Starring my BFF Tim Gunn, Heidi Klum and 16
whiny, but talented, designers. Ahhhhhh...TV feels right again!
So, Project Runway is back, hooray! As we all
know the airing of Season 6 has been delayed for over six months by legal
wrangling between NBC Universal (disclosure: NBCU is an investor in BlogHer) and the Weinstein company that
owns Project Runway. Hope all the wrangling was worth it, because the end result
seems to be what the the Weinsteins wanted the beginning result to be: Project
RUnway is now on LIfetime instead of NBC-owned
Bravo.
Could I tell the difference?
Have to say the answer is "no."
Project
Runway also move from NYC to L.A.
Could
I tell the difference? Not really on that either. Especially since one of the
first shots was of someone arriving at the designers' loft space in a yellow
cab. Where'd they even find one of those in L.A.?
This is the biggest PR ever, with 16
starting contestants, but what I love and have always loved about this show is
that they are oh so mindful of my time. 5 minutes in, and we're done with all
the designers showing up and introducing themselves to one another and sharing
some basic bio info with the cameras. 5 minutes in, and we're at the rooftop
toast that kicks off every season. Thank you for respecting my busy schedule,
Project Runway...one day, one hour per week. So
efficient.
And there's my BFF Tim Gunn.
Did I mention I met him at BlogHer '09 this year? I'll have to share tidbits of
that story as we go along. Suffice to say he seemed to be exactly how he seems
to be. Kind, sincere, and yes, courtly.
Lovely.
On to the challenge. It's a
pretty straightforward one. Make a red carpet dress that's innovative and shows
your point of view. And it can be any red carpet, from the Oscars to the VMAs.
They are given 30 minutes to sketch, $200 and another 30 minutes to shop at
ErsatzMood (you know Mood doesn't actually have an LA outpost, right? They built
a pseudo-shop just for Project Runway!) They'll have two days to work on it, and
the winner will get immunity.
So,
during this sequence we learn:
a. Who
will be the pretentious arty one: That would be Malvin. "I don't watch the red
carpet. I don't distinguish between colors of
carpet." b. Who will be the space cadet one:
That would be Ari. She's looking to make something that sounded like
"tescellation forms" and she doesn't sketch. She waits for the fabric to tell
her what it wants to be and for whom. c. Who
will be the one who will cut you if you stand in her way: That would be Qrystyl.
And I mean it literally, since she got tired of waiting for an ErsatzMood
employee to cut her fabric and went all
DIY.
Thank you
ErsatzMood!
Back to the workroom and on
to Episode #1's Very Special Meltdown, courtesy of Jonny, former meth-head
trying to make good. I have to admit I'm intrigued by his assertion that he
didn't get chosen for Season 3 and 4 because he was a meth addict.
How did they know; what did he do? I'm thinking some kind of dramatic
reenactment would be very helpful for us
all.
But here on Season 6, Jonny is
having a meltdown. He can't decide what to do; he is paralyzed; he doesn't want
to fail. Who, of course, pats him on the back and sends him back into the
workroom with new-found confidence and self-esteem? Why my BFF Tim of course! He
just has that way about him!
Of course,
I'm a leeetle concerned about Jonny's decision to "swallow down" his anxiety and
fear. Reminds me of that Cheers episode where Woody was saying that's what they
all do back where he's from...just stuff bad feelings down, and if they start to
bubble up, just stuff them down some more. As Frasier said form his bar stool:
"Tick, tick, tick."
Meanwhile Malvin
continues blathering on about how unique he is, and how there are not yet labels
for what he does, and Ari is making what Tim fears is a "halter diaper". Which,
I don't know about you, does not sound appealing at. all. Mitchell is freaking
out about his HUGE model. When he says she is 5 inches bigger than her
measurement card claimed (which, I should note, becomes "6 inches" when he's in
front of the judges) I wonder what on earth the rail-thin would have looked like
had the card been correct??!!
On to the
show!!
Lindsay Lohan is this episode's
guest judge. Later she sounds basically normal and fairly intelligent, so let
the image rehabilitation begin!
1.
Althea Althea produced a silver, satin
empire-waist long gown. The top is actually what looks like either a white or
very pale silver ruffly halter top. Satin is brutal, as I've learned not from
practice, but from watching six season of Project Runway. The idea of this dress
is great, but we can see lots of little creases and pulls across the front and
at the seams. It's not bad enough to be a complete mess, and the design itself
is pretty lovely.
2. Gordana produced a
blue mini dress with a sheer overlay. The body of the dress, falling form
another empire waist, is pretty short, straight and simple. The strapless bodice
is made of these constructed, large bow-like things that go all the way around.
I would think anyone with a model body, rail thin and flat-chested, would
appreciate this, because it gave curves without being unflattering. But the rest
of us? Thank you very much, don't think I need to add that much volume around my
chestal area.
3. Malvin, after all his
talk about how unique and "ineffable" he is, sent down a perfectly ordinary
dress. Really, I thought: That's it? It had a bit of a 30s cut on the bias, but
knee-length, not floor-length. Sleeveless sheath top, drop waist and A-line
skirt. And some nice pleating across the back and at the front hip. All words
I've typied (and seen) before. Nice, but not
stand-out.
4. Mitchell, after all his
model measurement trauma, sent his girl out with a ruched high collar and sheer
chiffon draped everywhere else. It was a muumuu. Or maybe a caftan. Or maybe one
of those "hostess gowns" our moms wore in the 70s. He had to be in BIG, BAD
danger on this one.
5. Louise created a
very full and flouncy dress in pewter with a cummerbund and some weird tribble
creature growing out of the model's right shoulder. There were also these weird
70s gathered sections pulling up the skirt hem one each side. I thought this was
a mish-mash and unflattering. My viewing companion liked it. So, you know, there
you go.
6. Christopher created a
strapless short gown. The entire bodice and down once side of the skirt was some
well-controlled ruffle treatment in dark brown. The underskirt was a sort of
beige tiered thing. Despite the volume of all the ruffles, this was surprisingly
flattering, mostly because the bodice was pretty reined in, compared to the
skirt. The choice of colors was also different. I liked this one, as it did seem
to be both original and surprising and
well-executed.
7. Ra'Mon created a long
plum gown with one spaghetti strap and one pouffy shoulder. I thought there was
a little too much going on in this gown, and again the satin was merciless about
showing pulling at the seams. I understood why the judges might think it was
more interesting than the average gown of a similar nature. I just thought it
overshot the mark.
8. Shirin created a
champagne colored satin dress reminiscent of a 50s cocktail dress. It came with
a cute little dark sparkly stole and incorporated some of the same sparkly
fabric into the bow effect at the back. I actually thought this was adorable,
wearable, fun.
9. Epperson went for the
gusto with a big, brown gown. There was lots going on around the top of this
dress, including lots of fabric which I wasn't sure was supposed to be a hood,
or a bow, or something constructed that went up and over the shoulder. To me the
downfall of this dress was that it was too short and had some ugly tulle around
the too-short hem. Hasn't he watched these shows before? Tulle around a hem
looks trashy. Like a Victorian
hooker.
10. Irina went for champagne,
creating something with a drop-waist lacey top and a drapey skirt, with a little
black belt. Perhaps this wasn't huge on innovation, but it was very sleek,
smooth, well-done and pretty.
11. Ari,
ah Ari. Her halter diaper alone may not have been so bad. (Or good old Michael
Kors called it a disco soccer ball, which was also appropriate.) But to show
that top with some weird shorts that looked like they were made from scraps of
the sewing room floor? Wasn't going to convince the judges this was ready for
any red carpet, not even the
Razzies.
12. Jonny, after all the
drama, created a red satin dress with a plunging neckline, an even-more-plunging
back and a lot of gathers and fabric in between. I liked the back a lot, but I
thought the rest of it was too simple, and not in a good, Calvin Klein kind of
way. And yes, it was an interesting cut, but not one most people would probably
wear.
13. Carol Hannah created a hot
mess with a whole lotta lotta. Think Madonna concert cone boob effect (not the
actual cones, but the emphasizing pleats around the chestal area) more pleating
around the crotch, some flounces and all in rather prosaic colors. might have
been my least favorite, even if other outfits were scary in other
ways.
14. Qristyl's dress reminded me
of those entertainers who dress up as a lady in a gown on one side of their
body, and a man in a tux on the other. Schizophrenic. The right side was a
purple satin long sheath, the left side was a floral print with lots of ruching.
It was pretty messy looking.
15. Logan
created a silver gown with a darker asymmetric panel across the left side of the
bodice and around the back. Quite simple, but
lovely.
16. Nicolas also came out of
the gate strongly with a Little Black Dress with a twist. Or, should I say, with
a ribbon. There was a black and silver woven effect down the bodice. Very
modern, maybe even gothic.
The judges
picked their Top 3 and their Bottom 3, and I have to say I'm not sure I agree
with their Top 3 at all.
They
chose: Ra'Mon Christopher Jonny
I
did like Christopher's a lot, but I would have booted Ra'Mon and Jonny right out
of there. I can think of at least four others I liked better, including Shirin,
Irina, Logan and Nicolas.
Luckily
Christopher's was the winner.
It was
hard to argue with the bottom
3: Qristyl Mitchell Ari
Although
I hated Carol Hannah's a lot. (And does she really go by Carol Hannah as her
first name all the time? And does she do that because it rhymes with Darryl
Hannah? I'm just asking.)
Mitchell was
saved, and yes, our little spacey
"I-don't-sketch-I-do-handstands-during-sketch-time" Ari was sent on her
way.
Can't say I'll miss her. Ari, we
hardly knew ye.
But Heidi, Tim and the
rest of the Project Runway gang? We know you, and we're glad to have you
back!!!
What did y'all
think?
Posted: Fri - August 21, 2009 at 08:30 AM EmailFeedback