must be accompanied by a biographical sketch (no more than one or two short paragraphs) of the author, including contact information (address, telephone number, e-mail address).

4. Submissions may be e-mailed to likhaanjournal@gmail.com, or posted to The Editors, Likhaan Journal, UP Institute of Creative Writing, Rizal Hall, University of the Philippines, Diliman, Quezon City 1101.

5. All submissions should be received (whether by e-mail or by post) no later than August 31, 2006.

6. All submissions will undergo a strict pre-screening and blind refereeing process by the editors and a panel of referees composed of eminent writers and critics from within and outside the University of the Philippines.

7. Writers whose work will be accepted for publication will receive a substantial cash payment and a copy of the published journal.

8. The editors reserve the right to edit any and all materials accepted for publication.

9. The editors may also solicit or commission special, non-refereed articles for publication outside of the aforementioned genres or categories to enhance the editorial content and balance of the journal.

10. Please direct any and all inquiries to the editors at likhaanjournal@gmail.com.

F&J22: Stay With Me

Flotsam & Jetsam (22) for May 26, 2006


HERE'S A great old song--the theme from a 1962 movie, "The Cardinal"--that I'd nearly forgotten about until I heard it on the radio the other day. Frank Sinatra did a version of it in 1963, which was probably what I heard, but when I looked for the song on the Internet, I found instead a soulful if somewhat throaty rendition by Rod McKuen (remember him?). The great thing is, McKuen offers a free download of the song (in mp3) on his website here. Whether you're religiously inclined or not (I'm not, particularly), it's one of those songs--like "The Impossible Dream," but quieter--that both soothe and strengthen. I recall Jerry Barican mentioning this same song in his column once. That makes two of us who enjoy it, as we hope you will, too.

Stay With Me

Should my heart not be humble
Should my eyes fail to see
Should my feet sometimes stumble
On the way stay with me.
Like the lamb that in springtime
Wanders far from the fold
Comes the darkness and the frost
I get lost, I grow cold.

I grow cold, I grow weary
And I know I can’t win
And I go seeking shelter
And I cry in the wind.
Though I grope and I blunder
and I’m weak and I’m wrong
Though the road buckles under
Where I walk, walk along.
Till I find to my wonder
every path leads to thee
All that I can do is say
Stay with me, stay with me

(instrumental)
(vocal answer) And I know I can’t win.
(instrumental)
(vocal answer) And I cry in the wind

Though I grope and I blunder
and I’m weak and I’m wrong
Though the road buckles under
Where I walk, walk along
Till I find to my wonder
every path leads to thee
All that I can do is pray
Stay with me, stay with me.

Words: Carolyn Leigh Music Jerome Moross © 1962 Warner Tammerlane Music BMI. Used by Permission.

F&J21: For Men But Not Only

Flotsam & Jetsam (21) for May 1, 2006

(Gani Cruz, my fellow Star columnist, e-mailed me his review of my book in BizNews Asia, published earlier in April. Many thanks, Gani, for the kind words! Incidentally--and Gani may not even remember this--he was the very first critic to review my first book, Oldtimer and Other Stories, early in 1985.)


For Men But Not Only
by Isagani R. Cruz, in BizNews Asia


FINALLY, WE can read something meant for men that is not about women.

Man Overboard: Essays By, For, and Of the Smart Filipino Male, by Butch Dalisay (Quezon City: Milflores Publishing, 2005, 178 pages), is a delightful anthology of previously published essays on things men go overboard for, such as cars, clothes, gadgets, travel, gang mates, books, and well, women.

The essays talk about just about everything, and I mean everything. Here, for example, is a piece of advice about what to do when caught in heavy traffic: "Ever heard of the Portajingle bag? For P185, your wordless twisting and turning behind the wheel in heavy traffic or your mad dash down the highway for the nearest clump of cogon grass could be over."

Here, on the other hand, is the exact opposite in terms of sophistication: "Last week … my newest baby – a PowerBook G4 Titanium – arrived. Like a proud Papa, my first thought was to give the newcomer a proper home, and I spent the next day trawling the malls and the online stores for the perfect TiBook bag."

Dalisay particularly loves contrasts. Here, for example, is his take on the generation gap: "Dads wouldn't be caught dead wearing the bellbottoms we thought went out with the last century; juniors wouldn't be caught dead wearing the de bastons they thought went out with the last century. … Fifteen years ago, hanging out with my students was cool – at least, I thought so, and they probably thought so, too; today, by mutual agreement, it's a pain to have to listen to what the latest and greatest tracks on mp3 are while you're trying to figure out how to juggle your insurance and tax payments."

Dalisay wrote the essays at various times and in various places. In Bellagio in Italy, for instance, while he is supposed to be writing a novel that will solve all the world's problems in one fell swoop, he wonders where hangers disappear to when they are supposed to be in his closet.

In Bangkok, he writes about having no money for anything the city is noted for offering to lonely men in shirt sleeves. Poverty makes saints of us all, or at least of Dalisay, as he contents himself with television, a couple of softdrinks and some junk food, and a gift for his loved ones waiting in Manila. No male who has been to Bangkok can miss the regret between the lines.

Dalisay has a great eye for detail and an even greater eye for incongruous details. Here is the way he remembers the Seventies: "Like most wannabe Charles Atlases, I once owned a Bullworker – a fat tube of chromed metal about as high as your waist, on either side of which was attached a thick rubberized cable. The idea was to hold the thing by the cables, and then to pull the left cable in the general direction of Paris and the right cable toward Hawaii. This was supposed to turn 86-pound weaklings into – well, 86-pound Samsons, albeit Samsons with an hernia."

And, of course, the main thing that defines what it means to be male in the Philippines – the car. There is no better way to invite the reader to read the whole book than to quote at length what Dalisay says about a man and his car:

"Indeed we like driving our cars around – one reason why no traffic scheme that depends on ride-sharing or on leaving your car at home is ever likely to succeed. Need ketchup for the fried chicken? Why, then, drive down to the grocery around the street corner. Going to Sunday Mass? Nobody ever said that driving to church, two blocks away, was any kind of sin. Whenever we feel like using the car, we will.

"But I don't think we buy and use cars for sheer or mere transportation. In fact, the minute we realize how joyless that long and arduous drive is going to be, we pull the nylon covers and grab a cab, an FX, a bus, or a plane. I wouldn't drive to Makati if I could avoid it, except that taxis can be as impossible to find at rush hour as parking space in the morning.

"No: it isn't so much utile as dulce, not so much utility as pleasure, that attracts us to cars. In other words, guys, we see cars as overgrown toys, the male equivalent of the Barbie doll, to be dressed up, accessorized, and pampered in more ways than a poet could count. We wash 'em, wax 'em, buff 'em, shampoo 'em, feed them with exotic additives, perfume them with rare scents, clothe them with extravagant furs and leathers.

"We have a fetish for newness: blessed with a new car (especially his first one), the Pinoy will refuse to peel that godawful plastic away from the sidings until it comes off like a bad sunburn. We're more faithful to our cars than to our spouses: any proposal to pull 15-year-old cars off the road will result in the kind of revolution they only dream about at Utrecht. We like to announce to the world at large that (1) we have a car, and (2) anyone who comes within a three-meter radius of it is an unqualified thief: thus we arm our vehicles with batteries of alarms and sirens, each of them noisier than a New Year's Eve."

You don't have to be male to enjoy Dalisay's book, but needless to say, it helps.