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She studied with some of the great teachers of her time--Soen Rōshi, Yasutani Rōshi , Yamada Koun Roshi--and helped bring them to the West to teach. Her early studies were in art, literature, and social work, and these influences can be seen in her later Zen work. In the Maui Zendo she was tough enough to run the work crews and help a band of undisciplined and unfocused young people to function and to discover Zen.
Anne inherited money, and it seemed the only interest she could find in it was to be a benefactor of Buddhism and social causes. She had a great empathy for the poor, disadvantaged, and just plain eccentric. She acted as if people would live up to her standards of service and civility, and mostly they did. She loved people into being dedicated and even courteous.
Maui Zendo was one of the early temples in the West where you could
do hard training, and without Anne it couldn't have come to be. In countless
sesshins, she inspired us in her particular fashion. She conveyed her understanding
of Zen by her presence, her floating, dance-like walk, her welcoming words,
so consistently dazzling and intimate that they were like an embrace, her
sense that a beautiful heart and beautiful things and beautiful actions
were all on the one thread, her serenity, humor, and perseverance; these
were her teachings. She deflected flattery and even sincere praise; she
saw her gifts as those of service and loyalty. She was particularly encouraging
to senior women, telling them, "Yes, you can do it, you'll do it very well,"
when they took on a new responsibility. The importance of this support
cannot be underestimated. She liked to be in the background herself, but
did not believe that others should be. Her final gift was her candor about
the approaching end. Her image for death was this: We are waiting at a
bus stop - our bus comes along and we get on....;
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John Tarrant
©1994
Turning Wheel