[beginning of gratuitous use of the word 'plan']
The latest edition of
Under The Radar has a very comprehensive interview with
Death Cab For Cutie about the making of their latest album,
Plans. I had planned on purchasing
Plans at my local
Beat Goes On outlet, but my plans this afternoon were undermined when the staff told me that their planned delivery of
Plans hadn't arrived. So when I got home tonight I logged into the
iTunes store and downloaded my copy of
Plans, which comes with a bonus track, digital booklet, and a movie for single "Soul Meets Body". My plans for the rest of the night were put on hold: I fell in love right away. How can you not when the first lyrics you hear are:
"If I could open my arms and span the length of the isle of Manhattan/I'd bring it to where you are, making a lake of the East River and Hudson/If I could open my mouth wide enough for a marching band to march out/They would make your name sing and bend through the alleys and bounce off all the buildings"? Doesn't it just make you want to cry?
The
Under The Radar article discusses this very issue in some detail:
Plans is
DCFC's first major label release, and probably their most accessible album. Does that mean they've sold out? Not a chance--this is the album they were destined to make, major label or not. As far as I'm concerned, the band have not comprised their sound or vision by following a diabolical record company plan to make the record buying public rush out to buy this record (Ben Gibbard says the title
Plans actually has a tongue-in-cheek connection to their move to a major label).
Stand-outs so far are the above-quoted opener "Marching Bands of Manhattan", single "Soul Meets Body", and the quiet, yet heartbreakingly gorgeous "I Will Follow You Into the Dark" (sample lyric:
"If there's no one beside you when your soul embarks/Then I'll follow you into the dark")--a song as much about life and love, as death and loss. Buy
Plans and planned to be amazed.
[end of gratuitous use of the word 'plan']
I've only recently discovered
Under The Radar, but I find that it is an excellent resource for anyone into music that's off the beaten path (I won't use "the A-word").
Under The Radar is less smug, less judgmental, and less stuck-up about music then some of the more popular magazines available today. It really reminds me of the early days of SPIN, where the focus was on the music and the artist, not on the marketplace. Does anyone know anything about this magazine? This is the second issue I've purchased, and I'm about to surf over to the website and purchase a subscription (which comes with a jazzy new CD of your choice. I think I'll be requesting the self-titled
Engineers album, or possibly
Gimme Fiction by
Spoon--again any comments or suggestions?)