At
Spin.com it's reported that
Smiths' guitarist Johnny Marr and bassist Andy Rourke were finally on stage together again--that's half the Smiths reunited. One can hold out hope for a full band reunion, can't one? There is a feature In
Uncut magazine's January 2006 issue on the 20th anniversary of the release of
The Queen Is Dead and Johnny Marr says, when asked the question why
wouldn't The Smiths reform:
"There's been an awful lot of very dirty water gone under the bridge, but it is true no one's ever asked us."
So, listen, Johnny, if you're out there, and you're looking for someone to
ask, then consider me officially at the grovelling stage. It would make an army of very miserable and moribund thirtysomethings extremely happy (albeit for just a few minutes), and just think of the cash you'd make from souvenir tee-shirts proclaiming "THE SMITHS RISE FROM THE DEAD".
Seriously, though, it does kind of make me feel old to hear that
The Queen Is Dead turns twenty this year.
TQID was where I first entered the world of The Smiths, and what an introduction it is. However, I am of the camp that believes, contrary to popular opinion, that is is not the definitive Smiths album--that title clearly goes to their final opus,
Strangeways, Here We Come.
There are some albums in this world that clearly wear the story of their creation on it's sleeve (no pun intended). Like Fleetwood Mac's
Rumours,
Strangeways is the sound of a band disintegrating right before your very ears. The tension is there right from the opening bars of "A Rush And A Push And The Land Is Ours"--is it an act of protest or an artistic statement to not have Johnny play a single guitar on the opening track? All the way through the signs are there: "Death Of A Disco Dancer", "Paint A Vulgar Picture", "Stop Me If You Think That You've Heard This One Before", and then the death-toll that is the beautiful and heartbreaking "I Won't Share You". The album features some of Morrissey's most pointed/obscured lyrics, and by far some of the best vocal performances of his life. With 20/20 hindsight, one might say the writing was on the wall, but Morrissey still insists he didn't know Johnny was planning on leaving. For a band on the verge of breaking up and not knowing it, they certainly created an album which feels like the end was near. Regardless of my pleas earlier, I have often thought that the beauty and power of
Strangeways would somehow be diminished if the band ever reformed and recorded something new.
The Smiths Are Dead. Let's remember them the way they were.
Long Live The Smiths.