The idea of unleashing three of Asia's wildest directors in the same omnibus film is a terrific one, and putting the likes of Miike Takashi and Park Chan-wook to work in the "Twilight Zone"-style mini-feature is mouth-watering for fans. (Just look at what happened when Miike made an installment of Showtime's "Masters of Horror" series--it was deemed too crazy for broadcast.) Alas, the results are a letdown. First up, "Dumplings," is from Hong Kong's Fruit Chan, and it's the most cogent (and ickiest) of the bunch. Bai Ling plays a specialist in preparing dumplings that promise to restore youth and health for her customers; the weird part is she also runs a particular clinic on her premises. Ugh. The Korean offering from Park Chan-wook is "Cut," a warp on filmmaking about a self-centered director who gets trapped at his home (or is it the set of his new movie?) by a deranged former extra. The sadistic machinations here make Hannibal Lecter look reasonable, and the segment gets points for weirdness, but Park's take on revenge fantasies is much more exciting in "Oldboy" and "Sympathy for Mr. Vengeance". Miike represents Japan with "Box," which really is in the spirit of an old "Outer Limits" episode, complete with a "gotcha" ending that doesn't seem worth the trouble. Sure, twins are always a good topic for horror, but this segment is a long way to travel for not much. All three segments look good--there's little hint of the grindhouse cheapie here--but overall it's a disappointment. "--Robert Horton"