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Rambo III
Action & Adventure Lionsgate/Fox R

Ray
Drama Universal Studios PG-13
Jamie Foxx's uncannily accurate performance isn't the only good thing about "Ray". Riding high on a wave of Oscar buzz, Foxx proved himself worthy of all the hype by portraying blind R&B legend Ray Charles in a warts-and-all performance that Charles approved shortly before his death in June 2004. Despite a few dramatic embellishments of actual incidents (such as the suggestion that the accidental drowning of Charles's younger brother caused all the inner demons that Charles would battle into adulthood), the film does a remarkable job of summarizing Charles's strengths as a musical innovator and his weaknesses as a philandering heroin addict who recorded some of his best songs while flying high as a kite. Foxx seems to be channeling Charles himself, and as he did with the life of Ritchie Valens in "La Bamba", director Taylor Hackford gets most of the period details absolutely right as he chronicles Ray's rise from "chitlin circuit" performer in the early '50s to his much-deserved elevation to legendary status as one of the all-time great musicians. Foxx expertly lip-syncs to Ray Charles' classic recordings, but you could swear he's the real deal in a film that honors Ray Charles without sanitizing his once-messy life. "--Jeff Shannon"

Replicant
Action & Adventure Artisan Entertainment R
Jean-Claude Van Damme (star of Timecop and Universal Soldier) plays two roles in this surprisingly good action thriller. Replicant also stars Michael Rooker (of Henry, Portrait of a Serial Killer, The Replacement Killers) as Jake Riley, a cop who's been tracking a serial killer called "The Torch" (Van Damme). Frustrated, Riley decides to retire--and the National Security Department makes him an offer: they've cloned "The Torch" as part of a program to track down terrorists; they'll turn this replicant (Van Damme again, of course) over to Riley as a sort of test run for the program. The idea is that the replicant will slowly recall the original person's memories and lead the cops to the original. It's ridiculous, but no more ridiculous than the setup for the highly successful Face/Off, and it works just as well as the engine for an effective action flick. What makes Replicant more unusual is that the writers actually put some thought into the relationship between Riley and the replicant, which starts to mirror parent-child relationships in emotionally complex ways. Furthermore, while it's no surprise that Rooker gives a solid performance, it is surprising that Van Damme does just as good a job in both of his roles--he's perfectly creepy as the serial killer and genuinely affecting as the quickly developing replicant, projecting a mixture of innocence and turmoil. Replicant was directed by Hong Kong director Ringo Lam, the man behind Full Contact and City on Fire. He was clearly working on a limited budget, but the movie looks good, moves with lean efficiency, and has some riveting action sequences and good quality effects--the scenes where Van Damme (inevitably!) fights himself are completely convincing. A satisfying movie. --Bret Fetzer

The Return
Soyuz Video

Riding in Cars with Boys
Drama Columbia Tri-Star PG-13

The Rock
Action & Adventure Hollywood Pictures R
Between his high-octane debut, Bad Boys, and 1998's wannabe blockbuster Armageddon, hotshot director Michael Bay forged his dubious reputation with this crowd-pleasing action extravaganza. In it a psychotically disgruntled war hero (Ed Harris) seizes the island prison of Alcatraz and threatens to wage chemical warfare against nearby San Francisco unless the government publicly recognizes the men who were killed under Harris's top-secret command. Nicolas Cage plays the biochemist who teams up with the only man ever to have escaped from Alcatraz (Sean Connery) in an attempt to foil Harris's terrorist scheme. As one might expect, what follows is an action-packed barrage of bullets, bodies, and climactic confrontations, replete with enough plot contrivances to give even the most jaded action fan cause for alarm. It's a load of hooey, but the cast is obviously having a grand old time, and there's enough wit to make the recycled action sequences tolerable. If you're ordering this movie on DVD, be careful with the volume knobs on your home-theater sound systems, because The Rock could cause partial hearing loss and structural damage to your home. --Jeff Shannon

Rocky
Drama MGM/UA Video PG

Rosenstraße 玫瑰圍牆
Drama - Mehr Drama Concorde Video
Nach dem Tod ihres Vaters erfährt die jüdische Journalistin Hannah (Maria Schrader), dass ihre Mutter Ruth (Jutta Lampe) während des Dritten Reiches von einer deutschen Frau gerettet worden ist. Sie reist nach Deutschland, um diese Frau zu finden und die geheimnisvolle Vergangenheit ihrer Mutter zu ergründen. Von der inzwischen 90-jährigen Lena Fischer (Doris Schade) erfährt sie vom Aufstand der Frauen in der Berliner Rosenstraße, die ihre jüdischen Familienmitglieder vor der Deportation retteten. Noch ahnt Hannah nicht, dass sie Dinge erfahren wird, die auch ihr eigenes Leben beeinflussen sollen. In bewegenden, hoch stilisierten Bildern erzählt Margarethe von Trotta, die auch das Drehbuch schrieb, von den historischen Ereignissen, die sich 1943 in der Rosenstraße zugetragen haben. In den Mittelpunkt des Geschehens stellt die Regisseurin die fiktiven Charaktere Lena Fischer (Katja Riemann), die um ihren Mann Fabian kämpft (Martin Feifel), sowie das jüdische Mädchen Ruth, das um seine Mutter bangt. In Rückblenden, die mit der Rahmenhandlung um Hannah verwoben sind, setzt von Trotta mit viel Feingefühl und unterstützt von einem eindrucksvollen Ensemble die menschliche Tragödie in Szene. Auch wenn manche Dialoge arg konstruiert wirken und der Film nicht die Klasse von Roman Polanskis Pianisten erreicht, ist sein Anliegen auf jeden Fall ehrenhaft. Zwar werfen einige Historiker von Trotta vor, die Ereignisse nicht ganz korrekt dargestellt zu haben. Aber die Regisseurin hält dagegen, dass sie keinen Dokumentarfilm gedreht habe und ein Spielfilm einige Freiheiten bei der Bearbeitung des Stoffes erlaubt. So hat von Trotta nach Filmen wie Die bleierne Zeit, Rosa Luxemburg oder Das Versprechen erneut ein Kapitel deutscher Geschichte aufgearbeitet und den Frauen der Rosenstraße ein filmisches Denkmal gesetzt. Katja Riemann wurde in Venedig 2003 als beste Darstellerin geehrt, in Nebenrollen überzeugen Jürgen Vogel als desillusionierter Wehrmachtssoldat und Jutta Wachowiak als kämpferische alte Dame. --Birgit Schwenger

Runaway Jury
Drama Fox Home Entertainme PG-13
Based on the bestseller by John Grisham, "Runaway Jury" is a slick thriller that's exciting enough to overcome the gaps in its plot. The ultimate target has been changed: Grisham's legal assault on the tobacco industry was switched to the hot-button issue of gun control (no doubt to avoid comparison to "The Insider") in a riveting exposé of jury-tampering. Gene Hackman plays the ultra-cynical, utterly unscrupulous pawn of the gun-makers, using an expert staff and advanced electronics to hand-pick a New Orleans jury that will return a favorable verdict; Dustin Hoffman (making his first screen appearance with real-life former roommate Hackman) defends the grieving widow of a gun-shooting victim with idealistic zeal, while maverick juror John Cusack and accomplice Rachel Weisz play both ends against the middle in a personal quest to hold gun-makers accountable. It's riveting stuff, even when it's obvious that Grisham and director Gary Fleder have glossed over any details that would unravel the plot's intricate design. "--Jeff Shannon"

The Rundown
Action & Adventure Umvd PG-13

Saving Private Ryan
Drama Dreamworks Skg R
When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds. A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance. The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas

Saw
Horror Lionsgate R

Schindler's List
Drama Universal Studios R

The Sea Inside
Drama New Line Home Entertainment PG-13
Winner of the Academy Award for Best Foreign Language Film of 2004, "The Sea Inside" is a life-affirming film about a man who wishes to die. That may seem like a massive contradiction, but in the hands of director Alejandro Amenábar ("Open Your Eyes", "The Others") and actor Javier Bardem ("Before Night Falls"), this fact-based Spanish drama concerns the final days of Ramón Sampedro, the quadriplegic poet who waged a controversial campaign for his right to die. He was denied this right for 30 years, and ultimately arranged for his own assisted suicide, but this remarkable film--and Bardem's keenly intelligent performance--examines the hotly-debated issue of assisted suicide with admirable depth and humanity, just as Sampedro did until his death in 1998. For Sampedro, death was preferable to severe paralysis (he even refused to use a wheelchair), but the film does not suggest a "disposable" attitude toward disability. Instead, it's a thoughtful meditation on life and love as gifts to be cherished, and a challenging drama that begs each viewer to examine their own personal beliefs about what makes life worth living. You may not agree with Sampedro and his ultimate denial of life, but "The Sea Inside" will urge you to ponder how you would react under similar circumstances, and that makes it a profoundly meaningful film. "--Jeff Shannon"

Seabiscuit
Drama Universal Studios PG-13

Secret Window
Horror Columbia Tri/Star - Preorder PG-13
Johnny Depp gets high off another acting challenge in this tricky adaptation of a Stephen King yarn. Although the mood is too sinister to allow for the mischief of his Pirates of the Caribbean turn, Depp still manages to embroider his role here with plenty of quirky business. He plays a writer, depressed and nearly divorced, who's stuck in an isolated cabin (shades of The Shining) when a stranger (John Turturro) arrives, accusing him of plagiarism. Writer-director David Koepp (Stir of Echoes) does his best to make the rickety material compelling--he gets the maximum out of the cabin set, for instance--but the problems inherent in the King story eventually win out. The climactic scenes are particularly unpleasant, especially in contrast to the cleverness of Depp's performance. A Philip Glass score adds class, but this one ultimately feels like a disappointment. --Robert Horton

Shattered Glass
Drama Lions Gate Home Ente PG-13

Shaun of the Dead
Horror Umvd R
British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. --Bret Fetzer

Shrek 2
Feature Film Family Dreamworks PG

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Action
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