An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothersfollows a company of airborne infantry—Easy Company—from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war—fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothersturns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. —Bret Fetzer

The recipe for Bladeis quite simple; you take one part Batman, one part horror flick, and two parts kung fu and frost it all over with some truly campy acting. What do you get? An action flick that will reaffirm your belief that the superhero action genre did not die in the fluorescent hands of Joel Schumacher. Bladeis the story of a ruthless and supreme vampire slayer (Wesley Snipes) who makes other contemporary slayers (Buffy et al.) look like amateurs. Armed with a samurai sword made of silver and guns that shoot silver bullets, he lives to hunt and kill "Sucker Heads." Pitted against our hero is a cast of villains led by Deacon Frost (Stephen Dorff), a crafty and charismatic vampire who believes that his people should be ruling the world, and that the human race is merely the food source they prey on. Born half-human and half-vampire after his mother had been attacked by a blood-sucker, Blade is brought to life by a very buff-looking Snipes in his best action performance to date. Apparent throughout the film is the fluid grace and admirable skill that Snipes brings to the many breathtaking action sequences that lift this movie into a league of its own. The influence of Hong Kong action cinema is clear, and you may even notice vague impressions of Japanese animesprinkled innovatively throughout. Dorff holds his own against Snipes as the menacing nemesis Frost, and the grizzly Kris Kristofferson brings a tough, cynical edge to his role as Whistler, Blade's mentor and friend. Ample credit should also go to director Stephen Norrington and screenwriter David S. Goyer, who prove it is possible to adapt comic book characters to the big screen without making them look absurd. Indeed, quite the reverse happens here: Blade comes vividly to life from the moment you first see him, in an outstanding opening sequence that sets the tone for the action-packed film that follows. From that moment onward you are pulled into the world of Blade and his perpetual battle against the vampire race. —Jeremy Storey

Michael Moore's superb documentary (following in the footsteps of Roger & Meand The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. —Bret Fetzer

The tremendous charisma of Chow Yun-fat anchors this entertaining comic-book romp. Bulletproof Monkcenters around a monk with no name (Chow) dedicated to protecting a sacred scroll that can give world-manipulating power to anyone who reads it. A hidden Nazi has been pursuing the scroll for 60 years and has finally caught up with the monk in present-day New York City; meanwhile, the monk suspects he may have found a disciple in a petty thief (Seann William Scott, Dude, Where's My Car?, American Pie) who's learned kung fu from watching double-feature chopsocky flicks. Don't let the presence of Chow Yun-fat lead you to expect much substance—this doesn't have the emotional scope of Crouching Tiger, Hidden Dragonor the visual panache of Hard-Boiled. But Bulletproof Monkis a cheerful, tightly edited, unpretentious action flick with flashes of humor, good for a mindless evening's entertainment. Also featuring Jaime (a.k.a. James) King (Blow). —Bret Fetzer

The third installment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Gamesis a more complex, rewarding, and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Red Dawn), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Gamesdirector Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. The DVD release has a widescreen presentation, theatrical trailer, closed captioning, optional French soundtrack, and optional Spanish subtitles. —Tom Keogh

Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches but his charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well-meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son—played by Robert Sean Leonard—to drop his interest in the theatre reaches heartbreaking proportions). Williams is given plenty of latitude to work in his brand of improvisational humour, though it is all well-woven into his character's style of instruction. —Tom Keogh

James Bond DVDs have in general been pretty loaded, but Die Another Dayraises the bar with a two-disc set featuring dynamic DTS 6.1 ES and Dolby Digital 5.1 EX sound that makes good use of the rear speakers. The first commentary track is by Pierce Brosnan and Rosamund Pike (who plays villain Miranda Frost). They weren't together at the time, so their comments are spliced into one track. Brosnan has a good time watching and is proud of the film but also doesn't take himself too seriously ("They don't teach you this stuff at drama school: 'OK, now you're going to be electrocuted by the bad guy.'"). Self-proclaimed "Bond novice" Pike also is proud of the film and says she's annoyed by people who question whether there's still a need for Bond. On the second commentary track, director Lee Tamahori and producer Michael G. Wilson chat about topics as diverse as casting, Bond lore, and product placements. For more Bond lore, don't overlook the trivia track, which offers pop-up tidbits about the filming and tips on the inside jokes.

The centerpiece of the second disc is the 80-minute "Inside Die Another Day" documentary, which is a set of featurettes strung together. Topics include the opening surfing sequence; the scenes set in North Korea and Cuba (including Halle Berry's bikini tribute to Ursula Andress); the ice palace; post-production elements such as computer graphics, editing, and music; the car battle (finding strong ice was the key safety issue); and the passing of the "Q" torch from Desmond Llewellyn to John Cleese. —David Horiuchi

Brendan Fraser made his film debut in this 1992 comedy that never quite discovers its audience constituency. On the one hand, it features Pauly Shore, which would seem to define the picture's tone and identity accordingly. On the other hand, the film's other leading man is Sean Astin, the earnest star of Rudy, suggesting that Encino Manwill have a lot of heart despite its silly premise. But none of that turns out to be true. Fraser plays an unfrozen caveman discovered by a pair of California high school outcasts (Shore and Astin). As the grunting newcomer becomes popular with the other kids, Shore and Astin try to bask in his reflected glow. Fraser, beginning a long movie career playing cartoonish goofballs, works entirely on instinct and earns his laughs. Shore, however, relies on his familiar verbal shtick, and Astin makes a great overgrown puppy pining after a lost girlfriend. Directed by Les Mayfield, who came to this project from his acclaimed documentary, Hearts of Darkness: A Filmmaker's Apocalypse. —Tom Keogh

For Family Guyfans, there are no freakin' sweeter words than "Never Before Seen." Created as a three-episode story arc, this DVD premiere is a triumphant homecoming for the Griffins. Family Guy'sresurrection is a television miracle, and its creators have rewarded the faithful by picking up right where they left off, offending any and all sensibilities (recasting Jesus as comic magician Art Metrano), dissing the celebrity disenfranchised (Ellen Cleghorne references, anyone?), and generally taking potshots at anyone on their enemies list (Stewie breaks the neck of a reporter for Entertainment Weekly, the magazine that once called Family Guy"the Awful Show They Just Keep Putting on the Air"). The Untold Story! is a star vehicle for Family Guy's breakout character, in which the mega maniacal and matricidal infant has a Grinch-like change of heart after a near-death experience (and a disturbing encounter with Steve Allen in Hell) and, more life-altering, discovers a football-pated man who could be his father (the truth is more shocking!). As go the gags, so goes Family Guy, and there are enough good ones here to compensate for the many misfires. The Miller-esque (as in Dennis) penchant for channeling arcane pop culture can grow tiresome. But for those who do remember the words to the Who's the Bosstheme song, know (or still care) who Steve Bartman is, and are always up for "a sexy party," this will be the greatest story ever untold. —Donald Liebenson

Stills from Family Guy Presents Stewie Griffin - The Untold Story (click for larger image)