American idol Recap: The Top 6 Tackle the Man Who Destroyed
Broadway
Bias check: Yup, I'm one of those effete musical
theatre snobs who idolizes Sondheim and loathes Andrew Lloyd
Webber.
I lived in NYC in the late 80s and was pursing
that starving artist dream, mostly focused on Broadway musical theatre glory.
Sad to say there was very little Broadway glory to be found in those days, and I
really lay much of the decline of innovative and original Broadway work at the
feet of god old ALW. It was he and his producing partner who introduced the
concept of the "blockbuster" to Broadway, and figured if they gave people some
kind of spectacle, be it falling chandeliers, helicopters landing on stage,
women belting it out at impossible registers and the like, they wouldn't notice
the derivative music and florid
lyrics.
Sadly, he was right about
that.
So when Ryan said "the man
responsible for most of the important musicals of our time" I about fell out of
my chair. Important? No. Schlocky?
Yes.
Doesn't help that ALW is a creepy
little gnome of a guy too. There, I said
it.
All that being said: he did have
some good advice for the Idols, and it wasn't as horrific an evening as it could
have been. Frankly his songs come off better when NOT sung by straining divas
and whiny pop tenors. I thought he had some great things to say about
communicating, knowing the story about which you're singing and so
on.
So, there. I did have something
positive to say.
But, how did they
do:
1. Syesha sang One Rock and Roll
Too Many from Starlight
Express
Starlight Express is an utterly
forgettable show about train cars on roller skates. I don't remember this song
from it at all. About all I remember from this show is that an actor got injured
partway through the show, and someone else just rolled on in to replace them.
Also, Andrea McArdle was in the broadway production, and it was kind of odd to
see Annie all grown up as the roller skating tramp train car. Maybe this song
was that character's? Anyway, Syesha looked very cute in her red dress and bare
feet. While she was off from the band in the very beginning she quickly
recovered to deliver a sassy, sexy-in-a-sweet-not-sultry-way performance. And
Ricky Minor was all over being in the spotlight for once, didn't you think?
Definitely one of the stronger
performances.
Bottom line: Despite
being one of the stronger performances, I still think Syesha is at risk. At this
point half of them have to be in the Bottom 3, and the two Davids seem
absolutely unstoppable.
2. Jason sang
Memory from Cats
Cats. What everything
aspires to be "much better than." Cats is cute if you like cats. And like to see
humans imitating cats. I do like cats, so I didn't particularly dislike seeing
this. But would I see it again? No need, my friends, there would be nothing new
to mine from that material. Anyway, back to Jason: Oh my. This was very Joe
Cocker "You Are So Beautiful To Me", and I wrote that down before Paula babbled
it. Only problem is: I hate that song. This was a weird song choice for
Jason...who is probably the most disappointing idol to me, because I really
really loved him early on. There was no dynamic range whatsoever. I mean, this
approach could have worked, but somewhere he had to deliver some power,
somewhere he at elast had to deliver some dynamics. It made me feel very
uncomfortable.
Bottom line: I don't see
how he avoids the Bottom 3, do you?
3.
Brooke sang You Must Love Me from the movie,
Evita
I saw the original production of
Evita back in 1979 the night after I saw the original production of Sweeney
Todd. No doubt about it that Patti LuPone and Mandy Patinkin were absolute
stars. Amazing vocalists and performers. But the show tried so hard to be
POWERFUL and IMPACTFUL and STIRRING. and it wasn't really. I left Sweeney Todd
shaken to the core and emotionally worn out. Evita tried to take me there and
couldn't. Half a dozen years later I was in Evita in summer stock theatre with
future Broadway star Marin Mazzie as Evita. The show is hella fun to be in. I
really enjoyed it on stage. But when I went to see it again as an audience
member, thinking my appraisal would be much different now that I had been in it,
and my appraisal was exactly the same. Some shows are like that: More fun to be
in than to see. But back to Brooke: Wow, I thought Jason was a train wreck until
I saw this one that immediately followed him. For the record, I agree with
Paula: Starting and stopping and re-starting is unprofessional. You don't see
professionals do that, and there's a reason. OK, once, Bonnie Raitt performed
You Can't Love Me over again in concert up in oakland. But that was because she
was recording her album Road Tested and thought she could do a better version.
And she did the whole song over. And that's an awesome song one doesn't mind
hearing twice. The starting over didn't help Brooke...this was another
cringe-in-you-chair performance because she seemed so uncomfortable and her
emotion seems disturbing, not stirring. Vocally it really wasn't bad, although
her vowel sounds are getting increasingly weird and affected, but she just
seemed so awkward. And I'm bored of her post-performance "poor me" routines that
Ryan certainly feeds.
Bottom line: I
think it may be bye-bye Brooke, and as you know, I won't be too
sad.
4. David A. sang Think of Me from
The Phantom of the Opera
I can't say
too much about Phantom, since I nearly fell asleep when I saw it in NY. Of
course I was in the nosebleed section, which just isn't the way to see anything.
Later I saw it from house seats in San Francisco because I knew someone in the
cast, and it was much better to actually be able to see the actors' faces. But
that whole chandelier thing? Not scary. I'm just sayin'. So before David A.
started I was thinking I was getting a bit tired of him, and that seeing him
next to ALW made him look like a mini-me creepy gnome. I did think the whole
"open your eyes" thing was spot on and hilarious...and boy did he try! Then he
performed, and I will totally give him his props. He did his thing with it
(albeit a pretty trite pop ballad thing) and he sounded
pretty.
Bottom line: Oh, he'll be safe.
Really? Ar you wondering?
5. Carly sang
Superstar from Jesus Christ
Superstar
This is my S.O.'s favorite
musical, and I hate it. The S.O. loves to sing it at me. But given the show's
inherent obnoxious fake-rock quality, one should really call it shouting it at
me. Anyway, I thought it was a good call for Carly to sing this, although I'm
not sure singing "Jesus Christ Superstar, do you think you're who they say you
are" is going to have quite the warm, fuzzy effect that KL Cook singing "God
Bless the USA" did. Carly obviously can wail, and the wailing fit this song. My
only question, then, is why didn't the mix let her vocals pop a bit more over
the background singers. david C. gets reverb and echo galore, and Carly is mixed
right into a blend with the singers. Conspiracy!! Once again another horrible
outfit, but after a trio of plaintive, maudlin craptastic ALW ballads, this was
at least energizing and fun.
Bottom
line: I'm thinking Syesha may save Carly from the Bottom
3.
6. David C. sang Music of the Night
from The Phatom of the Opera
Oh, one
other thing to mention about Phantom: I so did not get the Michael Crawford
mania that swept the world after he debuted as the Phantom. Thin, unappealing
voice and more caricature than character. Did. Not. Get. So back to David C.:
I've mentioned how impressed I've been wit his smooth, effortless vocals and
easy use of his full range many times. This song did show that off. Other people
seemed surprised by it, but I feel like he has displayed that quality in other
vocals plenty of times. But this vocal was so smooth it was kind of boring. Her
certainly didn't bring anything unique or new to the song...until he decided to
rock-itup at the end with a really bad choice of last two notes. OK, sure, they
were high, but they were ugly and didn't fit the entire rest of the performance
choices. I found this a bit expressionless and not sexy. So, great vocal,
mediocre everything else.
Bottom line:
Does it really matter? He's
safe.
Bottom line for the Bottom
3:
If it were me, it'd
be:
Brooke, Jason and David C, actually, just
to throw some motivation his way.
And
it wold definitely be Brooke going home, although I could understand if Jason
did.
But I think it will
be:
Brooke, Jason and Syesha, and still
Brooke going home.
But what did you
think?
Posted: Wed - April 23, 2008 at 08:01 AM
EmailFeedback