Fri - July 6, 2007
Sold for £18.5m, a Raphael portrait that once cost $325

By
Emily Dugan
A rare
portrait by Raphael that had not been seen by the public for more than 40 years
sold for £18.5m at Christie's last night. It was the largest sum ever paid
at auction for a work by the Renaissance
painter.
The work, an oil
portrait of the Florentine ruler Lorenzo de' Medici which has been described as
"the most important Renaissance portrait to be offered at auction for a
generation", had been predicted to fetch between £10m and
£15m.
But its recent
history has been far from illustrious. Sold to the American collector Ira
Spanierman for just $325 in 1968, the painting then in poor condition
was regarded with scepticism by many, who doubted that it was the work of
the Italian master.
Three
years later, art historians confirmed that the work was indeed by Raffaello
Sanzio, popularly known as Raphael, leaving Mr Spanierman sitting on a potential
gold mine.
Full article at independent.co.uk >>>
Posted at 12:51 PM
Wed - February 21, 2007
Mona Lisa is Believed To Be Buried at Convent

By
Maria
Sanminiatelli
It may be that the
world's most famously enigmatic woman has shed some of her
mystery.
An amateur historian believes he
has found the final resting place of the Florentine Renaissance woman who
inspired Leonardo da Vinci's most renowned painting: the Mona
Lisa.
Giuseppe Pallanti, a high school
economics teacher from Florence who has written a book about the Mona Lisa, has
unearthed a death certificate that shows the woman believed by some to have
inspired the artist, Lisa Gherardini, died on July 15, 1542, in Florence and is
buried in a convent in the center of the Tuscan city.
"Maybe Leonardo chose a woman like many
others. She was not a noblewoman, or a princess. She was a family woman,"
Pallanti said Friday.
Full article at firstcostnews.com >>>
Posted at 10:28 PM
Thu - December
7, 2006
Record Price For Work By Rubens At Swedish Auction

Art
and auction experts marvelled Wednesday after a missing work by 17th century
Flemish master Peter Paul Rubens fetched a record-price at a Swedish auction
house.
The bidding price was only 15,000
kronor (2,200 dollars) for the scene of the Roman hunting goddess Diana and a
group on horseback that the auction house catalogue said was likely painted by a
student of Rubens.
Swedish art expert
Henry Avar thought otherwise when he spotted the oil painting for sale in
Uppsala, north of Stockholm.
Full article at playfuls.com >>>
Uppsala auktionskammare >>>
Posted at 03:09 PM
Tue - December
5, 2006
Da Vinci's print may paint new picture of artist
By Marta
Falconi
Anthropologists say they have
pieced together Leonardo da Vinci's left index finger print, and it could shed
more light on the artist and his mother's supposed Arabic origins, and even help
attribute disputed paintings or manuscripts. The reconstruction took three
years.
Full article at guardian.co.uk >>>
Posted at 08:40 PM
Tue - November 14, 2006
Lost Angelico paintings turn up in U.K.

Two
paintings by Renaissance artist Fra Angelico that were missing since the
Napoleonic era have been found hanging in an Oxford, England,
house.
The works belonged to an elderly
Oxford woman who died earlier this year and were expected to be worth a combined
1 million pounds ($1.9 million) at auction, The Telegraph said Monday.
The paintings of Dominican saints were
part of an eight-panel set that had been commissioned by Italy's famed Medici
family for the altar at the Church and Convent of San Marco in Florence in the
1430s.
Full article at washingtontimes.com >>>
Posted at 04:32 PM
Mon - September 4, 2006
Hans Memling's 15th Century Painting The Annunciation

By
Heather
Wood
Hans Memling's The Annunciation
is an incredible composition which can be found displayed in The Robert Lehman
Collection at The Metropolitan Museum of Art. The museum label states that
Memling's purpose was to cloak religious imagery in the pictorial language of
everyday life while paying close attention to naturalistic
detail.
The icons sprinkled
throughout the work are plentiful and contain various religious connotations.
Memling's work is of the highest technical quality and he uses compositional
devices, such as symbolism and use of color, that are common within fifteenth
century Flemish art.
One of the first
noticeable elements of the composition is the way that the tiles on the floor
draw you into the action of the piece. Memling uses a grid pattern with
uniformed geometric shapes. Memling creates the floor with the rigid use of
compositional lines. The floor conceptualizes space in the piece by providing
the viewer with the idea of a three dimensional setting. There is also a
definitive balance in the composition. The four figures complement each
other.
Full article at associatedcontent.com >>>
Posted at 01:08 PM
Mon - August 14, 2006
Locarno gets its own da Vinci mystery

The
great Italian artist, Leonardo da Vinci, may have helped design the Visconti
Castle in the southern Swiss town of Locarno, say
experts.
Research by Italian historian
Marino Viganò has convinced Carlo Pedretti, director of the Los
Angeles-based Armand Hammer Center for Leonardo Studies, that da Vinci created
the castle's
bastion.
"There
is a 95 per cent probability that the ravelin [a defensive outwork, or bastion]
of Locarno is a brainchild of Leonardo," Pedretti told a news conference in
Locarno, in the Italian-speaking canton of Ticino, earlier this
month.
Pedretti is convinced that a document exists proving the
Renaissance genius, who was also a scientist, inventor and architect, was
involved.
"I'm absolutely sure that we will find a slip of paper,
small though it may be, which will be written evidence of the presence of
Leonardo in Locarno. This in turn will allow us to prove that he designed the
Visconti Castle."
His comments came more than four years after
Viganò began his painstaking investigations and analysis of the remains of
the bastion which was built in the early 16th century.
Pedretti
said it had only recently been proven that da Vinci had visited the court of the
French king, Louis XII, in 1507 – the year the Visconti castle, which was
then part of the French empire, was built.
Full article at swissinfo.com >>>
Posted at 11:26 AM
Tue - March 28, 2006
Acquiring an impeccable Mannerist

When
David Franklin, chief curator at the National Gallery, went to see the painting
that would become one of the most important acquisitions in the gallery's
126-year history, he expected to be
unimpressed.
As an expert
in Italian Renaissance art, he'd been asked to examine a piece that had surfaced
after a century of ownership by French aristocrats. The London dealer believed
that Francesco Salviati, a 16th-century artist who left behind just 30
paintings, had created the work, but he needed confirmation from a reputable
scholar before he could sell the painting on the lucrative Old Master art
market.
Franklin had
other business in London, so he agreed to visit Hazlitt, Gooden & Fox to
look at the painting. He thought it would be like the hundreds of others he
examines each year, the vast majority of which are of no interest to the
gallery.
Full article at canada.com >>>
Posted at 03:50 PM
Thu - January 26, 2006
Delight at Caravaggio discovery
Art
historians have spoken of their shock and delight after two paintings discovered
in a French church were found to be by old master
Caravaggio
Pilgrimage of Our Lord to
Emmaus and Saint Thomas Putting his Finger on Christ's Wound have hung in the
town of Loches for nearly two
centuries.
"This kind of thing happens
once in a lifetime," said one
specialist.
It is thought the paintings
were probably bought by a French ambassador to Rome, and friend of
Caravaggio.
The works were kept under the
organ loft in the church of Saint Anthony in Loches, until in 1999 a curator
expressed an interest in a coat of arms on the
works.
It turned out to belong to
Philippe de Bethune, a minister of France's King Henry IV, an enthusiastic art
collector who befriended Caravaggio in Rome
Full article at bbc.co.uk >>>
Posted at 09:47 AM
Tue - September 13, 2005
Michelangelo's marble may be flawed
By
Rossella LorenziMichelangelo's
David, the towering sculpture acclaimed for its depiction of male physical
perfection, was carved from a marble of poor quality filled with microscopic
holes, according to Italian researchers, who have identified the exact spot from
where the enormous marble block was quarried more than 500 years ago.
Likely to degrade more quickly than
other so-called Carrara marble, the block originates from the Fantiscritti
quarries in Miseglia, one of three marble districts on the slopes of Mount
Maggiore, northeast of the town of Carrara.
"Finding the precise origin of David's
marble block can help greatly in the conservation and restoration work," says Dr
Donato Attanasio, head of the research team at the Istituto di Struttura della Materia
in Rome. In a study carried out for the
Galleria
dell'Accademia in Florence, where the naked marble man attracts 1.2
million visitors a year, Attanasio analysed three tiny samples from the second
toe of David's left foot. The fragments
were retrieved in 1991, when the statue was damaged in an act of vandalism.
Full article at abc.net.au >>>
Posted at 12:21 PM