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Languages: English

Subtitles: English, Spanish

Sound: AC-3

Summary: A cheerful, energetic, and completely entertaining movie, "The Bank Job" follows some small-time hoods who think they've lucked into a big-time opportunity when they learn a bank's security system will be temporarily suspended--little suspecting that they're being manipulated by government agents for their own ends. The result is that the movie doubles its pleasures: While the robbery itself has the usual suspense of a heist film, when the robbery is over the hoods find themselves being hunted by the police, the government, and brutal criminal kingpins who were storing dangerous information in a safety deposit box. "The Bank Job" won't win any awards, but it's enormously fun. Director Roger Donaldson ("No Way Out, Species") propels the action along with vigor, editing zippily with perfect clarity among multiple storylines and various colorful characters. Jason Statham ("Snatch, The Transporter"), as the leader of the bank robbers, successfully steps away from his usual bone-crunching roles to a more human presence. The rest of the cast--including Saffron Burrows ("Deep Blue Sea"), Keeley Hawes ("Tipping the Velvet"), David Suchet ("Poirot"), and many faces familiar from British film and television--give their characters the right degree of personality and flavor without getting fussy or detracting from the headlong rush of the story. A little sex, a lot of action, a sly sense of humor, and a twisty plot; if more movies had these basic pleasures, the world would be a happier place. --"Bret Fetzer"

Stills from "Bank Job" (click for larger image)

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Summary: "Batman Begins" discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's "Batman & Robin". As the title implies, "Batman Begins" tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand?
Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan ("Memento"), "Batman Begins" is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of "Spider-Man 2" (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burton's original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes ("Dawson's Creek") is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. "--David Horiuchi"

Batman at Amazon.com
All "Batman" DVDs
"Batman Begins" 101: A Comic Book Primer
Where Have I Seen Christian Bale?
All "Batman" Comics and Graphic Novels
"Batman" Toys
"Batman Begins" Soundtrack
Stills from "Batman Begins" (click for larger images)

Languages: English

Subtitles: Spanish

Summary: A daffy, adorable, and very funny celebration of DIY spirit, "Be Kind Rewind" stars Mos Def ("The Hitchhiker's Guide to the Galaxy") as Mike, a clerk at a failing video store in a rundown New Jersey neighborhood. When his friend Jerry (Jack Black), who's been magnetized in a power station accident, wipes all of the videotapes blank, the two of them decide to recreate the movies themselves rather than face the store's owner (Danny Glover). The pure charm of "Be Kind Rewind" can't be captured in that spare plot synopsis. The blend of the movie's great cast (which also includes Mia Farrow, Melonie Diaz of "American Son", and Sigourney Weaver) and pitch-perfect writing and direction from writer-director Michel Gondry (director of "Eternal Sunshine of the Spotless Mind", writer-director of "The Science of Sleep") culminates in a truly delightful movie--sweet without being saccharine, richly comic without irony or sarcasm (which, given the presence of Black, is surprising), sentimental without losing sight of the hard edges of life. Mos Def turns in a standout performance, deeply sympathetic without a moment of grandstanding. An absolutely winning film. "--Bret Fetzer"

Languages: English, Spanish, French

Subtitles: English, Spanish

Sound: Dolby

Summary: Smart casting and sensible plotting make "Behind Enemy Lines" an above-average military thriller. Perfectly timed to bolster patriotism, the film is partly set (during a hypothetical "day after tomorrow") on the aircraft carrier U.S.S. "Carl Vinson", which was on alert status in the Persian Gulf when this film was released. Proving his versatility as an unconventional movie star, Owen Wilson plays a navy navigator who is shot down over Bosnia during a reconnaissance mission. Pursued by rebel Serbian forces, Wilson must fight for survival while his commanding officer (Gene Hackman) plots a daredevil rescue. After a successful career in TV commercials, Irish director John Moore makes a promising feature debut on Slovakian locations, borrowing a few techniques from "Saving Private Ryan" while adding impressive flourishes of his own. The gung-ho ending's a foregone conclusion, but it works like a charm after the movie's exciting game of cat and mouse. "--Jeff Shannon"

Languages: English, French

Subtitles: Chinese, English, French, Korean, Portuguese, Spanish

Sound: Dolby

Summary: Ridley Scott's "Black Hawk Down" conveys the raw, chaotic urgency of ground-force battle in a worst-case scenario. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare. Helicopter-borne U.S. Rangers were assigned to capture key lieutenants of Somali warlord Muhammad Farrah Aidid, but when two Black Hawk choppers were felled by rocket-propelled grenades, the U.S. soldiers were forced to fend for themselves in the battle-torn streets of Mogadishu, attacked from all sides by armed Aidid supporters. Based on author Mark Bowden's bestselling account of the battle, Scott's riveting, action-packed film follows a sharp ensemble cast in some of the most authentic battle sequences ever filmed. The loss of 18 soldiers turned American opinion against further involvement in Somalia, but "Black Hawk Down" makes it clear that the men involved were undeniably heroic. "--Jeff Shannon"

Languages: English, Japanese

Subtitles: English, French, Spanish

Sound: Dolby

Summary: A guilty pleasure if ever there was one, "Black Rain" is a ridiculously entertaining thriller by Ridley Scott ("Alien"), starring Michael Douglas as a tough New York cop who--along with his partner (Andy Garcia)--goes to Japan to deliver a local mobster. When the latter escapes, Douglas's brand of gonzo crime fighting rubs his Japanese hosts the wrong way. Slick, mechanistic, and absurd, the film is all surface action and attitude (not to mention Scott's incredibly busy, trademark art direction); and one can get lost in the sheer indulgence of it. However, if you can buy Douglas as an iconoclastic lawman, you can buy anything else here, including the notion of Kate Capshaw as a blonde escort highly desired by Japanese businessmen. "--Tom Keogh"

Languages: Spanish, German, Japanese

Sound: AC-3

Comments: No plane. No ocean. No polar bears. It's survival of the funniest.

Summary: Finally, we get treated to a real director's cut of this fabulous film.

I've just barely started to watch the final cut and some of the documentaries in the box, but so far I am very pleased.

It's great to have 5 versions of the movie so we can see how different the feel and interpretation of the story is with each one.



The packaging is just great... just what this big kid geek needed! It's (almost) worth the price in itself :-) :-) The Deckard briefcase is cool, and the little Spinner replica and unicorn origami figurine are great.



Overall, a great gift for anyone who loves Blade Runner.

Languages: English, Yiddish, French, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Comments: Never give a saga an even break!

Summary: Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. "--Jeff Shannon"

Languages: Afrikaans, English, French, Spanish

Subtitles: English, Spanish, French

Sound: AC-3

Comments: Freedom

Summary: Leonardo DiCaprio puts a handsome face on an ugly industry: In parts of Africa, diamond mining fuels civil warfare, killing thousands of innocents and drafting preteen children as vicious soldiers. DiCaprio ("The Departed") plays Danny Archer, a white African soldier-turned-diamond-smuggler who gets wind of a large raw jewel found by Solomon Vandy, a native fisherman (Djimon Hounsou, "In America") recently escaped from enslavement by a brutal rebel leader. Archer offers a deal: He'll help Vandy find his war-scattered family if Vandy will share the diamond with him. Drawn into this web of exploitation is journalist Maddy Bowen (Jennifer Connelly, "Little Children"), who agrees to help if Archer will tell her the details of how conflict diamonds make their way into the hands of the corporations who sell them to the Western world. DiCaprio is compelling because he never flinches from Archer's utter ruthlessness; Archer ends up doing the morally justifiable thing, but only because his desperate greed has led him to it. Hounsou and Connelly, though saddled with all the moral and political speeches, rise above the cant and keep the movie's treacherously formulaic plot rooted in human characters. But in the end, the story won't stick with you as much as the dead stillness in the child soldiers' eyes; the horror of African civil strife refuses to be contained by "Blood Diamond"'s uplifting message--and the movie is all the more potent as a result. "--Bret Fetzer"

Languages: English, French

Subtitles: English, French, Spanish

Sound: AC-3

Summary: The IMAX film "Blue Planet" offers an eloquent reminder--and a cautionary warning--that the planet Earth is a delicate living organism, constantly reshaped and rejuvenated by the awesome forces of nature. The film targets a grade-school audience but will prove informative to anyone fascinated by our home planet's evolution. Hurricanes, glaciers, volcanoes, thunderstorms, asteroid impacts, undersea furnace vents, and earthquakes are all explored as a system of interconnected forces that ensure the planet's survival. The difference between this and other nature films is that the Earth's delicacy is emphasized by stunning views from space, filmed in the IMAX format by NASA astronauts in orbit 200 miles above the Earth's surface. With astonishing clarity, this orbital perspective supports the film's ultimate purpose: to reveal the awesome beauty of the Earth, and to emphasize that we, the custodians of this miraculous gift, are also the greatest threat to the planet's delicate health. Proof of man's destructive influence offers a sobering reminder that our responsibility toward nature is perpetual, essential, and routinely abused. "Blue Planet" combines state-of-the-art sound and image, principally directed by Ben Burtt, the Oscar-winning sound designer whose credits include the original Star Wars trilogy. No home-theater system could do full justice to the film's technical achievement, but the sights and sounds of "Blue Planet" are awesome nonetheless, and it's impossible to overstate the importance of the film's message and its hopeful emphasis on the potentially wondrous future of our one and only home. "--Jeff Shannon"

Languages: English, French, Hungarian, Czech, Polish, Arabic, Turkish, Swedish, Romanian, Icelandic, Russian

Subtitles: Arabic, Cantonese, Chinese, Czech, Danish, Dutch, English, French, Greek, Hebrew, Hungarian, Korean, Norwegian, Polish, Portuguese, Spanish, Swedish

Sound: Dolby

Summary: With dizzying cinematic tricks and astonishing performances, Francis Coppola's 1992 version of the oft-filmed Dracula story is one of the most exuberant, extravagant films of the 1990s. Gary Oldman and Winona Ryder, as the Count and Mina Murray, are quite a pair of star-crossed lovers. She's betrothed to another man; he can't kick the habit of feeding off the living. Anthony Hopkins plays Van Helsing, the vampire slayer, with tongue firmly in cheek. Tom Waits is great fun as Renfield, the hapless slave of Dracula who craves the blood of insects and cats. Sadie Frost is a sexy Lucy Westenra. And poor Keanu Reeves, as Jonathan Harker, has the misfortune to be seduced by Dracula's three half-naked wives. There's a little bit of everything in this version of "Dracula": gore, high-speed horseback chases, passion, and longing.

Languages: English

Subtitles: English, French, Spanish

Sound: AC-3

Summary: Neil Jordan's somber "The Brave One" is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. "The Brave One" is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual. Finally, despite its seriousness of purpose, "The Brave One", to a certain extent, is drearily tethered to the old atrocity-and-revenge genre, bumping along to the familiar, "Death Wish"-like rhythms of an avenger seeking successive conflicts with bad guys he or she can blow away.
Somewhat at cross-purposes, "The Brave One" stars Jodie Foster in a shattering performance as Erica Bain, a popular essayist on a public radio station in New York. In love and engaged to David (Naveen Andrews), a doctor, Erica and her fiancé are brutally attacked one night by a gang of thugs. David is killed but Erica survives, only to find herself a stranger in her own skin, facing down her fears by shooting violent criminals.
With the city riveted by her anonymous actions, Erica becomes an object of curiosity for a police detective (an excellent Terrence Howard) disillusioned by his own struggles to protect the innocent from truly evil men. Jordan's previous films ("The Crying Game", "Breakfast on Pluto") resonate with "The Brave One"'s most interesting angle, i.e., that each of us possesses a hidden element in our identities that comes out in extreme circumstances, making us wonder who we really are. It's all excellent food for thought, but the film squanders much of its significance by thrusting Erica into numerous, outlandish situations in which her only alternative is to put a bullet in a bad guy. The result is a smart film tediously structured like a disposable B movie. "--Tom Keogh"

Languages: Dutch, English, German, French, Spanish

Subtitles: Cantonese, French, Korean, Spanish

Sound: AC-3

Summary: This massive 1977 adaptation by director Richard Attenborough ("Gandhi") of Cornelius Ryan's novel features an all-star cast in an epic rendering of a daring but ultimately disastrous raid behind enemy lines in Holland during the Second World War. A lengthy and exhaustive look at the mechanics of warfare and the price and futility of war, the film is almost too large for its aims but manages to be both picaresque and affecting, particularly in the performance of James Caan. The impressive cast includes Robert Redford, Gene Hackman, Anthony Hopkins, Laurence Olivier, Dirk Bogarde, Sean Connery, and Liv Ullmann among others. While not a classic war film, it nevertheless manages to be a consistently interesting and exciting adventure. "--Robert Lane"

Languages: English, Spanish, French

Subtitles: Spanish, French

Sound: Dolby

Summary: John Travolta is Vic Deakins, a bomber pilot who launches a devilish plan to hijack two nuclear missiles for big-time extortion. Vic never sweats, spews out great one-liners, knocks off money men with glee, toys with killing half a million people... he even smokes!
If you giggled at his "Ain't it cool" line from the trailer, you're in the right frame of mind for this comedic action film. Never as gritty or semi-realistic--or for that matter as heart-thumping--as the original "Die Hard", "Broken Arrow" still delivers. If Travolta is cast against type, everyone else is by the numbers; Christian Slater as Hale, the earnest copilot looking to foil the plot, Samantha Mathis as the brave park ranger caught in the middle, Frank Whaley as an eager diplomat, Delroy Lindo as a right-minded colonel. As with his previous script (the superior "Speed"), writer Graham Yost moves everything quickly along as Hale and the ranger try to cut off Deakins's plan over a variety of terrains. We have plane crashes, car chases, a pursuit through an abandoned mine, a helicopter-train shootout, and lots of fighting between boys. Each time Hale finds himself perfectly in place to foil Deakins. You're suppose to laugh at the unbelievable situations. That's where "Arrow" is deceptive: its tone is right for the laughter compared to the mean-spirited Schwarzenegger and Stallone action films with labored jokes. Hong Kong master director John Woo ("The Killer", "Hard Target") pulls out all the stops--slow motion of Hale and Deakins's gymnastic gun play, nifty stunts, countdowns to doomsday. Woo may know action, but he needs more guidance in creating unique and stunning special effects. This is action entertainment at its cheesiest. Travolta and Woo later reteamed for "Face/Off". "--Doug Thomas"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Summary: "You measure yourself by the people who measure themselves by you," says the quietly wise Carter Chambers, played with gravitas and grace by a Morgan Freeman. In Rob Reiner's moving, often hilarious film "The Bucket List", all sorts of people measure themselves against the two heroes, Chambers and his hospital suitemate, Edward Cole (Jack Nicholson). But as Cole finds, having spent his entire life building a Fortune 500 company, none of that much matters when cancer, the great equalizer, pays a visit. The film traces the adventures of the two unlikely friends, who meet in a hospital cancer ward, each given six months to live. The "bucket list" of the title refers to a lifelong list of goals that a teacher of Chambers once advised him to compile--and achieve--"before you kick the bucket." Soon the two are off on what may be the last grand adventure of their life, vowing to tick off as many goals (skydiving, race-car driving, seeing the wonders of the world) as they can in the time they have left. What starts as a medical melodrama becomes a road trip, yet the men's mortality realities are never far from thought. The two leads give impressive performances, and remind the viewer of just how few American films focus on the lives and loves of senior citizens. Nicholson even manages to lose his persona in his character, much as he did in "About Schmidt". There's a lovely John Mayer tune, "Say (What You Need to Say)," that's perfectly matched to the film's clear-eyed view of life: What does one person leave behind as his true legacy? --"A.T. Hurley"

Languages: English, Spanish, French

Subtitles: Cantonese, English, Korean, Spanish

Sound: AC-3

Summary: This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman ("The Princess Bride") and directed by George Roy Hill ("The Sting"), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) "--Tom Keogh"