To help celebrate the 100th anniversary of Harley-Davidson in 2003, Bill Hufnagle, aka Biker Billy, has collected 200 righteous recipes from HOG members from sea to shining sea.

Body Brokers is an audacious, disturbing, and compellingly written investigative exposé of a little known aspect of the “death care” world: the lucrative business of procuring, buying, and selling human cadavers and body parts.
 
Every year human corpses meant for anatomy classes, burial, or cremation find their way into the hands of a shadowy group of entrepreneurs who profit by buying and selling human remains. While the government has controls on organs and tissue meant for transplantation, these “body brokers” capitalize on the myriad other uses for dead bodies that receive no federal oversight whatsoever: commercial seminars to introduce new medical gadgetry; medical research studies and training courses; and U.S. Army land-mine explosion tests.  A single corpse used for these purposes can generate up to $10,000.

As journalist Annie Cheney found while reporting on this subject over the course of three years,  when there’s that much money to be made with no federal regulation, there are all sorts of shady (and fascinating) characters who are willing to employ questionable practices—from deception and outright theft — to acquire, market, and distribute human bodies and parts.   In Michigan and New York she discovers funeral directors who buy corpses from medical schools and supply the parts to surgical equipment companies and associations of surgeons. In California, she meets a crematorium owner who sold the body parts of people he was supposed to cremate, generating hundreds of thousands of dollars in profits.  In Florida, she attends a medical conference in a luxury hotel, where fresh torsos are delivered in large coolers and displayed on gurneys in a room normally used for banquets.  “That torso that you’re living in right now is just flesh and bones.  To me, it’s a product,” says the New Jersey-based broker presiding over the torsos.   Tracing the origins of body brokering from the “resurrectionists” of the 19th century to the entrepreneurs of today, Cheney chronicles how demand for cadavers has long driven unscrupulous funeral home, crematorium and medical school personnel to treat human bodies as commodities. 
 
Gripping, often chilling, and sure to cause a reexamination of the American way of death, Body Brokers is a captivating work of first-person reportage.

One day back in 2003, Ken Jennings and his college buddy Earl did what hundreds of thousands of people had done before: they auditioned for Jeopardy! Two years, 75 games, 2,642 correct answers, and over $2.5 million in winnings later, Ken Jennings emerged as trivia’s undisputed king. Brainiac traces his rise from anonymous computer programmer to nerd folk icon. But along the way, it also explores his newly conquered kingdom: the world of trivia itself.

Jennings had always been minutiae-mad, poring over almanacs and TV Guide listings at an age when most kids are still watching Elmo and putting beans up their nose. But trivia, he has found, is centuries older than his childhood obsession with it. Whisking us from the coffeehouses of seventeenth-century London to the Internet age, Jennings chronicles the ups and downs of the trivia fad: the quiz book explosion of the Jazz Age; the rise, fall, and rise again of TV quiz shows; the nostalgic campus trivia of the 1960s; and the 1980s, when Trivial Pursuit® again made it fashionable to be a know-it-all.
Jennings also investigates the shadowy demimonde of today’s trivia subculture, guiding us on a tour of trivia hotspots across America. He goes head-to-head with the blowhards and diehards of the college quiz-bowl circuit, the slightly soused faithful of the Boston pub trivia scene, and the raucous participants in the annual Q&A marathon in Stevens Point, Wisconsin, “The World’s Largest Trivia Contest.” And, of course, he takes us behind the scenes of his improbable 75-game run on Jeopardy!

But above all, Brainiac is a love letter to the useless fact. What marsupial has fingerprints that are indistinguishable from human ones?* What planet has a crater on it named after Laura Ingalls Wilder?** What comedian had the misfortune to be born with the name “Albert Einstein”?*** Jennings also ponders questions that are a little more philosophical: What separates trivia from meaningless facts? Is being good at trivia a mark of intelligence? And is trivia just a waste of time, or does it serve some not-so-trivial purpose after all?

Uproarious, silly, engaging, and erudite, this book is an irresistible celebration of nostalgia, curiosity, and nerdy obsession–in a word, trivia.

* The koala
** Venus
*** Albert Brooks

"A bread baker, like any true artisan or craftsman, must have the power to control outcomes," says Peter Reinhart, author of The Bread Baker's Apprentice. "Mastery comes with practice." As in many arts, you must know and understand the rules before you can break them. Reinhart encourages you to learn the science of bread making, but to never forget that vision and experimentation, not formulas, make transcendent loaves. The Bread Baker's Apprentice is broken into three sections. The first is an amusing tale of Reinhart's visit to France and his discovery of pain à l'ancienne, a cold-fermented baguette. The second section comprises a tutorial of bread-making basics and Reinhart's "Twelve Stages of Bread." And finally, the recipes: Ciabatta, Pane Siciliano, Potato Rosemary Bread, New York Deli Rye, Kaiser Rolls, and Brioche, to name a few. All recipes include bread profiles and ingredient percentages. Reimagined for modern bakers, these mouthwatering classic recipes are bound to inspire. —Dana Van Nest

Ten brilliant, streetwise, high-resolution stories from the man who coined the word cyberspace. Gibson's vision has become a touchstone in the emerging order of the 21st Century, from the computer-enhanced hustlers of Johnny Mnemonic to the technofetishist blues of Burning Chrome. With their vividly human characters and their remorseless, hot-wired futures, these stories are simultaneously science fiction at its sharpest and instantly recognizable Polaroids of the postmodern condition.

For nearly fifty years, the Popeil Brothers' and Ronco's high-energy commercials have been familiar intruders into the living rooms of America-and most homes bear evidence of their seductive visits. Countless VegOMatics, SealAMeals, Kitchen Magicians, Pocket Fishermen, and other gadgets sit tucked away in many a cupboard, giving silent testimony to the power of their broadcast salesmanship. This dynamic, colorful, and amusing volume tells the classic rags to riches story of this fascinating business whose name has become synonymous with the word "gadget." Through a witty, informative text complemented by a wealth of colorful vintage advertisements, stunning product package art, and photography that cooks, business students, graphic and industrial design mavens, and fans of popular culture will love, this book examines the inventiveness and ubiquity of Popeil products through a range of special visual and editorial features. These include: an encapsulated history of the company; annotated celbycel recreations of the most popular commercials; amusing anecdotes about the inventions; transcripts of the alluring, rapidfire sales pitches; humorous quotes; and entertaining facts.

Just like the inventions themselves, this volume is "amazing!"

Calculus Made Easy has long been the most popular calculus primer, and this major revision of the classic math text makes the subject at hand still more comprehensible to readers of all levels. With a new introduction, three new chapters, modernized language and methods throughout, and an appendix of challenging and enjoyable practice problems, Calculus Made Easy has been thoroughly updated for the modern reader.

In this rare work of public disclosure, filmmaker David Lynch describes his personal methods of capturing and working with ideas, and the immense creative benefits he has experienced from the practice of meditation

Over the last four decades, David Lynch has created some of the best-known and widely discussed screen works of our time. This distinctive writer-director's art bears not only the mark of box-office success but also criticalacclaim and cultural posterity.

Yet Lynch generally reveals little of himself, or the ideas behind his work. Now he provides a rare window into his methods as an artist and his personal working style. In Catching the Big Fish, Lynch writes candidly about the tremendous creative benefits he has gained from his thirty-two-year commitment to practicing Transcendental Meditation.

In brief chapters, Lynch describes the experience of "diving within" and "catching" ideas like fish-and then preparing them for television or movie screens, and other mediums in which Lynch works, such as photography and painting.

In the book's first section, Lynch discusses the development of his ideas-where they come from, how he grasps them, and which ones appeal to him the most. He then shares his passion for "the doing"-whether moviemaking, painting, or other creative expressions. Lynch talks specifically about how he puts his thoughts into action and how he engages with others around him. Finally, he discusses the self and the surrounding world -and how the process of "diving within" that has so deeply affected his own work can directly benefit others.

Catching the Big Fish provides unprecedented insight into Lynch's methods, as it also offers a set of practical ideas that speak to matters of personal fulfillment, increased creativity, and greater harmony with one's surroundings.

The book comes as a revelation to the legion of fans who have longed to better understand Lynch's deeply personal vision. And it is equally intriguing to anyone who grapples with questions such as: "Where do ideas come from?" and "How can I nurture creativity?

Championship No-Limit & Pot-Limit Hold'em is the definitive guide to winning at the world's most exciting and most profitable poker games. This is the book that James McManus, author of Positively Fifth Street, credited with teaching him how to win more than a quarter-million dollars at the World Series of Poker in 1998. The authors emphasize how to win no-limit hold'em tournaments with specific advice on winning the World Series of Poker

A sentimental storybook with a tasty twist. Chef Jacque Pepin regales you with stories of success and struggle in the kitchen, all the while providing 100 of his favorite recipes, including soups, appetizers, main courses, side dishes and desserts.

Suitable for anyone with a little C/C++ programming experience who wants to create software for the newest Mac platform, Cocoa Programming for Max OS X provides a slickly packaged and approachable tutorial that will get you started creating state-of-the-art Mac programs.

The smart presentation style and easy-to-understood code examples help make this text an excellent resource. (It also helps that Aaron Hillegass is a truly engaging writer.) He first explains how the legacy NeXTSTEP platform has evolved into Cocoa on the Mac OS X. Beginning with short examples illustrating the actual Cocoa tools in action, the author gets you started with simple programs for a random-number generator, a raise calculator, and other comprehensible examples. Rather than just listing APIs and classes, the emphasis is on hands-on Cocoa development. An early standout section provides a nice tour of essential Objective-C features you'll need to know to use Cocoa effectively.

This book covers the several dozen built-in Cocoa controls, from basic text and buttons to more advanced widgets (including lists and tables). Subsequent sections look at user interface design (using the Interface Builder to create nib files) and how to add programmatic processing behind the visual layout. Along the way, the author introduces coverage of essential Cocoa APIs for strings, arrays, and dictionaries. Later chapters look at saving and loading documents (and user defaults) and how to tap the powerful graphics abilities available in Cocoa. (Besides image and basic drawing, there are short sections on PDF support and printing.)

More advanced user interface features get their due by the end of the book, including cutting and pasting data through the Cocoa pasteboard and also adding drag-and-drop support. Final sections look at creating new controls for use with the Interface Builder palette, and, briefly, how to use Java with Cocoa (an option that the author doesn't necessarily recommend). Throughout this text, the author provides more advanced, challenging problems at the end of each chapter for the "more curious" reader. This approach keeps beginners from getting lost in the details of Cocoa development, but gives the more advanced reader something more to do.

While there are comparably fewer books on Mac OS X compared to other platforms, readers are lucky to have this one available. Anyone who wants to get onboard with Cocoa development will be well served by this title. It's a fine tutorial that earns high marks for its approachable, clear examples and an excellent presentation by an author who knows his stuff and, better yet, knows how to teach it to others. —Richard Dragan

Topics covered: Brief history of the Mac platform (from NeXTSTEP to Mac OS X), basic Cocoa development in Objective-C, using Project Builder and Interface Builder tools, tutorial to Objective-C (instances, variables, using classes, arrays and other containers, custom classes), the Objective-C debugger, basic Cocoa controls (building user interfaces), tables and data sources, event handling and delegates, archiving documents (encoding and decoding, saving and loading documents), Nib files, window panels, saving and retrieving user defaults (including using dictionary classes), notifications (observers and more on delegates), alert panels, localization (including string tables, a English and French example, the nibtool utility), custom views and drawing, drawing images and mouse events (plus coordinates systems and autoscrolling views), responders and keyboard events, fonts and strings (including attributed strings and PDF support), pasteboards and nil-targeted actions, using Objective-C categories (a code reuse feature), drag-and-drop support, timers, sheets and drawers, formatting strings, printing support, on-the-fly menu updating, text editing with text views, basic tutorial for using Java with Cocoa, and custom Interface Builder palettes (and inspectors).

"We, the Net People, in order to form a more perfect Transfer Protocol..." might be recited in future fifth-grade history classes, says attorney Lawrence Lessig. He turns the now-traditional view of the Internet as an uncontrollable, organic entity on its head, and explores the architecture and social systems that are changing every day and taming the frontier. Code and Other Laws of Cyberspace is his well-reasoned, undeniably cogent series of arguments for guiding the still-evolving regulatory processes, to ensure that we don't find ourselves stuck with a system that we find objectionable. As the former Communist-bloc countries found, a constitution is still one of our best guarantees against the dark side of chaos; and Lessig promotes a kind of document that accepts the inevitable regulatory authority of both government and commerce, while constraining them within values that we hold by consensus.

Lessig holds that those who shriek the loudest at the thought of interference in cyberdoings, especially at the hands of the government, are blind to the ever-increasing regulation of the Net (admittedly, without badges or guns) by businesses that find little opposition to their schemes from consumers, competitors, or cops. The Internet will be regulated, he says, and our window of opportunity to influence the design of those regulations narrows each day. How will we make the decisions that the Framers of our paper-and-ink Constitution couldn't foresee, much less resolve? Lessig proclaims that many of us will have to wake up fast and get to work before we lose the chance to draft a networked Bill of Rights. —Rob Lightner

Peter Seibel interviews 15 of the most interesting computer programmers alive today in Coders at Work, offering a brand-new companion volume to Apress’s highly acclaimed best-seller Founders at Work by Jessica Livingston. As the words “at work” suggest, Peter Seibel focuses on how his interviewees tackle the day-to-day work of programming, while revealing much more, like how they became great programmers, how they recognize programming talent in others, and what kinds of problems they find most interesting.

Hundreds of people have suggested names of programmers to interview on the Coders at Work web site: www.codersatwork.com. The complete list was 284 names. Having digested everyone’s feedback, we selected 15 folks who’ve been kind enough to agree to be interviewed: Frances Allen: Pioneer in optimizing compilers, first woman to win the Turing Award (2006) and first female IBM fellowJoe Armstrong: Inventor of ErlangJoshua Bloch: Author of the Java collections framework, now at GoogleBernie Cosell: One of the main software guys behind the original ARPANET IMPs and a master debuggerDouglas Crockford: JSON founder, JavaScript architect at Yahoo!L. Peter Deutsch: Author of Ghostscript, implementer of Smalltalk-80 at Xerox PARC and Lisp 1.5 on PDP-1Brendan Eich: Inventor of JavaScript, CTO of the Mozilla CorporationBrad Fitzpatrick: Writer of LiveJournal, OpenID, memcached, and PerlbalDan Ingalls: Smalltalk implementor and designerSimon Peyton Jones: Coinventor of Haskell and lead designer of Glasgow Haskell CompilerDonald Knuth: Author of The Art of Computer Programming and creator of TeXPeter Norvig: Director of Research at Google and author of the standard text on AIGuy Steele: Coinventor of Scheme and part of the Common Lisp Gang of Five, currently working on FortressKen Thompson: Inventor of UNIXJamie Zawinski: Author of XEmacs and early Netscape/Mozilla hackerWhat you’ll learn

How the best programmers in the world do their job Who is this book for?

Programmers interested in the point of view of leaders in the field. Programmers looking for approaches that work for some of these outstanding programmers.

When hardcore industrial rocker and Ministry supremo Al Jourgensen recruited Chris Connelly as a singer for the Revolting Cocks, the young Scottish lad could hardly have imagined the mayhem that was about to ensue.

As an integral part of Jourgensen's Mad Max-like mutant family of musicians, Connelly joined a drug-crazed travelling circus. Live shows were transformed into an ear-splitting redneck disco from hell, under the influence of a mind-boggling cocktail of every conceivable narcotic, with sleazy strippers and even reports of live cattle on stage.

As well as Jourgensen and all the Wax Trax! crew, the book features cameo appearances by Ogre of Skinny Puppy, Trent Reznor of Nine Inch Nails, Killing Joke, Jah Wobble, and Cabaret Voltaire.

Despite the unrelenting chaos, both Ministry and the Revolting Cocks have been immensely successful; Connelly appeared on two US gold albums (The Land of Rape and Honey and The Mind is a Terrible Thing to Taste) and worked as songwriter on the million-plus selling platinum album Psalm 69: The Way to Succeed and the Way to Suck Eggs.

Connelly's superbly written, funny, irreverent, and sometimes downright scary memoir is one of the finest portrayals of a man trapped in the eye of a post-punk industrial storm this side of Armageddon.

Chris Connelly was born in Edinburgh, Scotland, and now lives in Chicago where he has pursued a successful solo career.