Quite possibly the nadir of Steven Spielberg's career as a producer, this piece of sentimental junk from 1987 concerns five little spacecraft which arrive on Earth just in time to help out some New Yorkers getting kicked out of a tenement. The script's goo just sticks to the viewer, and the cast looks silly by trying not to be silly. You get the feeling that Spielberg's Amblin Entertainment was pretty much throwing stuff at the wall to see what would hang there, and they came up with this ridiculous thing. —Tom Keogh

Back in 1961, Walt Disney got a little hip with 101 Dalmatians, making use of that flat Saturday morning cartoon style that had become so popular. The result is a kitschy change in animation and story. Pongo and Perdita are two lonely dalmatians who meet cute in a London park and arrange for their pet humans to marry so they can live together and raise a family. They become proud parents of 15 pups, who are stolen by the dastardly Cruella De Vil, who wants to make a fur coat out of them. Cruella has become the most popular villain in all of Disney; she's flamboyantly nasty and lots of fun. But it's the dalmatians who shine in this endearing classic, particularly those precocious pups. Telling the story from the dogs' point of view is a clever conceit, a fundamental flaw of the live-action remake. —Bill Desowitz

Back in 1961, Walt Disney got a little hip with 101 Dalmatians, making use of that flat Saturday morning cartoon style that had become so popular. The result is a kitschy change in animation and story. Pongo and Perdita are two lonely dalmatians who meet cute in a London park and arrange for their pet humans to marry so they can live together and raise a family. They become proud parents of 15 pups, who are stolen by the dastardly Cruella De Vil, who wants to make a fur coat out of them. Cruella has become the most popular villain in all of Disney; she's flamboyantly nasty and lots of fun. But it's the dalmatians who shine in this endearing classic, particularly those precocious pups. Telling the story from the dogs' point of view is a clever conceit, a fundamental flaw of the live-action remake. —Bill Desowitz

On the DVD
This two-disc platinum edition features great sound and incredibly bright, intense colors thanks to the restoration process, but its most impressive selling point is the huge assortment of bonus features designed to delight children, families, and the most serious Disney fans. Kids will have fun caring for their very own puppy in the virtual Dalmatian game for television or on DVD ROM and can find out just what kind of puppy they're most like and which human Disney character they're most compatible with in the puppy profiler game. The fun with language game is geared toward the very young preschooler and teaches numbers and the names of common household items. A modern Selena Gomez music video of "Cruella DeVil" will appeal to tweens and teens. The whole family will enjoy the "101 Pop Up Facts For Families" option which prints various movie facts like the name and author of the original book and how specific scenes differ between the book and the movie right on the screen during the movie and Disney fans will love the similar "101 Pop Up Facts For Fans" feature which supplies a wide variety of film trivia about featured voice talents, famous Disney animators that worked on the film, technical devices employed like multi-pane shots and the Xerox process, and which artists directed specific scenes in the movie. Eleven separate Backstage Disney featurettes interview a host of animators, writers, historians, producers, and story men regarding the film's contemporary feel and the groundbreaking technical processes like the then-new Xerox process utilized in making 101 Dalmatians. Also highlighted is Bill Pete's amazing storytelling contribution to the film, the technical and mechanical innovations of Ub Iwerks, the songwriting process, and the animation prowess of famous Disney animators like Woolie Reitherman, Frank Thomas, Ollie Johnston, Milt Kahl, Marc Davis, Ken Anderson, and Walt Peregoy. The 12-minute dramatization of the longstanding correspondence between author Dodie Smith and Walt Disney is intriguing and the trailers and radio and television spots provide fun historical reference for the film and its various releases. Finally, the "Music and More" feature presents a variety of deleted and abandoned songs as well as many alternate versions and takes of songs used in the final film. —Tami Horiuchi

Stills from 101 Dalmatians(click for larger image)

You'll be seeing stars and stripes as the most fascinating leaders in American history come to life in 1776 a musical about the birth of a nation! With the Boston Harbor still stained from over-taxed British tea a revolution is brewing in the colonies! And now England has thousands of troops headed for America's shores to squelch her subjects' freedom-loving spirit! It's up to John Adams Benjamin Franklin and Thomas Jefferson to convince a stubborn congress of British colonists to unite as American patriots turn the inevitable war with England into a Declaration of Independence!DVD FeaturesDigitally Mastered Audio & Anamorphic VideoWidescreen PresentationAudio: English 5.1 (Dolby Digital)Subtitles: English FrenchDirector and Screenwriter CommentaryBonus TrailersProduction NotesScene SelectionInteractive MenusSystem Requirements:Running Time 166 MinsFormat: DVD MOVIE Genre: DRAMA Rating: PG UPC: 043396058910 Manufacturer No: 05891

Contains: restored footage not included in original theatrical release and original documentary on the making of 1941 steven spielbergs home movies and behind-the-scenes footage theatrical trailers outtakes and storyboards and production notes. Studio: Uni Dist Corp. (mca) Release Date: 08/01/2006 Starring: Dan Aykroyd John Belushi Run time: 148 minutes Rating: Nr

2001: A Space Odyssey is a countdown to tomorrow, a road map to human destiny, a quest for the infinite. It is a dazzling, Academy Award-winning visual achievement, a compelling drama of man vs. machine, a stunning meld of music and motion. It may be the masterwork of director Stanley Kubrick (who co-wrote the screenplay with Arthur C. Clarke)... and it will likely excite, inspire and enthrall for generations.

To begin his voyage into the future, Kubrick visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever conceived) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted realms of space, perhaps even into immortality. "Open the pod bay doors, HAL." Let the awe and mystery of a journey unlike any other begin.

System Requirements:

Starring: Keir Dullea, and Gary Lockwood.

Directed By: Stanley Kubrick.

Running Time: 148 Min., Color.

This film is presented in "Widescreen" format.

Copyright 2000 Warner Home Video.

Format: DVD MOVIE

A space mission that could reveal man?s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.

No director could ever have hoped to repeat the artistic achievement of Stanley Kubrick's 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C. Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn't be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010lacks the enigmatic awe of its predecessor, but it's still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discoverynear the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship's infamous onboard computer, HAL 9000, as well as the meaning of countless mysterious black monoliths amassing on Jupiter's surface (an interpretation Kubrick originally left up to his viewers). Meanwhile, Earth is on the brink of nuclear war, and an apparition of astronaut David Bowman (Keir Dullea) appears to repeatedly promise that "something wonderful" is about to happen. —Jeff Shannon

History will place an asterisk next to A.I.as the film Stanley Kubrick mighthave directed. But let the record also show that Kubrick—after developing this project for some 15 years—wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio, claiming (with good reason) that it veered closer to Spielberg's kinder, gentler sensibilities. Spielberg inherited the project (based on the Brian Aldiss short story "Supertoys Last All Summer Long") after Kubrick's death in 1999, and the result is an astounding directorial hybrid. A flawed masterpiece of sorts, in which Spielberg's gift for wondrous enchantment often clashes (and sometimes melds) with Kubrick's harsher vision of humanity, the film spans near and distant futures with the fairy-tale adventures of an artificial boy named David (Haley Joel Osment), a marvel of cybernetic progress who wants only to be a real boy, loved by his mother in that happy place called home.

Echoes of Spielberg's Empire of the Sunare clearly heard as young David, shunned by his trial parents and tossed into an unfriendly world, is joined by fellow "mecha" Gigolo Joe (played with a dancer's agility by Jude Law) in his quest for a mother-and-child reunion. Parallels to Pinocchiointensify as David reaches "the end of the world" (a Manhattan flooded by melted polar ice caps), and a far-future epilogue propels A.I.into even deeper realms of wonder, even as it pulls Spielberg back to his comfort zone of sweetness and soothing sentiment. Some may lament the diffusion of Kubrick's original vision, but this is Spielberg's A.I.(complete with one of John Williams's finest scores), a film of astonishing technical wizardry that spans the spectrum of human emotions and offers just enough Kubrick to suggest that humanity's future is anything but guaranteed. —Jeff Shannon

Meticulously crafted but also ponderous and predictable, James Cameron's 1989 deep-sea close-encounter epic reaffirms one of the oldest first principles of cinema: everything moves a lot more slowly underwater. Ed Harris and Mary Elizabeth Mastrantonio, as formerly married petroleum engineers who still have some "issues" to work out, are drafted to assist a gung-ho Navy SEAL (Michael Biehn) with a top-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on earth, and the petro-techies have the only submersible craft capable of diving down that far. Every image and every performance is painstakingly sharp and detailed (and the computerized water creatures are lovely) but the movie's lumbering pace is ultimately lethal. It's the audience that ends up feeling waterlogged. For a guy who likes guns as much as Cameron (his next film after all, was the body-count masterpiece Terminator 2: Judgment Day), it's interesting that the moral balance here is weighted heavily in favor of the can-do engineers; the military types are end-justifies-the-means amoralists, just like the weasely government bureaucrats in Aliens. —David Chute

The younger brother of the consulting detective tries to steal Sherlock's glory by solving an important case assisted by an eccentric Scotland Yard detective and a lovely but suspicious actress.System Requirements:Running Time: 91 MinFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 024543232865 Manufacturer No: 2233286

Raiders Of The Lost Ark, Indiana Jones And The Temple Of Doom, and Indiana Jones And The Last Crusade.

All three films in their original format, restored and digitally remastered, plus a fourth disc featuring 200 minutes of extras including never-before-seen footage from all three films.

System Requirements:

Starring: Harrison Ford, Karen Allen, Paul Freeman, Denhom Elliott, John Rhys-Davies, Kate Capshaw, Jonathan Ke Quan, Amrish Puri, Sean Connery, River Phoenix, Alison Doody, Julian Glover.

Directed By: Steven Spielberg.

Running Time: 540 minutes., Color.

These films are presented in "Widescreen" format.

Copyright 2003 Paramount Pictures.

Format: DVD MOVIE

Air Americais one of those movies that could have been great, and now maintains its low-key reputation as a typical Mel Gibson film in the wake of his first two Lethal Weaponhits. Originally conceived as a biting black comedy about the CIA's top-secret smuggling operation in Laos during the Vietnam war, Air Americalost most of its political sting when it was transformed into an action comedy for Gibson and costar Robert Downey Jr. The film is entertaining as far as it goes, with a few action sequences that explain where a lot of the budget went. If you're in the mood for some Mel, this one is a little off the beaten path, and still contains a percentage of its original potential. —Jeff Shannon

One of the first of the big disaster films, this stodgy Hollywood product lumbers and creaks as it tries to sort out the various plot threads of Arthur Hailey's doorstop of a novel. Set at (what else?) a busy metropolitan airport, it details what happens one eventful night when, among other things, a huge blizzard threatens to disrupt air traffic for the airport manager (Burt Lancaster) even as a suicidal bomber (Van Heflin) heads into the air with mayhem on his mind. There's also an impish old lady (Helen Hayes, who won an Oscar for this role) who specializes in sneaking aboard airliners, and the married pilot (Dean Martin) is having an affair with a stewardess (Jacqueline Bisset). An old-fashioned movie that inspired a bunch of sequels, the Airplanespoofs, and a host of other disaster films. —Marshall Fine