This 17th edition, under Kaplan's splendid direction, contains over 20,000 quotations, representing 2,500 authors, 90 of whom are new to BARTLETT'S. Newcomers include Bill Clinton, Hillary Clinton, Tony Kushner, Tammy Wynette, Margaret Atwood, Mary Oliver, Maya Angelou, Frank O'Hara, Martin Amis, Kingsley Amis, Mother Teresa, Jacques Cousteau, Rudolph Giuliani, Alfred Hitchcock, L. M. Montgomery, Eric Ambler, Jerry Seinfeld, J. K. Rowling, Katharine Graham, and Emma Goldman. With quotations presented in chronological order, in the famous BARTLETT'S tradition, BARTLETT'S gives the reader a vast panorama of the world, from the ancient Egyptians to the latest movie, from the inspirational and the beautiful to the sardonic and the downright funny.

National Book Critics Circle Award Finalist

In 1995 Nicholas Basbanes introduced a resonant phrase to describe the obsessive passion people have had over the past twenty-five hundred years to possess books, a condition more commonly known as bibliomania, one he christened in his book A Gentle Madness. Reviewing the work in the Washington Post, Pulitzer Prize-winning critic Michael Dirda judged it to be a gallery of wonderful characters, "each more appealing than the last."

Now, in Patience & Fortitude, Basbanes continues his discursive adventures among the gently mad, expanding his focus to probe the more comprehensive concept of book culture. Visiting many key "book places" around the world, he talks with a striking variety of kindred spirits, each one a living testament to the unending relevance of these essential artifacts in our lives.

Drawing its title from the unofficial names of the marble lions that guard the New York Public Library on Fifth Avenue in Manhattan, Patience & Fortitude explores the changing form of the book over the centuries and describes the nature of the institutions that have evolved to contain them, including academic, public, private, and national repositories.

Using the same narrative technique that made A Gentle Madness a national bestseller, Basbanes employs a lively balance of scholarly research with investigative journalism to document many pertinent book stories that have not been told before, and offers unprecedented depth to others that have barely scratched the surface. Picking up seamlessly where its predecessor left off, Patience & Fortitude profiles the experiences and thoughts of all kinds of dedicated "book people," be they librarians, readers, writers, bookmakers, booksellers, preservationists, or collectors.

In A Splendor of Letters, Nicholas A. Basbanes continues the lively, richly anecdotal exploration of book people, places, and culture he began in 1995 with A Gentle Madness (a finalist that year for the National Book Critics Circle Award) and expanded in 2001 with Patience & Fortitude, a companion work that prompted the two-time Pulitzer Prize–winning historian and biographer David McCullough to proclaim him "the leading authority of books about books."

Basbanes now offers a consideration of the many pressing issues that surround the role of books in contemporary society, such as the willful destruction of books and libraries in Sarajevo, Tibet, and Cambodia, and the spirited efforts to restore them. The matter of "discards" at various libraries takes on an entirely new dimension as well, with fully researched stories about the kind of attitudes that may lead to the loss of “last copies” of important works.

In vivid detail, Basbanes examines the many materials that have been used over the centuries to record information — among them clay tablets, papyrus scrolls, slabs of stone, palm leaves, animal skins, and hammered sheets of gold and copper. Also discussed are the various debates that continue to rage about preservation, which may mean saving and storing books on paper indefinitely, or as electronic data, which are by nature ephemeral.

In this beautifully packaged edition, Nicholas Basbanes brings to a close his wonderful trilogy on the remarkable world of books and bibliophiles.

A beloved classic comes to life with this beautifully illustrated annotated edition on the 100th anniversary of Oz. The Wonderful Wizard of Oz is the quintessential American fairy tale, but also one of the most controversial children's books ever published. Michael Patrick Hearn, the world's leading Oz scholar, provides a spellbinding annotated edition that illuminates all of Oz's numerous contemporary references, provides fascinating character sources, and explains the actual meaning of the word "Oz." A facsimile of the rare 1900 first edition appears with the original drawings by W. W. Denslow—scrupulously reproduced to mimic their correct colors, using a different color for each region of Oz—as well as twenty-five previously unpublished illustrations. In addition, Hearn provides an extensive bibliography, compiling Baum's published work, every notable Oz edition, and the stage and motion-picture productions from 1939's The Wizard of Oz to the 1974 Broadway smash The Wiz. The result is a classic to rival Baum's own, and a book no family's library can do without. 90 black-and-white, 56 color, and two-color illustrations throughout.

The Art Of series is a new series of brief books by contemporary writers on important craft issues. Each book investigates an element of the craft of fiction, creative nonfiction, or poetry by discussing works by authors past and present. The books in the Art Of series are not strictly manuals, but serve readers and writers by illuminating aspects of the craft of writing that people think they already know but don’t really know.   Fiction writer and essayist Charles Baxter’s The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed.

Python Essential Reference, Second Edition, is the definitive guide to the Python programming language. Designed for programmers, it covers the core language, more than 100 modules in the standard library, and the techniques used to extend Python with compiled procedures in C or C++. Coverage expands upon and clarifies existing Python documentation - especially for advanced topics, including operating system interfaces, threads, network programming, and Unicode.

Concise, to the point, and extensively indexed, readers will find this volume packed with information not previously available in any other single reference source. Updated for Python 2.1, it is a must-have for any serious programmer wanting to develop advanced Python applications.

As a comprehensive reference to the Python programming language, this book will help you: Learn about the features in Python 2.0 and 2.1Master the details of Python types, operators, and the execution modelDiscover the details of Unicode and internationalization supportLearn the details of operating system interfaces, threads, and network-programming modulesBuild C/C++ extensions to PythonMake effective use of the Python libraryFind the information you need to start developing advanced Python applications

Drawing on more than four decades of experience as a researcher and teacher, Howard Becker now brings to students and researchers the many valuable techniques he has learned. Tricks of the Trade will help students learn how to think about research projects. Assisted by Becker's sage advice, students can make better sense of their research and simultaneously generate fresh ideas on where to look next for new data. The tricks cover four broad areas of social science: the creation of the "imagery" to guide research; methods of "sampling" to generate maximum variety in the data; the development of "concepts" to organize findings; and the use of "logical" methods to explore systematically the implications of what is found. Becker's advice ranges from simple tricks such as changing an interview question from "Why?" to "How?" (as a way of getting people to talk without asking for a justification) to more technical tricks such as how to manipulate truth tables.

Becker has extracted these tricks from a variety of fields such as art history, anthropology, sociology, literature, and philosophy; and his dazzling variety of references ranges from James Agee to Ludwig Wittgenstein. Becker finds the common principles that lie behind good social science work, principles that apply to both quantitative and qualitative research. He offers practical advice, ideas students can apply to their data with the confidence that they will return with something they hadn't thought of before.

Like Writing for Social Scientists, Tricks of the Trade will bring aid and comfort to generations of students. Written in the informal, accessible style for which Becker is known, this book will be an essential resource for students in a wide variety of fields.

"An instant classic. . . . Becker's stories and reflections make a great book, one that will find its way into the hands of a great many social scientists, and as with everything he writes, it is lively and accessible, a joy to read."—Charles Ragin, Northwestern University

Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new academic programs, for example, at the California Institute of the Arts.

This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. The topics include Stephen Kaplin's new theory of puppet theater based on distance and ratio, a historical overview of mechanical and electrical performing objects, a Yiddish puppet theater of the 1920s and 1930s, an account of the Bread and Puppet Theater's Domestic Resurrection Circus and a manifesto by its founder, Peter Schumann, and interviews with director Julie Taymor and Peruvian mask-maker Gustavo Boada. The book also includes the first English translation of Pyotr Bogatyrev's influential 1923 essay on Czech and Russian puppet and folk theaters.

Contributors:
John Bell, Pyotr Bogatyrev, Stephen Kaplin, Edward Portnoy, Richard Schechner, Peter Schumann, Salil Singh, Theodora Skipitares, Mark Sussman, Steve Tilllis.

Millions of American families have turned to The Book of Virtues and The Moral Compass by William J. Bennett for moral guidance in troubled times. Our Sacred Honor offers inspiration and instruction as well...this time of a particularly American sort.

The lessons it contains are especially welcome. We live in a time when the practice of representative government in the United States of America is under siege from both the left and the right. Scandals abound. We are first shocked, then wearied, to learn that our national leaders have feet of clay. We live in a time, in short, which demands that we return to our origins to discover the common principles that make us essentially American. Our Sacred Honor reveals those common principles. They are articulated by the flawed but deeply admirable men and women who first wrote what it is to be American. The pledge made by the Founders to one another that hot July day in 1776—the pledge of "our lives, our fortunes, and our sacred honor"—has been redeemed many times in the centuries since, but the nation they founded has never failed to profit from their example.

It is time to profit from their advice.

In Our Sacred Honor, William J. Bennett has collected the best that has been thought and said by and about the men and women who founded America. And what a group they are: George Washington, Thomas Jefferson, James Madison, Benjamin Franklin, Alexander Hamilton, John and Abigail Adams, and so many more that otherwise first-rate intellects such as John Dickinson, Benjamin Rush, and George Mason are relegated to the status of footnotes in the popular imagination. Not since Periclean Athens has such a small nation been led by so many larger-than-life figures. The only characteristic they shared more widely than revolutionary ardor was their talent (and inclination) for advice. Here is that advice on virtually every aspect of "the good"—good government, good relations between individuals and nations, and what it means to live a good life. Here are Thomas Jefferson on piety ("Adore God. Murmur not at the ways of Providence"); James Madison on justice ("It ever has been, and ever will be pursued, until it be obtained, or until liberty be lost in the pursuit"); and Patrick Henry on patriotism ("Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery?"). Here are Abigail Adams on love ("When he is wounded, I bleed..."); Benjamin Franklin on industry ("Have you somewhat to do tomorrow, do it today"); and George Washington on friendship ("Be courteous with all, but intimate with few"). Here are the lyrics to "Yankee Doodle," Longfellow's celebration of the midnight ride of Paul Revere, and the Declaration of Independence. Here are the stories of the Liberty Bell, Washington at Valley Forge, and Nathan Hale. Here are selections from The Federalist Papers, and Ralph Waldo Emerson's "Concord Hymn," with "the shot heard round the world." Here are Poor Richard's Almanack, the extraordinary correspondence between John and Abigail Adams, and George Washington's Farewell Address.

The stories, songs, letters, and speeches collected in Our Sacred Honor are an inspiring celebration of American exceptionalism, produced by a collection of exceptional Americans. It is the best book of advice in more than two hundred years.

Louis de Bernières’s last novel, Corelli’s Mandolin, was met with the highest praise: “Behind every page,” said Richard Russo, “we sense its author’s intelligence, wit, heart, imagination, and wisdom. This is a great book.” A. S. Byatt placed the author in “the direct line that runs through Dickens and Evelyn Waugh.” Now, de Bernières gives us his long-awaited new novel. Huge, resonant, lyrical, filled with humor and pathos, a novel about the political and personal costs of war, and of love–between men and women, between friends, between those who are driven to be enemies.

It is the story of a small coastal town in South West Anatolia in the dying days of the Ottoman Empire told in the richly varied voices of the people–Christians and Muslims of Turkish and Greek and Armenian descent–whose lives are rooted there, intertwined for untold years. There is Iskander, the potter and local font of proverbial wisdom; Karatavuk–Iskander’s son–and Mehmetçik, childhood friends whose playground stretches across the hills above the town, where Mehmetçik teaches the illiterate Karatavuk to write Turkish in Greek letters. There are Father Kristoforos and Abdulhamid Hodja, holy men of different faiths who greet each other as “Infidel Efendi”; Rustem Bey, the landlord and protector of the town, whose wife is stoned for the sin of adultery. There is a man known as “the Dog” because of his hideous aspect, who lives among the Lycian tombs; and another known as “the Blasphemer,” who wanders the town cursing God and all of his representatives of all faiths. And there is Philothei, the Christian girl of legendary beauty, courted from infancy by Ibrahim the goatherd–a great love that culminates in tragedy and madness. But Birds Without Wings is also the story of Mustafa Kemal, whose military genius will lead him to victory against the invading Western European forces of the Great War and a reshaping of the whole region.

When the young men of the town are conscripted, we follow Karatavuk to Gallipoli, where the intimate brutality of battle robs him of all innocence. And in the town he left behind, we see how the twin scourges of fanatical religion and nationalism unleashed by the war quickly, and irreversibly, destroy the fabric of centuries-old peace.

Epic in its narrative sweep–steeped in historical fact–yet profoundly humane and dazzlingly evocative in its emotional and sensual detail, Birds Without Wings is a triumph.

With the same ebullient storytelling, luxuriant prose, and irrepressible eroticism he brought to The War of Don Emmanuel s Nether Parts and Señor Vivo and the Coca Lord, Louis de Bernières continues his chronicle of Cochadebajo, the Andean village where macho philosophers, defrocked priests, and reformed (though hardly inactive) prostitutes cohabit in cheerful anarchy. But this unruly utopia is imperiled when the demon-harried Cardinal Guzman decides to inaugurate a new Inquisition, with Cochadebajo as its ultimate target.  
     On his side, the Cardinal has an army of fanatics who are all too willing to destroy bodies in order to save souls. The Cochadebajeros have precious little ammunition, unless you count chef Dolores's incendiary Chicken of a True Man, and a civil defense that deems nothing more crucial than the act of love. Part epic, part farce, The Troublesome Offspring of Cardinal Guzman confirms de Bernières's reputation as England's answer to Gabriel García Márquez.