
TCGS Members' Concert: 9/28/96 St. Andrews Episcopal Church, 1004 Graydon Ave, Norfolk.
The members' concert is one of my favorites. The artistic level is perhaps
a bit lower than at our mainline concerts, but for that they let me play :-)
We do it cabaret style, with liberal helpings of wine to go with the food.
After a bit, everyone sounds pretty good! Informal as it is, I can't tell
you exactly what was played. The program I have says who played
(although this was also subject to last minute changes). Per the program
in hand, the following people played solos: Dan Cudney, Sam Dorsey,
Charles Barron, Jake Lessard, Joshua Lessard, Chris Basford and Steve Jolemar.
In between, the TCGS Guitar Orchestra played. Members of the orchestra present
that night were: Charles Barron, requinto; Chris Basford, guitar; Dan Cudney,
guitar; Sam Dorsey, requinto and baja; Steve Jolemar, requinto; Tony Pezella,
guitar; Ken Pfeifer, requinto; David Wolverton, baja. The picture above is
of the orchestra. Sorry, the light was bad, and some idiot (that would be me)
forgot to set the 'low light' switch on the cam-corder.
The Cavalier Consort: 11/2/96 Williamsburg
Regional Library

The Cavalier Consort has been delighting Virginia audiences since 1994
with their performances of vocal and instrumental music of the sixteenth and
seventeenth centuries. In that time period, 'consort' referred to two or
more instruments played together. This is a mixed consort, blending
instruments from different families. Headed by Michael Murphy, a member of
the TCGS and a fine guitarist, though he plays lute and baroque guitar with
this group. Other members are Charles Hillen (recorders), Diana Kemp
(baroque violin, recorders), Linda Murphy (cittern, baroque guitar), Deborah
Ogan (viola da gamba, recorders) and Jay Taylor (tenor). That would seem to
add up to a lot more instruments than members!
| Watkins Ale | Anonymous |
| From The English Dancing Master | Collection by John Playford |
| Mage on a Cree | (1623-1686) |
| My Lady Cullen | |
| Mill Field | |
| Heart's Ease | |
| Four Recorder Quintets | |
| O amoureusich mondeken root | Jan Belle (fl. 16th Century) |
| De listlijcke mey | Jacobus Clemens (C.1510-c.1556) |
| Love's burning passion | Jacques Archadelt (1514-1557) |
| La, la, Maistre Pierre | Jacobus Clemens (c.1510-c.1556) |
| Can She Excuse My Wrongs? | John Dowland (1563-1626) |
| Fine Knacks for Ladies | |
| My Lord Willoughby's Welcome Home | Anonymous |
INTERMISSION
| Tobacco is like Love | Tobias Hume (c.1569-1645) |
| Tobacco is but an Indian Weed | Anonymous |
| If Music be the Food of Love | Henry Purcell (1569-1695) |
| A Ground | Godfrey Finger (c.1660-?) |
| From The English Dancing Master | Collection by John Playford |
| Wilson's Wilde | |
| Bonny Broom | |
| Adson's Sarabande | |
| Grimstock | |
| Kemp's Jig | |
| Daphne | |
| Stingo | |
| Man is for Woman Made | Henry Purcell (1569-1695) |

Ignacio Rodes: 11/15/96 Virginia Beach Center
for the Arts; 11/16/96 Williamsburg Regional Library

In 1983, Ignacio Rodes became the youngest guitarist ever to win the coveted Andrés Segovia Prize (Palma de Mallorca). He has also won first prize at four other international guitar competitions, including the Francisco Tarrega (Benicasim, 1985) and Ramirez (1981).
Since then, Rodes has been playing the the world's great concert halls, including Wigmore Hall in London, Alte Oper in Frankfurt, Alice Tully Hall at Lincoln Center, New York, and major venues in Madrid, Warsaw and Mexico. He has been invited to perform at international festivals in Germany, Great Britain, Ireland, Italy, Belgium, Greece, Hungary and Chile, and has conducted many Master Classes.
Rodes has recorded two CDs which include three guitar concertos (Villa
Lobos, Halffter and Guinjoan - dedicated to Rodes) accompanied by the
English Chamber Orchestra, and four sonatas for guitar solo (Espla,
Brouwer, Bardwell and Ginastera). At the present time, Ignacio Rodes
lives in New Haven, Connecticut.
| Four Elizabethan Pieces | John Dowland |
| Prelude | (1563-1626) |
| A Fancy | |
| Sir John Smith, his almain | |
| Fantasie | |
| Sonata in C, BWV 1005 | Johann Sebastian Bach |
| Adagio | (1685-1750) |
| Adagio | |
| Fuga | |
| Largo | |
| Allegro Assai |
INTERMISSION
| Morceaux de Concert, Op. 34 | Fernando Sor (1778-1839) |
| Partita No. 1 for Guitar | Stephen Dodgson (1921- ) |
| Allegretto con moto | |
| Molto Vivace | |
| Adagio | |
| Allegro | |
| Fantasia Sevillana | Joaquín Turina (1882-1949) |
M. Rodes also presented a master class on 11/17/96 at Old Dominion
University, Norfolk.
Timothy Olbrych: 1/17/97 Chrysler Museum
Theater

Timothy Olbrych has appeared throughout the East Coast in both solo and chamber music settings including Merkin Hall, Club 54 and Club A in New York City, University of Connecticut - Storrs, University of Massachusetts, the College of William and Mary in Virginia, Virginia Commonwealth University, Virginia Fine Arts Museum and the Tidewater and Richmond Guitar Societies. His TV and radio appearances include WGGB-TV, Springfield, MA, and WHRO-TV, WAVY-TV, WTAR-TV, WHRO-FM and WGH-FM in Virginia. He is the founder and past president of the Tidewater Classical Guitar Society, one of the most active and prominent guitar societies in the U.S.
Timothy Olbrych has degrees in Music Education and Guitar Performance from
Hartt School of Music, and a Master of Music from Virginia Commonwealth
University. Mr. Olbrych has studied guitar with Richard Provost, Alice Artzt,
Jesus Silva and Gordon Crosskey, and has performed in master classes with
Alice Artzt, Oscar Ghiglia, David Russell, Toyohiko Satoh, Michael Lorimer,
Carlos Barbosa-Lima and Jesus Silva. He is currently on the artist faculty of
the College of William and Mary, and resides in Williamsburg Virginia.
| Desifinado | Antonio Carlos Jobim |
| Solidão | |
| Ebony Samba | Luiz Bonfa |
| Ilha de Coral | |
| Manha de Carnaval | |
| Samba de Duas Notas | |
| Sambalamento | |
| Humoresque | Agustin Barrios Mangore |
| Preludio | |
| Tango-Don Perez Freiro | |
| Cancion de la Hilandera | |
| Cazapa - Aire Popular Paraguayo | |
| Choro da Saudade | |
| Danza Guarani |
INTERMISSION
| Prelude #1 in E minor | Heitor Villa-Lobos |
| Prelude #2 in E major | |
| Prelude #3 in A minor | |
| Prelude #4 in E minor | |
| Prelude #5 in D major | |
| Concerto for Guitar and Small Orchestra | Heitor Villa-Lobos |
| Allegro Preciso | |
| Andantino e Andante | |
| Allegro non troppo |
Eleftheria Kotzia: 2/14/97 Chrysler Museum Theater

Eleftheria Kotzia was born in Greece and studied the guitar at the National Conservatory in Athens, the Conservatoire National Supérieure in Paris and at the Guildhall School of Music in London. She has toured regularly in Europe, North Africa, Canada, the United States, Australia and the Far East, and performed at many of the greatest international festivals, including the 10th Anniversary Series of the D'Addario Foundation in the USA, the Festival Estival in Paris, the Tavener Festival in the Athens Concert Hall, the Segovia Celebrations in Spain, the American Guitar Festival (GFA) in USA (where she was a winner), as well as the Norfolk and Norwich Festivals.
In 1989, Eleftheria's first recording - "The Blue Guitar" - featuring the
premiere recording of Sir Michael Tippett's Sonata, achieved world wide
acclaim and was selected by Gramophone Magazine as a "Critic's Choice
Recording of the Year". She is the winner of the 6th international Guitar
Competition in Milan in 1977 and the "Ville de Juvisy" in France in 1982.
| Serôes and Batucsda | Isaias Savio |
| South American Suite | Hector Ayaia |
| Choros | |
| Taquirari | |
| Guarania | |
| Tonada | |
| Vals | |
| Gato | |
| Four Greek Dances | Traditional |
| Ballos | |
| Kalamatians | |
| Karaguna | |
| Sousta |
INTERMISSION
| Four Epitaphs | Mikis Theodorakis |
| Invocation y Danza | Joaquín Rodrigo |
| Songs and Dances from South America | Traditional |
Hopkinson Smith: 3/6/97 Williamsburg Regional Library; 3/7/97
Chrysler Museum Theater

Hopkinson Smith is a leading
personality in the field of early music and
one of the world's great lutenists. Presently living in Switzerland where
he teaches at the Schola Cantorum Basiliensis, Smith graduated from Harvard
with Honors in music in 1972 and studied early plucked instruments with
Emilio Pujol in Catalonia and Eugen Dombois in Switzerland. He has performed,
given master classes and appeared in festivals throughout Europe and in the
Americas, has participated in more than forty recordings of ensemble music
and made nineteen recordings as a soloist. These have won numerous awards,
including six "Diapasons d'Or" and a "Grand Prix de Disque" for his
Astrée double CD of Bach lute works.
| Partita in D minor | Sylvius Leopold Weiss |
| Fantasia | |
| Allemande | |
| Courante | |
| Sarabande | |
| Gigue | |
| Adagio and Fugue in G Minor | Johann Sebastian Bach (1685-1750) |
| Prelude, Toccata and Allegro in G Major | Sylvius Leopold Weiss |
INTERMISSION
| Pavanas al aire español | Gaspar Sanz (Pub 1674) |
| La Tarantela | |
| Soldiers and Maidens | |
| La Coqueta Francesca | |
| Clarin de los Mossqueteros del Rey de Francia | |
| La Menina de Portugal | |
| Fanfarria | |
| Canarios | Antonio de Santa Cruz |
| Jácaras | Francisco Guerau (Pub 1674) |
| Passacalles del segundo tono | Gaspar Sanz |
| Canarios |
Antigoni Goni: 4/4/97 Virginia Beach
Contemporary Arts Center; 4/5/97 Williamsburg Regional Library

Antigoni Goni was born in Athens, Greece in 1969. A winner of the International Competition in Cuba in 1988, she was awarded the special prize of "best interpretation in Latin American music". In 1990 she won first prize in the Julian Bream competition at the Royal Academy in London, and in 1996, won the Guitar Foundation of America competition.
She began her studies at the National Conservatory of Athens, and received her Soloist Diploma in 1989. She was awarded a British Council Scholarship to study with John Mills at the Royal Academy of Music in London, and has also studied in Master Classes with Julian Bream, John Williams, Leo Brouwer and Manuel Barrueco. She was (at this writing) completing her Masters at the Julliard School of Music in NYC.
Appearing here as the 1996 GFA winner, she thoroughly impressed one and
all in Tidewater Virginia.
| Five Preludes | Manuel Ponce |
| Nos 1, 2, 4, 6, 10 from the Segovia Edition | |
| The Black Decameron | Leo Brouwer |
| Three Ballades | |
| Mallorca | Isaac Albéniz |
| Sevilla |
INTERMISSION
| Sonatina in A | Frederico Manuel Torroba |
| Allegretto | |
| Andante | |
| Allegro | |
| Invocation y Danza | Joaquín Rodrigo |
| Two Valses | Agustin Barrios |
| No. 3 & No. 4 |
Inti-Illimani:
5/8/97 Norfolk Botanical Gardens

Originally from Santiago, Chile, Inti-Illimani
lived 15 years of their
artistic life in exile. The foolishness and uselessness of forcing them
to live in exile has been demonstrated by the warmth with which they were
received by their fellow Chileans on their return from Italy in 1988,
converting Inti-Illimani into a creative legacy of the country.
Performing on more than 30 wind, string and percussion instruments,
Inti-Illimani has toured Europe, the United States, Canada, Japan,
Australia and Central and South America. They have worked with such
artists as Pete Seeger, George Grassens, Mikis Theodorakis, Mercedes Sosa,
John Williams, Paco Peña, and Roberto De Simone.
No published program was available for this concert. Rather, the group
announced pieces chosen from their repertoire as they went along. You
might want to look for the following releases:
PROGRAM
1979 Gracias a la Vida (Thanks to Life)
1980 Inti-Illimani en Directo (Inti-Illiamni LIve)
1981 Palimpsesto
1982 El Vuelo del Condor (Flight of the Condor)
1984 Imagination
1986 De Canto y Baile (From Song and Dance)
1987 Fragmento de un Sueño (Fragments of a Dream)
1990 Leyenda (Legend)
1993 Andadas (Wanderings)
1996 Ariegaré la Piel (I Will Risk My Skin)