Project Runway Recap: The Top 13 have to deal with their silent
muses....who speak
Yes, the models became the clients (which they
have done before) and as always these designers seem to forget that eventually,
yes, someone has to want to buy their clothes.
I alway crack up when there are Project Runway
challenges that involve dealing with an actual client. The designers look so
horrified and taken aback that someone would speak to them and tell them what
they like and are interested in. I think they have this idea that one they are a
designer no one can ever tell them what to do or create.
There are two ways this is wrong.
First of all, the market talks. So, no one may tell you to your face that your
designs suck, but lack of sales will send you that same message way further down
the road, and that's pretty
painful.
But even during the creative
process, designers have fashion editors and buyers coming into their showrooms
all the time to get early glimpses of lines. Those folks don't just come in,
take a look and spin on their heels and leave without a word. They offer
feedback. They make suggestions. The designer and staff will actually wait with
bated breath to get these early thumbs up/thumbs down indications from these
influencers. (I used to work in the garment district many years ago, in case you
were wondering.) Sure a well-established designer might not be as cowed by the
response of these folks than a new or up and coming one, but none of the
contestants on this show qualify as established, so they'll be hoping for a
faint smile from a Barney's buyer or Vogue editor for years to come in all
likelihood.
Anyway, this week's
challenge was for each designer to make a stand-out outfit for their model and
an "industry event". (Meaning a party thrown by Project Runway to create a
challenge for this episode.)
The
designers have 30 minutes to caucus with their "client" and $100 to shop at
ErsatzMood, and "it's a one-day challenge". Only, not really, because they got
to work a few more hours the next day, but you know, gotta have the
Dra-Ma!
All the models want simple, but
interesting. Sexy, but not trampy. Except for the one who wants flowing and
romantic, but punk. <Insert needle scratching across vinyl record sound to
represent Epperson's confusion over this
guidance.>
So, what did we learn
this week?
-We learned that Qristyl has
"never designed in black". WTF? Really? How is that even
possible? -We learned that Christopher wants
to defy convention wisdom by creating a drop waist look for a model complaining
of a long torso. -We get all sorts of
unattractive visuals when Logan talks about his smurf prom dress.
-We learn that Michael Kors is still MIA,
and no one will mention why. -We also learn
the NIna has gone missing too...and I just pray they don't send
Heidi off to look for them, or we may not have a
show!
What we don't have this week is
any particular drama. No bickering teammates, no addiction stories, no spacey
contestants left.
So, let's get on to
the show. As always, there is a link to the dress in question when you click on
the designer's name.
As mentioned
above, MK and Nina are MIA, so we've got Martha Stewart, oh, no I'm sorry, it's
some guy named Mark Bouwer, some lady form Marie Claire named Zoe Glassner and
some stylist named Jennifer Rade as
judges.
1. Qristyl,
designing for poor Valerie (poor because she always gets stuck with losing
designers.) (Oops, spoiler alert!...I forget you're supposed to say that
before you give something away,
right?)
This was a one-shouldered
little black dress that was quite form fitting. There was some frou frou thing
at the shoulder, an asymmetrical flirty skirt in the back, and a single thin
diagonal strap across the back. It featured many gathers that really looked more
like creases. And while form fitting, there was something about the front that
made Valerie look a little too straight up and down from chest to hip. Mostly,
there was nothing special or original about it. You could pick this up at
Forever 21.
Nicolas created a
white silk or satin sheath dress with these slightly space-age silver bands
around the arm holes and leading up into a high collar. It was very short and
had a plunging back. And it fit very well. I thought this was pretty
successful.
This was a 40's
-inspired silhouette on a 70's-inspired print dress with a black band around the
hem, topped by a black, short sleeve, short jacket with a portrait collar and a
champagne-colored sash. The sash color was incongruous, but otherwise I liked
this outfit and thought it was strikingly different than the others on display.
I'm not sure strikingly different in a good way, though, because I do think it
was bit aging and serious for a young model's night out on the town.
This dress was
actually quite intricate and beautifully made. It was a champagne-colored mini
dress with elbow sleeves and a v-neck, but the big featured was a plaited, woven
panel all the way down the front. The only problem? The color. This was
monochromatic, and on a girl whose skin tone and hair almost matched the dress.
It made the whole effect a little too bland and casual. If it had been worn by
Fatma, on the other hand, it probably would have been more exciting and
impactful.
I was a little
disappointed, for the first time, with Shirin on this one. Johnny's dress may
have been more obviously bridesmaid, but this wasn't that far off. It was a
royal blue dheath dress with a deep V-neck and some tribble thing on the right
shoulder. (Can they all stop adding tribbles to their model's shoulders? It
really isn't that attractive...and by now we've seen it so many times, it's not
original either.) There was a sheer overlay over the lining, and it seemed
well-enough made. I did like the braided back. But it was pretty dull, and not
up to what we've seen from her so
far.
Logan of the
aforementioned smurf prom dress. This featured a blue tank (which could have
been the top of a maillot bathing suit) overlaid with a double layer of black
lace so the blue barely showed through, plus a blue taffeta skirt pouffed out
with, I assume, the help of a crinoline. The skirt was unevenly pouffy, to make
matters worse. This was 80s prom. And it is best
forgotten.
Christopher's
overall look was a big "Don't" in my opinion. The green color looks better in
the photos online. On my TV it looked pea green. Then he randomly ties a black
sash under the boobs and one across the hips. Because, you know, most of us want
to be chopped in three pieces and have the wides part of our body accentuated.
There were pleats above the boob sash and pleats below the hip sash. I will say
that it made the model look curvy, and she's about as rail-thin as it gets, so,
you know, it wasn't entirely unflattering for her, the actual client. But in
general, not a good look or
approach.
Epperson took the
romantic, flowing, punk guidance and made a pretty cute brown tank dress. He had
strips of brown fabric of different textures appliqued across the dress in a
random pattern, which I liked. He also had random strips and straps holding it
up in the back, which I didn't like. And I gotta agree with Heidi: Help this
model's boobs. What do this season's designers have against
bras?
Althea went
ambitious and created a three-piece suit. Oh, but this is not your father's
three-piece suit. This is the hooker downtown's three-piece suit. I'm sorry, but
if Michael Kors had been in the house, he would have questions Althea's "taste
level", and the taste level of the judges who liked this. I hated this outfit.
The black mini-skirt was way too mini and all bunched up and unflattering. The
silver tank was too tight, pulling every which way, and while it's nice to see a
model who has an actual rack, a bra would have been helpful. And then there was
the jacket. Plain. Boring. No curves or shaping. The whole outfit made her body
look like a bug boxy shape from thigh to shoulder. I thought it was
appalling.
This was a little
black dress, with a bug huge circus ruff around the neck. The dress did have a
lot of pleating work, but it didn't read well on TV and looked very plain and
one-dimensional. It was a very flattering fit, but I felt I had seen this
before, and the circus neck was too much as the only standout point of the
dress.
This was a royal
blue mini-dress with a big monstrous bow wrapped around her chest, like she was
a car being gifted for Christmas. This continued the clown theme Louise started.
Seriously, that bow is so big it looks like a joke. This was bottom 3 material,
IMO, so he's lucky he had immunity.
Carol Hannah combined a plum
Grecian Goddess style toga top with a wide matte black cummerbund and then a
shiny patterned black pencil skirt, with a flirty little kick pleat in the back.
It was well-fitting, flattering, had some edge to it, in the color and texture
combos used. I thought it was a bit improvement on her previous
efforts.
So, in the end they called out
Johnny, Carol Hannah, Althea, Qristyl, Logan and Epperson. And I really couldn't
tell who they liked and didn't until they started talking. I thought Althea's
was horrific, and she was top 3. I thought Epperson's could go either way, and
he was top 3. Carol Hannah's was the only one where it seemed clear she'd be top
3. Meanwhile, Johnny, Qristyl and Logan were bottom
3.
Shockingly, Althea won. I still
don't get it.
Not shockingly, Qristyl
was auf'ed. I thought there were worse things up on that runway, but she's been
mediocre since day one, so it was about time for he to go. Poor poor Valerie.
Auf'ed twice :(
So, any favorites now
that we're in the top 12?
I'd say I'm
rooting for: Shirin and
Irina
And I'd say the next to go might
be: Johnny or
Ra'mon
Your thoughts?
Posted: Fri - September 11, 2009 at 10:21 AM EmailFeedback