Library

Languages: English

Subtitles: English

Sound: DTS 5.1

Summary: To demonstrate the stunning beauty and overwhelming power of the Earth, Dr. Iain Stewart climbs into the crater of an active volcano in Ethiopia, jets into the stratosphere, climbs the frozen crests of the Alps, races the tide at the Amazon basin, dives into underwater caverns in Mexico, and generally enjoys himself to no end. His infectious enthusiasm is hardly necessary, though; "Earth: The Biography" (formerly "The Power of the Planet") is five episodes of phenomenal images and fascinating information about how our planet formed and the potent yet delicate balance of life. Stewart, the program's host, seems destined to become the Carl Sagan of geology; his cheerful Scottish accent (he sounds like he walked out of "Trainspotting") is just waiting for a catchphrase like "billions and billions" to make him a household name. "Earth: The Biography" juxtaposes things gigantic (tectonic plates) and teeny-tiny (plankton) while gracefully explaining the crucial role each plays in making the world habitable for life as we know it. There's even surprising humor, like demonstrating the ocean's currents through the movement of 29,000 plastic ducks that were swept overboard in a storm, or how the first thing jet pilot Joe Kittinger does, after successfully parachuting from the highest point in the stratosphere anyone has ever jumped (including 15 minutes of free fall), is light up a cigarette. Add in some CGI models of prehistoric beasts and volcanic activity, and you've got a completely addictive examination of the Earth in all its majesty. "--Bret Fetzer"

Languages: English, Spanish, French

Subtitles: English, French, Spanish

Sound: Dolby

Summary: "Edward Scissorhands" achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as "Pee Wee's Big Adventure", "Beetlejuice", "Batman") are visual spectacles with elements of fantasy, but "Edward Scissorhands" is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in "Nosferatu" and the sleepwalker in "The Cabinet of Dr. Caligari". Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, "Edward Scissorhands" lays that heart bare. "--Bret Fetzer"

Languages: English, Latin, French, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Summary: After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with "End of Days", a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.
With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, "End of Days" is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. "--Jeff Shannon"

Languages: English, French, Spanish

Subtitles: English

Sound: Dolby

Summary: Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and "Enemy of the State" kicks into high-intensity hyperdrive.
Teaming up once again with producer Jerry Bruckheimer, "Top Gun" director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from "The Conversation"--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. "--Jeremy Storey"

Languages: English, French, Spanish

Subtitles: English, Spanish

Sound: Dolby

Summary: While it owes much of its appeal and appearance to the "Lord of the Rings" trilogy, "Eragon" can stand on its own as an enjoyable fantasy for younger viewers. Faithfully adapted from the bestselling novel by teenage author Christopher Paolini, this boy-and-his-dragon tale offers clean, fast-paced family entertainment without compromising the darker qualities of Paolini's novel (the first in what is known as the "Inheritance" trilogy). The plot centers on 17-year-old peasant farmboy Eragon (played by appealing newcomer Ed Speleers) who discovers a mysterious blue object that turns out to be an egg that eventually hatches to reveal Saphira, a blue-scaled dragon that quickly grows to full-size. According to prophecy, Eragon is destined to be a dragon-rider like those who once protected a benevolent kingdom, thus reviving an ancient conflict against the army of King Galbatorix (John Malkovich), a former dragon rider who turned to evil, now in alliance with a! dark-magic "Shade" sorcerer named Durza (Robert Carlyle). While the movie serves up familiar fantasy elements and offers little if anything new to fans of the genre (or anyone who's read the books of Anne McCaffrey and Ursula K. Le Guin), it's visually impressive (especially the dragon scenes, with Rachel Weisz providing the telepathic "voice" of Saphira) and full of timeless wisdom, much of it delivered by Eragon's heroic mentor Brom (Jeremy Irons), himself a former dragon rider with memories of past battles and hope for Eragon's future. Add a fair warrior-maiden named Arya (Sienna Guillory) and you've got all the ingredients for a worthwhile (if not particularly original) fantasy that points directly to a sequel. Whether that's a good or a bad thing is up to individual viewers to decide. --"Jeff Shannon"
"Eragon" Extras Christopher Paolini talks to us about his book and film inspirations and makes recommendations for fans of "Eragon", click here to view the complete list.
Build and customize your very own dragon with "Volksdragon".


Beyond "Eragon"
Eragon (Inheritance Trilogy, Book 1)
The "Eragon" Community on Amazon
"Eragon" Collectibles Stills from "Eragon"

Languages: English

Summary: If you're going to submit yourself to a dazzling example of mainstream action, this thriller is as good a choice as any. "Eraser" is a live-action cartoon, the kind of movie in which Arnold Schwarzenegger can survive nail bombs, hails of bullets, an attack by voracious alligators ("You're luggage," he says, after killing one of the beasts), and still emerge from the mayhem relatively intact. Arnold plays an "eraser" from the Federal Witness Protection Program, so named because he can virtually erase the existence of anyone he's been assigned to protect. His latest beneficiary is an FBI employee (Vanessa Williams) who stumbled across a secret government group involved in the sale and export of an advanced weapon capable of shooting rounds at nearly the speed of light. Fantastic action sequences are handled with flair by director Charles Russell ("The Mask"), so it's easy to forgive the fact that this movie is almost completely ridiculous. "--Jeff Shannon"

Languages: English

Summary: Clint Eastwood's 1978 comedy introduces Filo Beddoe, a truck driver and mechanic whose daily life is an absurd grind. He's constantly coming up short on money, love, and anything else to help him get through the day, while also saddled with a loony mother (deliciously played by Ruth Gordon), a best friend (Geoffrey Lewis) who's not too swift on the uptake, and an orangutan named Clyde who fights almost as well as Clint. While moonlighting as a bare-knuckle fighter, Clint finally meets the girl of his dreams (Sondra Locke), a snooty country singer who rebuffs him even as he pursues her, trailed by bikers and brawlers. It's Eastwood's magnetism and charm that make this more than a mere string of comic sketches, and things move along quickly enough to be entertaining, if a little thin. Clyde is a natural scene-stealer, but it's Ruth Gordon's crazy, cranky old coot who steals the movie. "--Robert Lane"

Languages: English

Sound: Dolby

Summary: Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy "Evil Dead" isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's "Dead Alive". "--Dave McCoy"

Languages: English, Spanish

Subtitles: English, Spanish

Sound: AC-3

Summary: Sydney Wells is blind and has been so since a childhood tragedy. After undergoing surgery to restore her sight she learns to see again. But soon after, unexplainable shadowy and frightening images start to haunt her. Not knowing if they are an aftermath of surgery, her mind adjusting to sight, her imagination, or something horrifyingly real, Sydney is soon convinced that her anonymous eye donor has somehow opened the door to a terrifying world only she can now see.