Fri - July 6, 2007

Sold for £18.5m, a Raphael portrait that once cost $325


By Emily Dugan

A rare portrait by Raphael that had not been seen by the public for more than 40 years sold for £18.5m at Christie's last night. It was the largest sum ever paid at auction for a work by the Renaissance painter.

The work, an oil portrait of the Florentine ruler Lorenzo de' Medici which has been described as "the most important Renaissance portrait to be offered at auction for a generation", had been predicted to fetch between £10m and £15m.

But its recent history has been far from illustrious. Sold to the American collector Ira Spanierman for just $325 in 1968, the painting ­ then in poor condition ­ was regarded with scepticism by many, who doubted that it was the work of the Italian master.

Three years later, art historians confirmed that the work was indeed by Raffaello Sanzio, popularly known as Raphael, leaving Mr Spanierman sitting on a potential gold mine.

Full article at independent.co.uk >>>

Posted at 12:51 PM    

Wed - February 21, 2007

Mona Lisa is Believed To Be Buried at Convent


By Maria Sanminiatelli

It may be that the world's most famously enigmatic woman has shed some of her mystery.

An amateur historian believes he has found the final resting place of the Florentine Renaissance woman who inspired Leonardo da Vinci's most renowned painting: the Mona Lisa.

Giuseppe Pallanti, a high school economics teacher from Florence who has written a book about the Mona Lisa, has unearthed a death certificate that shows the woman believed by some to have inspired the artist, Lisa Gherardini, died on July 15, 1542, in Florence and is buried in a convent in the center of the Tuscan city.

"Maybe Leonardo chose a woman like many others. She was not a noblewoman, or a princess. She was a family woman," Pallanti said Friday.

Full article at firstcostnews.com >>>

Posted at 10:28 PM    

Thu - December 7, 2006

Record Price For Work By Rubens At Swedish Auction


Art and auction experts marvelled Wednesday after a missing work by 17th century Flemish master Peter Paul Rubens fetched a record-price at a Swedish auction house.

The bidding price was only 15,000 kronor (2,200 dollars) for the scene of the Roman hunting goddess Diana and a group on horseback that the auction house catalogue said was likely painted by a student of Rubens.

Swedish art expert Henry Avar thought otherwise when he spotted the oil painting for sale in Uppsala, north of Stockholm.

Full article at playfuls.com >>>

Uppsala auktionskammare >>>

Posted at 03:09 PM    

Tue - December 5, 2006

Da Vinci's print may paint new picture of artist


By Marta Falconi

Anthropologists say they have pieced together Leonardo da Vinci's left index finger print, and it could shed more light on the artist and his mother's supposed Arabic origins, and even help attribute disputed paintings or manuscripts. The reconstruction took three years.

Full article at guardian.co.uk >>>

Posted at 08:40 PM    

Tue - November 14, 2006

Lost Angelico paintings turn up in U.K.


Two paintings by Renaissance artist Fra Angelico that were missing since the Napoleonic era have been found hanging in an Oxford, England, house.

The works belonged to an elderly Oxford woman who died earlier this year and were expected to be worth a combined 1 million pounds ($1.9 million) at auction, The Telegraph said Monday.

The paintings of Dominican saints were part of an eight-panel set that had been commissioned by Italy's famed Medici family for the altar at the Church and Convent of San Marco in Florence in the 1430s.

Full article at washingtontimes.com >>>

Posted at 04:32 PM    

Mon - September 4, 2006

Hans Memling's 15th Century Painting The Annunciation


By Heather Wood

Hans Memling's The Annunciation is an incredible composition which can be found displayed in The Robert Lehman Collection at The Metropolitan Museum of Art. The museum label states that Memling's purpose was to cloak religious imagery in the pictorial language of everyday life while paying close attention to naturalistic detail. 

The icons sprinkled throughout the work are plentiful and contain various religious connotations. Memling's work is of the highest technical quality and he uses compositional devices, such as symbolism and use of color, that are common within fifteenth century Flemish art.

One of the first noticeable elements of the composition is the way that the tiles on the floor draw you into the action of the piece. Memling uses a grid pattern with uniformed geometric shapes. Memling creates the floor with the rigid use of compositional lines. The floor conceptualizes space in the piece by providing the viewer with the idea of a three dimensional setting. There is also a definitive balance in the composition. The four figures complement each other.

Full article at associatedcontent.com >>>

Posted at 01:08 PM    

Mon - August 14, 2006

Locarno gets its own da Vinci mystery


The great Italian artist, Leonardo da Vinci, may have helped design the Visconti Castle in the southern Swiss town of Locarno, say experts.

Research by Italian historian Marino Viganò has convinced Carlo Pedretti, director of the Los Angeles-based Armand Hammer Center for Leonardo Studies, that da Vinci created the castle's bastion.
 
"There is a 95 per cent probability that the ravelin [a defensive outwork, or bastion] of Locarno is a brainchild of Leonardo," Pedretti told a news conference in Locarno, in the Italian-speaking canton of Ticino, earlier this month.

Pedretti is convinced that a document exists proving the Renaissance genius, who was also a scientist, inventor and architect, was involved.

"I'm absolutely sure that we will find a slip of paper, small though it may be, which will be written evidence of the presence of Leonardo in Locarno. This in turn will allow us to prove that he designed the Visconti Castle."

His comments came more than four years after Viganò began his painstaking investigations and analysis of the remains of the bastion which was built in the early 16th century.

Pedretti said it had only recently been proven that da Vinci had visited the court of the French king, Louis XII, in 1507 – the year the Visconti castle, which was then part of the French empire, was built.

Full article at swissinfo.com >>>

Posted at 11:26 AM    

Tue - March 28, 2006

Acquiring an impeccable Mannerist


When David Franklin, chief curator at the National Gallery, went to see the painting that would become one of the most important acquisitions in the gallery's 126-year history, he expected to be unimpressed.

As an expert in Italian Renaissance art, he'd been asked to examine a piece that had surfaced after a century of ownership by French aristocrats. The London dealer believed that Francesco Salviati, a 16th-century artist who left behind just 30 paintings, had created the work, but he needed confirmation from a reputable scholar before he could sell the painting on the lucrative Old Master art market.

Franklin had other business in London, so he agreed to visit Hazlitt, Gooden & Fox to look at the painting. He thought it would be like the hundreds of others he examines each year, the vast majority of which are of no interest to the gallery.

Full article at canada.com >>>

Posted at 03:50 PM    

Thu - January 26, 2006

Delight at Caravaggio discovery


Art historians have spoken of their shock and delight after two paintings discovered in a French church were found to be by old master Caravaggio

Pilgrimage of Our Lord to Emmaus and Saint Thomas Putting his Finger on Christ's Wound have hung in the town of Loches for nearly two centuries.

"This kind of thing happens once in a lifetime," said one specialist.

It is thought the paintings were probably bought by a French ambassador to Rome, and friend of Caravaggio.

The works were kept under the organ loft in the church of Saint Anthony in Loches, until in 1999 a curator expressed an interest in a coat of arms on the works.

It turned out to belong to Philippe de Bethune, a minister of France's King Henry IV, an enthusiastic art collector who befriended Caravaggio in Rome

Full article at bbc.co.uk >>>

Posted at 09:47 AM    

Tue - September 13, 2005

Michelangelo's marble may be flawed


By Rossella Lorenzi

Michelangelo's David, the towering sculpture acclaimed for its depiction of male physical perfection, was carved from a marble of poor quality filled with microscopic holes, according to Italian researchers, who have identified the exact spot from where the enormous marble block was quarried more than 500 years ago.

Likely to degrade more quickly than other so-called Carrara marble, the block originates from the Fantiscritti quarries in Miseglia, one of three marble districts on the slopes of Mount Maggiore, northeast of the town of Carrara.

"Finding the precise origin of David's marble block can help greatly in the conservation and restoration work," says Dr Donato Attanasio, head of the research team at the Istituto di Struttura della Materia in Rome.

In a study carried out for the Galleria dell'Accademia in Florence, where the naked marble man attracts 1.2 million visitors a year, Attanasio analysed three tiny samples from the second toe of David's left foot.

The fragments were retrieved in 1991, when the statue was damaged in an act of vandalism.

Full article at abc.net.au >>>

Posted at 12:21 PM    


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