Last night I saw the Twyla Tharp/Billy Joel musical/dancical
Movin' Out. Different. I'm not a dance critic, so I really don't know what to comment on, because the entire show is a choreographed story about three guys and a couple of gals growing up in the U.S. on the eve of the Vietnam War, where one guy is killed. The boys return home and life is a struggle. Lovers are hurt, drugs are taken, bad polyester is worn... which leads us to the Eighties and Puma sweat clothes and moonwalking. All set to the sound stylings of one
Mr. Billy Joel ©.
So this morning when I woke and couldn't get Joel's "Movin' Out (Anthony's Theme)" out of my head, I dusted off my vinyl and CD collection's Billy Joel selections. Yes, that's right, I LIKE BILLY JOEL. A lot, actually. Ever since my cousin and I used to air-guitar to "It's Still Rock And Roll To Me" I have had a fondness for New York's piano man. Which brings me to today's musical endorsement:
Glass Houses.
1980 was the year that punk and new wave started to make a big
wave in the music world, and critics were falling all over themselves with superlatives. None however, seemed to be going Billy Joel's way. After a couple of successful albums with
The Stranger and
52nd Street, Joel was looked upon as mainstream pop; nothing too dangerous, nothing to challenging. He hated it.
Glass Houses was his bold artistic statement: more punk than pop, more rock than roll (I'm not sure what that is supposed to mean, but it sounds good doesn't it?). There's a sharp taste of bitterness in the lyrics, and an edge to the album that matches the tension of the album's cover shot. This time, the opening one-two punch, was actually a one-two-three-four-five punch--"You May Be Right," "Sometimes A Fantasy," "Don't Ask Me Why," "It's Still Rock And Roll To Me," and "All For Leyna" made for a killer A-side. Uncharacteristically for a Billy Joel album, the B-side wasn't too shabby, either (unlike
Glass Houses follow-up,
The Nylon Curtain).
Is it punk? Not on your life. Does it rock? You bet. If I were on a desert island, would this be one of the albums I would want to take with me? Of course. In a long, and sometimes spotty career,
Glass Houses is a high-water mark for Joel. Anyone out there have a Billy Joel song/album they love/hate? Let's take a survey, shall we?