there, and uneasy.
TISH
This is the hotel where Rand and I
first... uh...
X-O
Oh, sure. Now
she’s shy.
Favoring Rand.
RAND
This is a shared context, a place we both
remember. A mental space where we can more
comfortably communicate.
TISH
Rand, how can this be?
Tish has taken both of Rand’s hands tenderly in hers.
TISH
I mean, you are
Rand, aren’t
you?
On X-O, speaking to Rand.
X-O
This is getting a little too personal for
my tastes.
X-O
Rand, give yourself some privacy. Take as
long as you need.
Back in the real world. X-O has snapped out of it, He is
looking thoughtfully at Tish. Renata is looking at her,
too.
RENATA
So? What happened?
Page 6
Panel 1
Wider as Renata has a thought. X-O puts a hand on her arm,
lightly to stop her.
RENATA
We could probably patch in through the
monitor station, see them talking...
X-O
I’m sure we can. We don’t want
to. Okay?
Renata shrugs. Back ground Tish is moaning.
RENATA
You’re the boss. Technically.
Both have turned to see Tish, holding her temple. She’s
pulled off the helmet and is holding it in the hand with
her now-lowered gun.
TISH
No, Donovan. I’m not.
Tish is walking away from X-O and Renata.
TISH
I think I’m going to be taking some time
off.
END OF FLASHBACK. Tish walking away is reflected in X-O’s
faceplate.
X-O CAPTION
That was three weeks ago. Nobody knows
where she is.
X-O CAPTION
No small accomplishment when you work for
military intelligence
Page 7
Panel 1
Long on X-O, still flying towards the camera.
RAND CAPTION
Wylie? I asked you a question. Would you
like to tell me where we’re going?
X-O CAPTION
Sure thing, Race. But first open up a
communications channel to Renata.
Long on X-O, flying away from the camera.
RAND CAPTION
We have spoken about this. You know very
well that my name is “Rand”, not “Race.”
X-O CAPTION
Sorry, Hadji. It won’t happen again.
X-O is reacting like he’s been hit by a shell. He holds
his ears in pain.
TAILLESS RADIO BALLOON
(musical notes, big
text. This is a record,
being played too loud)
CAPTAIN KIRK, PLEASE
COME AND SAVE
ME—